Maker Profile – Computer Making Music on Make: television from make magazine on Vimeo.

Make:Television has done a really lovely piece on CCRMA, the research center at Stanford University that works on problems ranging from acoustics and sound to musical instrument design. CCRMA is really just one microcosm of the whole music tech making scene around the world – a lot of increasingly beyond the walls of academia. But what a microcosm it is: I don’t think it’s understatement to say this is just the kind of institution a lot of us dream of. Among the highlights from the MAKE video that I could pick up:

• Ge Wang, professor and creator of ChucK programming language and certain popular ocarina-themed iPhone apps, and Stanford Laptop Orchestra director
• Carr Wilkerson: Electronic “Rub Board”(?) with a nice accompanying Pd synth patch
• A very nice Max/MSP app that everyone seems to be using for signal analysis
• Edgar Berdahl: a one-handed drum that “hits back”
• Nicholas Bryan building the legendary hemispheric speaker (incidentally, no one seems to be able to tell me who invented that)
• A giant interactive musical playground, with a Wii-powered teeter-totter (with one somewhat silly patch, and then another very lovely bowed-sounding patch)

Thanks to patospurlock on Twitter for the tip. I know at least some of you CCRMA students read this site, so feel free to chime in and identify your colleagues.

The featured Feedback Piano project is a hybrid with a bit of acoustical design (a piano), electronics/recording (mics), and digital/computer design (the Max patch that completes the circle). The results are really striking, and while it’s a lot less portable than a convolution reverb, it’s certainly very different having an actual piano into which you can play your saxophone.

Make followed up with directions on the Feedback Piano (please use a truly broken piano, thanks!) and we’ve got some video, as well:

We routinely talk about how the interface paradigm of a computer — screen, QWERTY, trackpad – isn’t optimal for music. But how many of you have, in a pinch, done a live laptop set with just your computer, and found some way to make it work? The Stanford University Laptop Orchestra, set to play this year’s Macworld, natch, is making the most of what it has:

“We tilt the notebook and use its built-in accelerometer to expressively control sound. We use the trackpad as a kind of violin bow,” explains Ge Wang, SLOrk’s founder. ”You can make some wild, diverse music with the MacBook.”

And why not? Designing expressive interfaces can pay off in something that’s satisfying, absolutely. But however you decide to play, a lot of it comes down to how you approach an object compositionally and musically. So, there’s two ways to look at this: on one level, it’s a novelty, and while to most of us seeing people playing behind Apple logos is nothing new, I’m sure Apple enjoys seeing a swarm of their machines. But on another, the real point is that the Stanford orchestra is getting the most mileage out of the machine. Trackpad? Check. Accelerometer? Keyboard? (Why stop there – Apple Remote? Webcam?) You’ve got quite a lot on the laptop itself to use.

We’ve looked at laptop orchestras before, but here’s still more:

Stanford Laptop Orchestra (SLOrk): Musical Macs [Story for Apple Pro by Dustin Driver]

SLOrk

Via: Stanford’s MacBook orchestra exposed [distorted-loop.com] and Macworld maestro Paul Kent’s Twitter.

Previously:

Laptop Orchestras Proliferate, from Princeton to Moscow

How to Record Laptop Performances – And Make Them Sound Live (linking to a story on the topic I wrote for Keyboard Magazine)

And for the mother of modern laptop orchestras, recently winning a MacArthur Foundation grant, see PLOrk at Princeton