If You Use Kontakt, Get Cool Bleep and Bass Instruments for Free

Bleeping amazing. There’s some great stuff you can get for free for Native Instruments’ Kontakt sampler. This week, two new instruments are available. First up, a device that makes chip music bleep sounds, and includes sophisticated sound controls and step-sequencing LFOs. The creator, Zombie Queen, describes it thusly: I’m assembling new bleeping device in Kontakt, last one was so twisting complicated, I’ve been getting lost in it myself. I wanted to re-utilize the engine, but simplify things a lot and add some new twists. I’ve got working ‘beta’ version, if you’d like to try it out. It’s focused more on …

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charles-cohen

The Bob Ross of the Music Easel: Watch Charles Cohen at the Buchla

Ctm Workshop: Charles Cohen @ Schneidersladen from Andreas Schneider on Vimeo. There’s an easel of sound, and American composer Charles Cohen is its gentle-voiced practitioner. What starts as primitive basic sounds magically becomes sophisticated, expressive, emotionally-charged musical painting. And Charles can show you how. He did just that earlier this year at CTM Festival, at a workshop hosted by Schneidersladen, the storied Berlin synth shop whose fearless captain, Andreas Schneider, was one of the early champions of today’s modular, analog, and boutique maker revivals. He walks through the process, with all the cool methodical pedagogy of Bob Ross himself. “You …

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renoisecdp

Renoise Community Already Have Their Own Tool for CDP; Free, Easy Sound Mangling Results

Not to be out-geeked, it seems that while BT is stumbling around the command line, the community at Renoise have built a free tool around the archaic sound-mangling goodness of the now-available-for-free CDP (Composers Desktop Project). For those of you just joining us – that’s a strange and wonderful tool that processes sound files into crazy distorted, morphed new forms in various ways. The Renoise forum is all over this, having used Lua to code up a front end that makes processing files part of the workflow in Renoise. It’s … kind of incredible. Thank UK-based user afta8 and other …

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COMMAND LINE INTERFACE!!!

Watch BT Reveal Sound Design Tricks with Free, Geeky CDP – Then Learn it Yourself

From the mysterious underworld of 80s sound software, it’s a library of free sound transformation tools so cool you’ll happily head to the command line to run them – no real-time preview to be found. No, seriously. Even if the fanciest you get is changing a preset in Logic, you want to hear about this. Self-professed addict of sound geekery BT took to a packed room at New York’s Cielo to tell an assembled group of aspiring producers why they should embrace the Terminal. His video is a fantastic introduction to the tool. Dubbed Composers Desktop Project – after the …

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Hey, there's a modular inside my drum machine. Images courtesy Arturia.

Watch Arturia Spark 2, as $129 Drum Machine Adds Modular Sound Design, Song and Loop Powers

For all the wonders of the hardware drum machine, there’s nothing quite like the flexibility of the software drum machine. More than mere groove-makers, beneath the conventional and familiar drum machine paradigm lies some real potential for sample manipulation and sound design. Native Instruments won over users by demonstrating the hybrid hardware/software workflow in Maschine, and various software instruments (FXpansion, anyone?) have put pressure on hardware with the sheer range of what they can do. But somewhere in the shadow of Maschine and Akai’s MPC Renaissance, Arturia’s Spark has been a little-known, compact, inexpensive challenger. And that’s why Spark 2 …

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Cure Dull Sound and Transform Rhythms By Adventuring Into Convolution [Watch]

Convolution is a process fundamental to understanding digital sound. Any audio can be imagined as the combination of the frequency and temporal domains. With convolution, you can simulate the combination of one sound with another, or one sound with an environment. Traditionally, that has meant reverbs. But it can mean more – a lot more. Apart from simulating instruments, it can synthesize never-before-heard and impossible sound. Our friend Diego Stocco has been hard at work opening up some of those doors to producers. When we last joined Diego, he was teaching you sound design techniques. This time, he has both …

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amonvideostill

Watch Amon Tobin on Exploring Sound, Labors of Love

This Tuesday, we’ve lined up a trio of video interviews for your viewing pleasure. But one is rarer than the others. Amon Tobin tends to shy away from interviews, generally, let alone those on camera. Here, he agreed to talk to Beatport about his work. Flanked by racks of very lovely gear from Moog and others, plus a computer running Steinberg Cubase as the central digital hub and recording center, Tobin emphasizes mainly the philosophy behind his approach. He emphasizes in particular his passion for experimentation, contrasting “entertainment,” which “depends on the approval of other people,” with what he describes …

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Build a Classic Synth, Reissued: Hands-on with KORG’s MS-20 Kit [Gallery]

Call it the MS-20 “Biggie.” A year after remaking their classic 1978 MS-20 synthesizer in a hugely-popular “mini” version, KORG surprised everyone by unveiling a second reissue this year, the limited-edition MS-20 Kit. Its innards are entirely identical to the MS-20 mini; component-by-component, the sound circuitry is the same. And since the MS-20 was a fairly convincing replica of the original, inaccurate mostly in that it can’t reproduce the aged components we’re now used to, that’s a good start. Now I’ve had the experience of assembling and playing the kit, following up our debut with the mini last year, and …

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Pushing the Guitar, Sound Further, with Moog Minifooger, Eventide H9 Stompboxes [Videos]

Yes, it’s a good time to be in love with synths and drum machines. But for all the hype around those instruments lately, adventurous guitar effects are also seeing a new renaissance. While guitarists have always had a lovely palette of oddball stompboxes and grungy distortion and effects, they’ve lately been seeing more affordable, more accessible tools for sound design that had been more associated with synths. And, of course, wherever you see the word “guitarists,” any instrumentalists who need stomp form factor will also benefit – bass guitar, electric violin, experimental accordion, whatever. Say the name “Moog,” and most …

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The Curious Digital Modular: Watch aleph bees in Action

aleph bees introduction from tehn on Vimeo. It’s like having a roomful of modulars inside a mysterious magic box. It’s like using Max/MSP with the control interface of an Etch-a-Sketch. It’s … okay, really hard to describe. But aleph bees is certainly unlike digital hardware we’ve seen before. Using just knobs and text, and silky-smooth sound features – everything runs fast and glitch-free, even hot-swapping hardware – aleph bees is a kind of experiment in computer minimalism. It’s as open-ended as a computer, but in ruggedly-simple hardware. It lets you program custom software with a few twists of your wrist …

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