Free Patches for Cakewalk’s Rapture Synth, Plus FL Studio, Reason, More

If you’re hungry for some patch content, the download-rich PatchArena has you covered, with a massive library of free, user-created content:

PatchArena Downloads

There are particularly large sections for the all-in-one studios EnergyXT, FL Studio, and a number of others. (Correction: Intua BeatMaker for iPhone/iPod Touch is promised, as well, though I got my categories confused — no files there now, so we’ll check in if some get posted! But it could be a great place to upload BeatMaker presets; see the thread on PatchArena’s forum.)

Francesco Silvestri writes CDM to let us know about his latest addition, a huge set for Cakewalk’s awesome soft synth Rapture. He says:

I’ve released Muz3um, a free set of patches for Rapture the virtual synthesizer by Cakewalk.This collection is built on waveforms from vintage synthesizers.

It features:

  • 661 presets organized in categories (Basses, Keys, Leads, Pads, Sequences)
  • 573 waveforms
  • 36 impulse responses, taken from amp sims, cabinets and lo-fi speakers, providing additional colors to the set

It’s great having those impulse responses alone – meaning even if you’d rather program your own sounds in Rapture, this could be a must-download.

Update: This also works just fine with Rapture LE, meaning lots of Cakewalk customers can use the pack. (Thanks, Chad!)

Have a go and let us know what you think, Rapture users!

Rapture Muz3um OS X

Rapture Muz3um Windows

Refresh: Asides

QWERTY Keyboard as Analog Synthesizer

We’ve seen QWERTY keyboards recycled into various music controllers, but here’s a DIY project that makes actual sounds:

A home-made synthesizer based off of an old function generator and a standard qwerty board. Three wave types–sin, square, sawtooth–and HI+LO outputs. It connects to the keyboard with a stereo 1/4″ cable (TRS) so new controllers can be made.

QWERTY Keyboard analog synth [Matrixsynth]

Funny: after all these years of talking about how great dedicated music controllers are as a way of getting away from your standard computer input, people just keep finding ways of reusing that input. Previous examples:

QWERTY Keyboard Instrument: Samchillian Tip Tip Tip Cheeepeeeee

Custom USB Keyboard for Controlling Ableton Live

Pimp my Ableton Controller: Custom Keyboards, Custom Paint Jobs

… and, for your feet:

Get loopy with the DIY $10 Ableton Footcontroller (no soldering required)

Thing-a-Day: Matchbox Synthesizer

We all make all sorts of promises to ourselves about how when we have some free time, we’re going to get to various projects. Here’s a way to keep the forward progress going: make one thing every day. Our friend Ranjit, creator of the MIDI ironing board, the Mister Resistor ensemble, and a robotic Theremin, is doing just that. Having to make one thing a day means you’ll almost certainly have to simplify what you’re doing, maybe even do some things you don’t necessarily like — but always do something, which could be a great learning experience. My favorite so far: his Matchbox Synthesizer.


thing-a-day: matchbox synthesizer from ranjit on Vimeo.

Sure, it won’t win any audio fidelity awards, but it’s great fun. It gives me some other ideas for things that could be fit into a space that small, as well. See what the other daily Thingers are doing:

ranjit @ Thing-a-day.com

Moog Voyager Old School: All Analog, All Wood, No Presets, No MIDI

Yeah, this isn’t just marketing: the newest Moog Voyager is really old school — and it just makes us want it more. Moog Music has taken out twenty years of recent technology and kept the classic tech — all in a new case that’s fully wooden and entirely devoid of glowing mod wheels. In fact, the actual marketing side steps just how old school the Old School is:

“Priced between the Voyager and Little Phatty, this modern classic makes the coveted Voyager sound and design easier to own than ever!”

All of that is technically true (and we are coveting), but — reality check. The Moog Voyager Old School as a left-brained compromise? A value buy? I don’t think so. You’re shelling out US$2600 on the most beautifully anachronistic synth keyboard from Moog yet. You’re going to use nothing but control voltage because you think digital makes people’s souls weak.

New! Now with 100% less of the 80s, 90s, and today!

We’d like to suggest an alternative slogan / t-shirt design: “Presets are for posers; MIDI is for pussies.”

I’m only half joking. Coming to an annual trade show could easily lull you into the idea that music technology is a simple, linear progression from one idea to another. (Now with 10% more this year of exactly what we had last year!) How boring would that be? Mercifully, Moog Music — and quite a bit of other stuff we’ve seen, great and awful — reminds us that design is about choice and personality. It’s not rocket science — it’s cooking.

We’ll have more of the latest Moog (among other things) as we finish off our NAMM videos.

Why is this woman smiling? Because she’s Anna Montoya of the Volts Per Octave, an all-Moog duo — even if the two say they actually have so many Moogs at this point, they can’t fit one more.

Oh, and one last tip to Moog: we’re awaiting the Really Old School model. What’s with the keyboard being attached? And why is everything patched for you in advance?

Refresh: Asides

Blog Guide to Synthesis on Beatportal

My friend and Keyboard Magazine colleague Francis Preve, an experienced remix artist and sound designer for the likes of Korg and Ableton, is writing a new overview of synthesis techniques. The series is published by Beatportal, from the online music store Beatport.

Here are the episodes up so far:

Introduction to Synthesizer Programming
Part 2: Introduction to Synthesizer Programming
Some call it Analog: How subtractive synthesizers work

There are more in-depth guides out there (largely in print), but for a quick overview, this is good stuff. Let us know what you think.

Updated: Beau Sievers sends along his more nuts-and-bolts overview, also worth a read.
The Amateur Gentleman’s Introduction to the Principles of Music Synthesis

And, of course, I’m quite proud of the synthesis overview in my book Real World Digital Audio, partly because of the contributions made by my tech editor Jim Aikin, who has a fine Power Tools for Synthesizer Programming: The Ultimate Reference for Sound Design (Power Tools)synth programming book of his own.