Apple has released Logic Studio 9 today. Banner features: “Flex Time” audio warping, new goodies for guitarists (plus integration with a new audio interface and pedalboard from Apogee), expanded support for working with video and outputting compression, and most interestingly, tools for making MainStage a feature you might actually take onstage.

I’m meeting with Apple next week, so if you think of any smart questions, do pass them along. I should receive my testing copy then, too, so expect more details. In the meantime, here’s how it looks “on paper,” in a nutshell.

Live Performance

This to me is the interesting one. I loved the idea of MainStage when it came out, but I had a number of complaints in regards to what musicians would actually want to do for live performance. Specifically:

• MainStage needs a way of playing backing tracks, particularly for bands and acoustic players and soloists.
• ReWire is a must, so people using tools like Ableton Live (or Reason, or the awesome tracker Renoise) can work with them in a MainStage rig.
• Better control mapping was needed for real performance – including grouping.
• Musicians need a way of recording their gigs.

Well, guess what? Apple says they’ve added all of that to MainStage 2. ReWire support should make this particularly interesting, as solutions like a Logic-Live rig now become practical. And this is the first DAW to really try to do backing tracks in a way bands can use, even including Ableton Live.

Grouped controls allow you to drag and drop layouts of controls as macros. It’s a nice implementation, and different from what’s currently out there.

There’s also a live loop recorder, tape style. My first impression of this is that this doesn’t appear to match things like the new looper in Ableton Live 8, which can set an entire project tempo – it’s more like a basic stompbox effect, as we’ve seen previously in Native Instruments’ Guitar Rig. Still, that matches the simplicity of some of the other tools here.

Augh… and yes, that is Apple’s now-ubiquitous album art view as the browser mechanism for templates, proving they really don’t know where to stop. At least it seems they haven’t used that for the entire UI.

Of course, performance is everything in these implementations, so it’ll be fun to torture test MainStage 2 and see how it stands up.

And for anyone who wanted Live clips and Sculpture in one session, this could be interesting.

Just as the Macworld review was going to “press” (or appearing online, anyway) Soundtrack Pro 2.01 arrived. New in this version:

Delay Designer: This effect now allows custom delay taps, with optional sync to project tempo.

Combine clips into multichannel clip: This is nice: drag up to 24 source clips to the timeline, and you automatically get a combined multichannel clip, which should be handy for surround and stereo multichannel alike.

Various fixes for performance / stability / etc.

But there’s one release note that caught my eye: Soundtrack Pro 2 does not support iTunes Plus files. Now, that’s curious, given iTunes Plus files are supposedly “DRM-free” and stored in a format Soundtrack Pro 2 does support (AAC). In fact, I’d kind of call this, well, DRM. I can even think of cases where you might want to trim a track you bought from iTunes, like removing an intro. Not a big deal by any means, mind you, but — odd.

Hmmm…

Soundtrack Pro 2 supports AAC files.

QuickTime can open iTMS Plus files. (If you do want to edit the file, by the way, you can slice out an intro of that iTMS Plus file right in QuickTime Player, making this all the odder.)

Soundtrack Pro 2 can’t. The only reason seems to be that Apple disabled the ability to do that. That sure sounds like Digital Rights Management to me (albeit in a very specific and bizarre case).

If anyone knows a reason why I might be wrong here, please do speak up. (Just tried it for myself with an ITMS Plus track, and Soundtrack Pro in fact reported that it couldn’t open the file.)

Updated: Or it could just be a bug. “DRM” as a theory still doesn’t make sense. The author of Sound Studio notes an AAC bug that’s a likely culprit. It’d be ironic that Apple’s own developers couldn’t work around an Apple API problem — but I can’t actually pretend to be surprised, either, especially as this particular functionality wouldn’t be a very high priority for support in Soundtrack Pro. Thanks, Lucius. (See comments.) And, yeah, that makes a heck of a lot more sense than selective DRM that takes effect only in a single pro app and nowhere else on the system. We’ll call it DPB: Digital Playback Bug.

I should also note that Felt Tip Software’s Sound Studio is an excellent, eminently affordable wave editor for Mac. I used it in the early days of OS X when nothing else ran. Since then, it’s become a very mature piece of software — well worth the cash over, say, suffering through Audacity for free. (Sorry, Audacity.) So if you feel left out by the fact that Soundtrack Pro is only available within Final Cut Studio, you should add Sound Studio to your list of tools to consider as an alternative, as well.

Soundtrack Pro 2 from Apple offers some major new improvements over the first release of the “Pro” audio editor from Apple. Multichannel editing now works properly, with the ability to nudge by frames and move clip envelopes together with clips, and there are some brilliant new features for conforming audio projects to video and a “Lift and Stamp” tool for applying audio attributes from one clip (including matching EQ and copying effects) to another.

Macworld.com has just published my complete review of the software:

Pros: Vastly improved multichannel editing and file import and export; Conform feature makes Final Cut integration more elegant; efficient surround panning; improved recording; convenient Lift and Stamp audio.

Cons: Automation requires AppleScript; rigid and sometimes sluggish interface; available only as part of the Final Cut Studio suite.

Soundtrack Pro 2: Improved editing and new features help you sync audio with video

Soundtrack vs. Final Cut Studio vs. Logic

The bad news, of course, is that the only way to get Soundtrack Pro 2 is to either buy Final Cut Studio or upgrade to the whole Final Cut Studio.