nanopadsequencer

Giant Steps for Step Sequencing: Two Free Ableton Sequencers, with a Twist

There’s nothing quite like the feeling of physical control of a step sequencer for immediate, musical results. But you’d be forgiven for thinking there isn’t much more you can do with the concept. Think again. New step sequencers demonstrate how to get more with less, using clever tricks to maximize the musical variations you can get with just a few pads. They’re each free, and they’re each from Ableton Live, coming to us from our friends Sebastian Tomczak aka little-scale, the obscenely-prolific musical inventor in Australia, and Matt Black (UK, of Ninja Tune / Coldcut fame) working with Ableton guru …

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Chroma + Gris-Gris: Sequence Live with Anything, Then Let the Synth Run Wild [Reaktor]

Chroma and Gris-Gris are a beautiful pairing, a performance-savvy sequencer and a “monster” monosynth. If the release of the OSC implementation we dreamed of in Reaktor wasn’t enough to make you dust off NI’s modular flagship, this will surely do the trick. It’s the work of Montreal-based Reaktor guru Peter Dines, veteran CDM contributor and one of our favorite patchers anywhere, on any platform, for his eminently-practical, sonically-lovely creations. And just as the Chrome sequencer goes nicely with the Gris-Gris synth, the whole thing comes alive with Reaktor’s new OSC implementation, letting you perform sequences – alone or in public …

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ipolysix1

Classic KORG Polysix, Reimagined for iPad, Becomes All-in-One Workstation

In designing for Apple’s mobiles, KORG has again turned to equipment from their past. Having reinterpreted the ElecTribe and MS-20, their newest target is the versatile, classic Polysix. The 1981 original brought programmable polyphony to keyboard lovers, with analog oscillators, memory storage, six-voice polyphony, and various effects and modulation. For iOS, Korg models that sound (having done so already with the desktop Legacy Collection), and mimics the front-panel. But even more so than on the DS-20 rendition (iMS-20), they pack in modern features that make this a production tool as much as a synthesizer. That should be welcome news for …

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The Analog Four, stuff of dreams, as immortalized by eBoy in a parallel universe with a lower polygon count. (CC BY-NC-ND 3.0)

Elektron Analog Four Preview: Four Voices, Step Sequencer, All The Trimmings [Video, Audio]

Following its endless teasers and science fiction mini-movies, Swedish machine maker Elektron this week has announced features, specs, and preorder pricing for its Analog Four synth/sequencer, along with some sample sounds and a promo vid. It’s also been immortalized in a wonderful image, above, by artist eBoy. Just in case you needed a version to tack up above your bed. Ahhhh…. The damage: US$1099 / 1099,– € including VAT, shipped. The date: December 3. Yes, it’s analog, and even the early sound samples suggest a color of its own. And that’s a good thing. But, of ourse, that can’t be …

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anushri

Mutable’s Anushri Bundles Sequencing, Drums, Synthesis, CV in One Hobbyist-, Modular-Friendly Kit

Call it the Mutable Fun Pack. The Synth Happy Meal. The Family Variety Bucket. The Anushri doesn’t have quite the sound design depth that Mutable’s Shruthi-1 does, but in its place, you get a whole mess of different features. It’s an analog synth, with an additional digital oscillator. It’s got its own step sequencer/arpeggiator. It’s got an 8-bit, bit-crushed drum machine. And it has analog connections for modulars in addition to MIDI, so modular lovers can put it into a Eurorack if they like. In fact, it seems to bring some of the compact, lovable features of Roland’s 101 and …

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3 Things You Can Do in Ableton Live Now: Modulation, Dual Displays – Sorta, Pressure Grids

The Ableton Live 9 beta is trickling out, but not officially released until next year. Ditto that saucy new Ableton Push controller. And some users are complaining about things that aren’t in the feature list for Live 9. Waiting’s no fun. Let’s do stuff now. Here are three examples of things you can do right now, today, with your current version of Live. In fact, all three wind up being applicable to Live 9, too. 1. Modulate anything. First, I’ll start with my favorite. EXT, at top, is a free Max for Live device that does modulation. Unlike the new …

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Step Sequencing from iPad, with Koushion + Ableton Live [Video]

Part of the utility of the iPad is its power to transform into whatever you want it to be, the black, empty screen fitting any role you happen to need in the studio. Our friend Chris Stack shows off the combination of Ableton Live with the Koushion step sequencer on the iPad. Koushion is capable of sequencing hardware as well as software, provided a compatible interface. I don’t normally copy-and-paste, but here, let’s give ourselves a break. Features:

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modemachinessid

Chip Grooves: SID 8-bit Hardware Groovebox Preview, Works with iPad Editor [Videos]

German maker Mode Machines has been busy in the cloning laboratory. The latest hardware melds the classic chip sounds of the SID chip with an x0x sequencer a la the Roland TB-303. That surely qualifies as the synth nerd equivalent of combining chocolate and peanut butter.

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lauflicht_v2_main

Lauflicht 2 is One Tricked-Out Step Sequencer for Launchpad, Renoise

Late at night, you may hear them, a distant tapping of fingertips against pads and keys. They are the hackers, geeking away the late hours to make insanely-sophisticated custom musical contraptions, engineering some new forms of dance music or other electronic pattern. Thilo Geertzen is the latest, back with an even more pumped-up edition of the step-sequencer-on-stereoids that is Lauflicht. Sure, big hardware vendors are hard at work on hardware/software integration, but this is the DIYer’s answer. It’s a plug-in that combines Renoise’s powerful tracker-derived music construction features with Novation’s popular, now affordable-as-ever Launchpad. It’s bio-directional, fully integrated with the …

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midipal1

MIDIpal is an Open Box for Doing Stuff with Notes and Sequences and Things [Gallery, Interview]

Musically, compositionally, we think in notes and rhythms and patterns. MIDI may be a simple way of describing those elements, but it can be surprisingly expressive. And so, just as we have all sorts of boxes for adding effects to sound, there’s clear appeal to boxes that do stuff with musical patterns and information – a bit like a MIDI stompbox. We saw one example last week in the form of the MCP. Here’s another appealing “magical MIDI box” – and it’s also open source hardware. Created by Olivier Gillet, maker of the open source Shruthi-1 synth, it’s an affordable …

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