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Here’s What Apple Music Looks Like to Artists

Apple Music, the company’s streaming / social / radio service, rolls out today. So you’ll see plenty of people talking about how it looks to listeners. But how does it look to artists? If you followed my previous advice about signing up for “Music for Artists” via Apple Connect, you may already be having a look. But here’s the big-picture overview. Connect – Where? Connect involves a few ingredients: 1. A Web-administered identity, connected to your iTunes account 2. A (read-only) presence with content in iTunes on desktop 3. The ability to both read and add content from the Apple …

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You Can’t Game Spotify, But You Can Up Your Dating Game

As the transformation of music heats up, the discussions are heating up, too. Case in point: yesterday’s report on Eternify certainly earned some angry responses. I was of the opinion that Eternify was a decent gimmick – a way of showing just how small fees from streamed music are. Imagine if the music you bought only got a fraction of a cent to the artist each time you played it. I don’t think there’s practically an album in my collection I’ve listened to enough times that streaming fees would add up to purchase fees. Now, does that mean that Spotify …

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Eternify is the Best Response Yet to Streaming Conundrum

What initially seemed to be a conversation about streaming revenues for artists more or less this week became a conversation … about Taylor Swift. But it’s the debate behind Apple Music that is somewhat puzzling. Taylor Swift wasn’t the only one focusing concerns on Apple Music’s quarterly free trial. Labels were fixated on the same worry. The reason this is odd is that it ignores the fact that even when users pay for a subscription, rates are woefully inadequate. Music Business Worldwide reported a study from France that confirms what many had suspected. Majors get a whole lot of the …

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Where’s the Drop? Web App Creepily Knows Via The Crowd

Here’s something cool, and something depressing – all in one. What’s cool: Paul Lemere, participating at Cannes’ MIDEM Hack Day, built a tool that magically figures out where “the drop” is in a song. What’s creepy and depressing – uh, to me, at least – it knows this because some of you apparently can’t resist scrubbing directly to that point in the song. Hey, wait a minute, isn’t the whole point some amount of anticipation before just immediately getting to the release of pl– I’m going to stop right there, as there is no family-friendly way to talk about this. …

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djay Pro Now Works with CDJs, Adds 320k Spotify Streaming, VJ Tools

If you thought you could safely dismiss Algoriddim’s djay as some entry-level player, something for non-serious users, you might change your mind. And that could also cause Spotify to make a bigger splash with DJing. The company has a few surprise announcements today.

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djay Pro for Mac: A Serious DJ App with Spotify Integration, US$49

A full-featured DJ app can be yours for fifty bucks, and it can stream the songs you don’t have right off Spotify. djay Pro is here, and with it and a new generation of contenders come some serious shifts in digital DJing. Algoriddim have been making user-friendly DJ apps for a while. That started with a beginner-friendly Mac app, but extended to iOS and the until-recently-neglected Android platform (which is now at last fairly viable for mobile DJing). djay’s ease of use was already enough to make it appeal to casual DJs. Then, in May, Algoriddim pulled an ace out …

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The iPod is Dead; Now Stop Being So Weepy and Start Looking at the Future

It happened just as Apple was giving us one thing many of us couldn’t imagine wanting (a watch), and one thing we definitely didn’t ask for (“buying” U2’s new record for us). Apple quietly killed the iPod Classic. That is, the iPod touch lives on as an iOS handheld minus a cellular radio, and there’s an app on iOS. But there is no standalone device, with the as-expected discontinuation of iPod Classic. Correction: there is one. The US$49, 2GB iPod shuffle is still available. But it’s a pale shadow of the iPod line. This is a big deal. It means …

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The Terrible, Horrible, No Good, Very Bad Google Music Contract?

Google isn’t just being a little bad in their contract negotiations with indie labels. In a leak to Digital Music News, it proves to be the worst contract I or anyone I’ve talked to has ever seen, for anything music-related. It puts the “boiler” in boilerplate. F*&K It: Here’s the Entire YouTube Contract for Indies… If this leaked contract is what Google still stands by, and current analysis in the music press is correct, the deal is deeply unsettling. It blurs the lines between free and premium services by placing them all under a single contract. YouTube and its Spotify …

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Google Now On The Record With Anti-Indie Negotiating Tactics

As Beats, Spotify, and others earn praise from indies, Google is looking like music’s biggest new villain. According to independent labels, Google is ignoring their collective negotiating groups, offering poor terms in comparison to what they offer majors, and then threatening to block artists and labels from YouTube if they don’t accept those disadvantaged license deals on the company’s new service. And a Google executive today all but publicly confirmed the threats to the press. You might expect that Google would want to burnish its image in light of an upcoming paid streaming service (think Google clone of Spotify, possibly), …

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In the Age of Beats and Spotify, Winners – and Opportunities

There is an accelerating transformation of music listening; that much is clear. And if you change the way people listen, you will change the way people produce. So who and what wins in this brave new world? Let’s consider. The month of May brought still more signs of tectonic shifts, with Apple buying Beats and Spotify showing no signs of slowing. The Apple acquisition of Beats can’t really be measured in dollars, because Apple has so much cash on-hand. (US$150 billion – and expect that dry powder to start getting loaded into cannons.) At least unlike Facebook or Google, Apple …

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