thoughtless68

After 100 Releases, A Label You May Not Know, But Should [Thoughtless Interview]

Noah Pred didn’t just run his own label. He has run a label that has traced a lot of the finest music of the past years, making its way from Toronto to Berlin. And he did it while juggling his own career as a techno producers’ producer, a DJ’s DJ. At 100 releases, he’s got plenty to say about what that musical journey has meant – and not just the easy bits. I pressed Noah to reflect on what he really thinks of the flow of the music industry’s power and resources to the top, and the conflicts that can …

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Groovy, Moody Songs, Flea Market Sound Design Finds: Meet Sofia Kourtesis

Half Greek, half Peruvian, born in Lima but raised between Germany and New York, Sofia Kourtesis is a fresh, emerging voice. Her music interweaves shadows and introspection with smart grooves – seductive melancholy. Her mixes, too, cross similar territory, aided by her broad knowledge of music as a globe-trotting DJ and booker. So, it’s a perfect start to our week this week, with some listening and a peek inside a studio. This is what’s so exciting about being in music now: we get to hear those new artists find original paths. Apart from being a sci-fi movie addict and teenage …

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snorklive

Techno Sounds Like It Could Kill You: Neil Landstrumm, Syntax Error Interview, Music

There is a mysterious and wonderful appeal to the dangerous power of music. Music can come from the harmonious sound of the spheres, yes. It can sound like a sunny summer picnic. Or – it can sound like it’s trying to kill you. Not every genre goes there, but speaking for Germany’s label Snork Enterprises, Neil Landstrumm and Syntax Error refer to that murderous quality of techno. Today’s words and sounds therefore come from Snork. The interview at top I felt had to be published on CDM just for this quote from Syntax Error, aka label boss Christian Schachta. But …

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rodhad

Dystopian Bearded Techno: Watch, Listen to Rødhåd Play and Talk Music [Listening]

The phenomenon of techno’s growth right now can’t even be confined to one corner of Berlin. Rødhåd and Dystopian Records demonstrate not only the uncontainable nature of their own particular brand of shadowy dance creations, but perhaps this folk quality of electronically-produced music generally. And if you happen to like that flavor, we have quite a lot of media for you to gobble up. Dubby, dark, and distant, it’s all as always perfectly constructed, reserved in its trajectory as it builds energy. I suppose it’s predictable that getting Berghain’s stamp of approval brought Rødhåd to an international audience, but it’s …

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About_The_Artist_EPK

Bugs Make Music, Lured by Light, in Music and Art Project

That’s not a bug; it’s a feature. Wayward insects become the source of eerie, ambient music in a new work by British-born, Baix Penedes (Spain)-based artist Dickon Stone. Each insect lured by the glow of his light-up sculpture in turn triggers musical elements. Over the course of five years, he’s shaped that process into a strangely-lovely, otherworldly soundscape and formed a two-track EP, which you can preview here. (Five years, huh? Well, that’s proof that even with swarms of insects helping you shape the music, you can wind up obsessing over finishing. But the results are worth it!) Dickon sends …

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KORG Gadget for iPad Gets Serious, with MIDI, New Slicer-Samplers, and Ableton Export

Ableton alone can’t take you mobile, apart from bringing your MacBook running Live on the bus. But now KORG is ready to take your Ableton Live work on the road. Apart from adding native Live set export to their electribe and electribe sampler, the new versions of KORG’s iOS apps Gadget and iKaossilator do export, too. And that’s just one feature in the deceptively-named “1.03” release of KORG’s Gadget. Gadget is one of those apps that I’ve had to file under “wow, this looks cool but I’ve no time.” As the name implies, you get a selection of synths and …

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The Dream Modular Rig, Making Amazing Sounds: Cyrus Rex

cyrusrex + Baseck – #DBC611G-1D from Muff Wiggler on Vimeo. Pulsing, rattling, buzzing, quivering, the music of LA-based artist Cyrus Rex is a sumptuous feast of sound. Here’s a musician who connects massive arrays of gear, like some post-apocalyptic robot dream, and then makes it sound like it – rapid-fire machine reveries set in motion amidst nests of cables. Little wonder this video at top, with Cyrusrex and Baseck, comes from MuffWiggler. It is full of gear: Cyrusrex + Baseck – Modular Synth, DSI Tempest, DevilFish TB303, Strymon BigSky, casio #DBC611G-1D But don’t stop there. Cyrus Rex’s music is an …

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playlistcreation

Meet Those SoundCloud Premier Partners, Advertisers – And Look Back 5 Years Ago

SoundCloud’s On SoundCloud program, which includes the ability to add optional advertising to your content as a revenue source, is initially available only to Premier partners. Premier is a new, invite-only membership level that has extra features the rest of the community doesn’t get – though, as with advertising, SoundCloud says most of those features will eventually be available to all paid users. But just who are those Premier partners getting the list? SoundCloud sent over the complete launch list to CDM so we can all have a look. It includes some big names (Sony, BMG), but also artists, comedy …

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The Riser Synth Makes it Easy to Make Ridiculous EDM Rises, Drops; Try it Free

The Riser, the new synth from German developer AIR, isn’t shy about what it’s for. This is a synth to make rises and drops aimed squarely at EDM fans. Dial up presets, turn some knobs, and sync up absurd rhythmic builds, like pumping chart-topping performance-enhancing drugs into your music. What makes it interesting is, it’s a synth. It isn’t another sample library, so you can actually control the results and make something original. And if that’s what you want to do, you can do it right now for free – sort of. There’s a 2-week unlimited demo version – but …

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SoundCloud Explains Their New Plans to Us – And How Ads Will Work

Money at SoundCloud has in the past flowed in one direction: you, the uploader, pay for premium plans, and SoundCloud gets the cash. Now, for the first time, money is going the other way – from the service to artists and labels. In the process, that means one significant change: SoundCloud listeners will begin to hear ads. It’s been interesting to watch the reaction – from people losing their minds over ads appearing on the service to more measured responses and genuine interest in the service “growing up” and adding income to become sustainable. This of course collides with worries …

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