minilogue 10

Let’s make some ridiculous sounds with KORG’s minilogue

By now, you’ve heard about KORG’s $499 minilogue analog polysynth, and the next question is: how does it sound? I’ve been playing around with it, and I can at least say this: it isn’t boring. I’m wary of sound samples. Most synths are capable of producing some sorts of good sounds, unless there’s literally something wrong with the way they’re engineered. And likewise, the experience of using an instrument goes beyond what an out-of-context sound can describe. But with that in mind, I’ll share some somewhat random excursions here. My guess is that (cough) more respectable synthesists will post the …

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protoverb

Play reverb roulette with this wild free u-he plug-in

Urs Heckmann just combined “reverb” with “experimental, possibly sonically unstable plug-in with unpredictable results.” And it’s free. Urs – how did you know exactly what I wanted for Christmas?

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spectral

Want new sounds? Come explore spectral resynthesis

Theoretically, digital sound can sound like anything. And I do mean anything: at the frontier of what is conceptually possible, digital representations can produce any sound. Despite this, so many of the sounds we hear, well, the same. Dealing with that kind of generative freedom is no minor challenge. And that could explain the cult-like dedication of some sonic explorers to the sound environment Kyma. Kyma isn’t the only tool that can do spectral analysis and resynthesis. But it has a special history of working with data in this way, both as one of the first tools to do so …

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maxology_physical

Get physical modeling sonic powers, free, in Max starter kit

There is a powerful world of sound exploration in your hands. But sometimes the hardest part is just starting. So the quiet launch of a site called Maxology is very good news. It’s evidently a place to go for tutorials and projects and more. And right now, you can grab a bunch of free and open source objects for physical modeling, built for Max 7 and Max for Live. That opens a window into a world of realistic and impossible sounds, built on algorithms that mimic the way instruments work physically and acoustically.

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windows

Windows startup sounds transformed into amazing ambient music

Microsoft celebrated the 20th anniversary of the release of Windows 95. But the best part of all of this may be this oddly eerie, beautiful set of ambient tunes, slowing down the best-known Windows branding by 4000%. This is what Brian Eno sounds like when you Brian Eno-ify Brian Eno. While we’re at it, it’s worth revisiting some of the startup sounds over the years.

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berlin-atonal-2014-high-res-©-camille-blake-94

Returning the festival to a place for the specific and the new, at Atonal

Electronic music, even at its most adventurous, has a bit of a chicken and egg problem at the moment. Festivals feed off of other festivals. Projects are made to be as portable as possible, touring from one place to another. Venues, crowds, and even the festival programs themselves are made to be as interchangeable as possible. None of these things on its own is a bad thing; music touring as an institution has likely been around as long as musicians have owned shoes. But at some point, you need something new to happen. You need someone to do something specific …

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SONY DSC

A New Online Platform Gives You Expert Music Tech Training, Free

Every feel like you wish you could go back to school? Or… go to a different school? Maybe you want to learn at CalArts, or Princeton, or Stanford, or Goldsmiths. Maybe you wish Robert Henke would sit at your side and teach you about Ableton Live. Or maybe Perry Cook would teach you synthesis. Or Casey Reas would talk to you about creative coding and Processing. Digital learning gives us some of those chances – without running into campus security, that is. And so we’ve seen some great learning platforms, including iTunes audio courses from Stanford and people like Steve …

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zachpush

Mad Zach Has Tips on Finger Drumming, Production, and His Free Live Pack

All those pads – it took virtuoso finger drummer Mad Zach to take advantage of them. Mad Zach’s five free Drum Racks accompany today’s release of Ableton Live 9.2. Since he, frankly, makes most of us look bad with his agile use of the Push hardware, I wanted CDM to talk to him more about what he’s doing. He joins us to share some tips for live performance, production, DJing, and more. 64 Pad Lab by Mad Zach

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believe

New Yamaha Project Will Include “Totally Alien” New Technology, Says Interview

It seems synth guru Richard Devine couldn’t resist revealing something about upcoming Yamaha technology. In an interview earlier this month, he let slip that the instrument includes “alien” new tech: Usually when I work with a company – for instance I’m working with Yamaha on a project right now; I can’t say what it is, but it’s pretty crazy. This synthesizer has new technology that’s never been implemented before, so it’s totally alien to anything I’ve ever used. I’ve had to spend a few weeks just understanding the architecture of it. This tells us two things. One, whatever Richard is …

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Fraction

Not Just Stuttering: Fraction Plug-in Slices Sound Live on Mac

Fraction by Sinevibes video demo from Sinevibes on Vimeo. Sinevibes has been on a roll lately. The one-man Mac plug-in shop keeps churning out elegant, attractive plug-ins with a consistent color-coded visual interface, variations on a theme that invariably include clever twists. And now, this. Fraction isn’t the first slice repeater plug-in. But it might be the most direct and intuitive. I’ve been playing with it for a bit, and it’s tough to describe just how much it’s able to do, or how quickly you can get at that range. Far from just adding some stuttering effects, you can add …

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