chrisconnected

Watch iConnectAUDIO4+ Connect Absolutely Everything

I know you’ve been there. Somehow, even with a small assortment of gear, you find that you have exactly the wrong combination of plugs. It’s actually even worse if you’ve bought into the inexpensive mobile music revolution. iPads are chock full of apps; little boxes like the KORG volcas can be great fun. But… the iPads don’t have any ports, and compact devices (including our own MeeBlip) often have just MIDI in to save space. And then there’s trying to clock everything. That’s why I’m really excited by the promise of the iConnectAUDIO4+. (And I know from feedback, I’m not …

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Get Amazing Max for Live Devices – And Sound Advice – from Max Ninja Christian Kleine

It’s called Max for Cats. But you don’t play it with a laser pointer and your feline friend. (Note to self: project idea.) The latest from sonic mastermind Christian Kleine, Ensemble and DiGiTAL are in fact terrifically-rich string and digital synthesizers, respectively, for Ableton Live and Max for Live. Getting to know their creator is just important as getting to know those tools, though. Christian Kleine is a uniquely fusion of musician and engineer. Hailing from Lindau but making a name for himself in mid-90s Berlin, his musical career itself is already newsworthy, as a soloist and as half of …

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Band Sings Song Asking Why They Aren’t Playing Moogfest

What if you wanted to play Moogfest really bad, but Moogfest didn’t call? No, I mean really bad – like you started a band with this very dream in mind, outfitted your studio with nearly everything Moog makes, and put on a shameless amount of Moog-logo gear, just in the hopes of getting the booking. If you still couldn’t make it onto the bill at that point, well, I guess you’d have to actually write a song explaining your plight, upload it to YouTube, and hope it went viral. This is the Internet age, after all. That’s what the band …

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FL Studio 11: Play it with Touch and Everything and Everywhere, Live or Editing

FL Studio 11 has arrived, hot on the heels of an impressive FL Studio Mobile release. The folks at Image Line have been intensely busy, but what strikes me is that you can now play FL Studio using almost anything, on almost any device. The Mobile version works on Android and touch Windows devices, not just iOS, when most folks target only Apple. And the upgrade to FL Studio 11 is similarly flexible. There’s a clip-triggering performance mode, which already supports a range of input methods: “mouse, touch screen, typing keyboard or MIDI controller. Supports APC20/40, Launchpad, Lemur, Block, Maschine/Mikro, …

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The Future’s Sonic History, And 14-Year-Old Dreams: In The Studio with Matthew Dear [Video]

A Studio Visit with Matthew Dear presented by AIAIAI and Ghostly International from Ghostly International on Vimeo. What does the future sound like? For musicians using technology, that question can resonate on two levels. It can be an attraction to imagined futuristic worlds, and the connection of synths and gadgets to that world. And, even each time we sit down to make music, it can be a dream of our own future self – if not the rockstar, that future self who has finished this track that right now is just an idea or a feeling. In a film that’s …

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Mouse on Mars: In the Studio, and Reflecting on Performance, Listening, and Melody

Mouse on Mars’ Parastrophics for Monkeytown has been an early highlight of the year, a record packed with musical ideas in densely-configured arrays of sound. The duo is now taking that music on the road, in ambitious, improvisatory live performances. Perhaps all of this can be summed up in one word: energy. Their studio and its arrangements of objects has an energy, an energy that’s present in the craft in the record. And talking to the artists, you get a sense of energy, of enthusiasm, crackling away like an amped-up oscillator. It was therefore a pleasure to get to hear …

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What You Don’t Need to Make Music: With A Poly 800 and Renoise, Dkon Talks Music Making, New Label

Deceptikon morphs into Dkon — and talks to us about doing more with less. Photo courtesy the artist. Artist Zack Wright, for a handful of followers of what we used to call IDM, will be a blast from the past. Recording as Deceptikon on labels like Merck and Daly City Records, Zack is back. His name is now Dkon, and the story is more than just him: in the absence of a Merck to release adventurous music, Dkon is helping launch a new label entitled Tokyo Ghost Island, with an EP to be followed soon by new records from Jemapur, …

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Going Native: New Pro Tools HD Native, Your DAW, and Low-Latency Performance

For some time, the move has seemed inevitable – even more so as the rumor mill started echoing with suggestions that a native release was coming. But now, it’s happened: Pro Tools HD will now run without HD DSP hardware. And that’s not all — you can also use the same hardware with your existing DAW of choice, for users of software like Cubase and Logic. There’s a price tag attached, though. This remains what for many would be a high-end solution. At US$3495 retail and up, it’s not competition for buying a basic interface card and Cubase. Think, instead, …

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Interview, Workspace Tour: Alessandro Cortini’s SONOIO Album and Synth

All photos courtesy/(C) Alessandro Cortini, for CDM. Call it cable addiction. Italian-born musician Alessandro Cortini, known for his live keyboard work with Nine Inch Nails, retreated into the studio with classic and contemporary Buchla modular synths to make “SONOIO.” Guided by his uniquely personal compositional style, he was able to wrangle that mess of chords and layers of analog sound into a genuine collection of beautifully-written songs, stacked high with Buchla timbral goodness. The first four songs are free, with downloads starting at US$7.99 and physical records with bundled music at US$9.99 and up. But SONOIO isn’t just a record …

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Show Us Your Home Studio, Workspace – or Closet; For Dolby, It’s a Boat

A little stretch of desk, a couple of monitors, and a copy of the free and open source DAW Ardour running on Linux, (CC-BY) wstryder / Lauri Rantala. (Note: this is presumably Lauri’s studio, and is certainly not mine, seeing as I can’t play the guitar, and thus recording the results of me playing a guitar would be somewhat less than fruitful!) I’m done with posting for this week as it’s time to overhaul my (very, very humble) apartment studio space and gear closet. But that seems the perfect time to ask you how you set up your musical workspace. …

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