mp-full

USB is the new CV: monome meadowphysics as Modular, in New Video

meadowphysics possibilities from tehn on Vimeo. Here’s a lovely new monome demo, demonstrating their meadowphysics module interfacing between Eurorack hardware (that’s the stuff with the cables and knobs and things) and monome (that’s the stuff with the light-up grid). Call your family and random strangers and tell them that today you’re really stoked about “rhizomatic cascading counters,” which is what this is. (In more technical terms, let’s go with “chimey note-y thing.”) I’ve heard people who don’t like computers much complain that USB is some sort of source of planned obsolescence. On the contrary, with serial and standard class-compliant implementations …

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Sector is a Stuttering Stochastic Sample Slicer, Using Probability and Curving Lines [iPad]

Now we know how an MPC would behave if it were engineered on planet Vulcan. If you’re tired of conventional slicers and step sequencers, Sector turns audio into glitchy, stuttering, elaborate electronic patterns. Sound is fractured into a massive circle, resembling nothing if not some sort of archaic astronomical calendar, as arcing lines connect one slice to another and brightly-colored dots in the center illuminate to show more conventional steps as they advance. Still too regular for you? Fret not. All of this is randomized for coin-flip pattern variations. Warp modes and modulation shapes, all controllable, add additional glitching and …

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Insane, Starship Control Panel Controls Sound Morphing-Synth in 3D: COSMOSƒ

If I’ve said it once, I’ve said it a thousand times: manipulating sound presets should be as intuitive and powerful as regulating plasma coolant flow to the antimatter injector on a warp drive nacelle. I mean, knobs? How quaint. COSMOSƒ is a graphical morphing engine for sound, a standalone synthesizer with a wild, sci-fi interface. You can actually set up polar coordinates and navigate sounds through a sphere, in three dimensions. The sound engine is all internal, but looks like a lot of fun. (For more of this sort of thing, see the excellent, free and open source IanniX, which …

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A Delicate Web in White Lasers: Robert Henke's 'Fragile Territories'

Mastery of technology need not be an end in itself, a showcase for mechanical sophistication. It can mean finding the point at which you push a medium to be its most expressive. And I suppose that’s why so many can admire the ongoing work of musician and media artist Robert Henke. The lasers in ‘Fragile Territories’ are not the crude, awkward beams you probably know from kitschy planetarium shows. Instead, they form a spidery lace so exquisite, you could imagine them as being part of something crackling with organic life – or the workings of a fanciful undersea electro-luminescent metropolis. …

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A Delicate Web in White Lasers: Robert Henke’s ‘Fragile Territories’

Mastery of technology need not be an end in itself, a showcase for mechanical sophistication. It can mean finding the point at which you push a medium to be its most expressive. And I suppose that’s why so many can admire the ongoing work of musician and media artist Robert Henke. The lasers in ‘Fragile Territories’ are not the crude, awkward beams you probably know from kitschy planetarium shows. Instead, they form a spidery lace so exquisite, you could imagine them as being part of something crackling with organic life – or the workings of a fanciful undersea electro-luminescent metropolis. …

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Free Generative, FM Sequencer for Max/MSP, Max for Live

If you liked the generative, probability-based sequencing seen earlier this week, here’s another example – and it’s free and open source, so if you do want to pick it apart and you own a copy of Max/MSP or Max for Live, you can. Co-creator Giuseppe Sorce points us to the work: This is a simple generative music synthesizer built in Max/MSP created by Diego Caponera, Nicolò Paternoster and Giuseppe Sorce. It involves 5 FM generators which play notes randomly based on a root key and intervals defined by the user. It’s an university project made for an exam for Sound’s …

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Some Number on the Floor: Uncanny Sequencer for Ableton Live

Labeled as ready for IDM or “Braindance” music, The Uncanny Sequencer could be something tasty for those tired of regular rhythms. The creation of Julien Bayle, The Uncanny Sequencer is a graphical, generative, multi-part sequencing Max for Live device built for Ableton Live. At its core, it creates polyrhythms and irregular rhythms by making the appearance of each beat probabilistic rather than determinate. Thanks to Julien for sending this our way. (Matrixsynth and Synthtopia deserve credit for being faster.) Features, as described by its creator:

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