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LK Gives Your iPad or Android Tablet Easy Control of Ableton Live [Gallery, Hands on]

Ableton Live is happily running on your laptop. It’s not yet running on your iPad or tablet, or optimized in any way for touch. And that’s left a window wide open for touch controllers. Now, the question is, is there room for yet another control app? touchAble retains the crown for all-around control of Ableton Live; there’s very little this app doesn’t do, from replicating Live devices to MIDI editing to custom templates. But the relaunched LK, released today, has a few reasons for consideration, as an alternative or complement to other solutions. First, if you’re an Android user, LK’s …

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Here’s How To Connect the iPad’s Easiest Pattern Maker to Your Mac [Video Tutorial]

Remember the days of clicking laboriously to add notes to a piano roll editor? Well, that’s a bit silly nowadays if there’s a touchscreen sitting next to your desk. You probably want to make use of it – and maybe without stumbling around helper apps and wifi configuration. We’ve already seen how Auxy, the iPad pattern editor, reduced a widely-known music process to its simplest elements. The recent addition of MIDI opens it up to external hardware. But it also makes a nice example of what the new utility midimux can do: connecting this app to the wealth of sounds …

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Angry Bees! Swarms and Flocks of Sound in a New iPad Synth

Now, your iPad can go from sweet-sounding pads to hordes of angry bees and back again, all by modeling physical behaviors of flocking. It’s called the Photophore, and it’s a “flock synthesis” instrument. You may have seen synths that produce lush sounds by combining oscillators – the eight-oscillator Swarmatron springs to mind. Well, this synth puts the “swarm” in “Swarmatron.” With up to one hundred oscillators per patch, it uses physical modeling to transform sound by simulating flocking behaviors. I’ve seen experiments that have done things like this with flocking algorithms and particle systems, but this must be the first …

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Auxy Is The Best Piano Roll Editor for iPad Yet – And Not Much Else – By Design [Free]

It’s been asked over and over again: can a simpler software tool attract more people to music making? But the next question is, invariably – what’s the right stuff to leave out? Auxy, released today, is an extreme exercise in app minimalism. It radically reduces what’s in the UI by focusing on making and cueing patterns — and leaving out the rest. It’s also free. Built exclusively for iPad, Auxy centers on a grid as its main screen. You’ve got four tracks in which you can create, edit, then trigger different patterns. Tap on one rectangle, and you draw in …

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The tidy toolbar at the bottom shows Audiobus connectivity.

Traktor DJ for iOS Adds Audiobus to Connect to Other Apps – And It’s Not Alone

Here’s a case where the iPad version of a DJ app has surpassed what even the desktop version does. On Windows and Mac, Traktor is a powerful app for DJs, to be sure. But there isn’t an obvious way of routing DJ mixes through external effects or connecting it to other production tools. On iOS, now there is. Native Instruments quietly added Audiobus support to its popular iOS DJ app, which opens up the ability to route sound from the DJ tool to other apps. Why would you want such a feature? Recording mixes probably isn’t strictly necessary, because Traktor …

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TKFX Gives You Crazy-Easy iPad, Android Control of Traktor Effects, KAOSS-Style

For digital DJs, the computer often still trumps the iPad. You get (much) more storage, more flexible use of hardware, more features. But wouldn’t it be nice to use a tablet for X/Y control of effects? TKFX does that, and nothing else – but it does it damned well. It works on Android and iOS alike, and it’s dead-simple – and powerful. Traktor’s effects are one of the best features of the platform; this finally gives you intuitive control over them. Features: Hold function BPM sync Up to four effect units Four memory banks Use in single or group mode …

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KORG Gadget for iPad Gets Serious, with MIDI, New Slicer-Samplers, and Ableton Export

Ableton alone can’t take you mobile, apart from bringing your MacBook running Live on the bus. But now KORG is ready to take your Ableton Live work on the road. Apart from adding native Live set export to their electribe and electribe sampler, the new versions of KORG’s iOS apps Gadget and iKaossilator do export, too. And that’s just one feature in the deceptively-named “1.03” release of KORG’s Gadget. Gadget is one of those apps that I’ve had to file under “wow, this looks cool but I’ve no time.” As the name implies, you get a selection of synths and …

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An iPad Controller for Ableton That’s Gesture-Friendly, Free: Conductr, Now with X/Y [Gallery]

Ableton Live’s iPad-augmented control can take some forms. There are apps that do everything, replicating the mouse so that you can go directly to touch for every single task and avoid your computer completely (Touchable, for instance). There are specialized controllers, which focus on a few tasks or a particular device or Max patch. And then there’s Conductr, and it’s something a bit different. First, as of June, it’s free – or freemium, anyway. The free version is limited to four tracks and eleven scenes, but it’s enough to give you a taste. And with user modules, it’s easily a …

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This Free Tool Will Make Any Mobile Browser Into a Multi-Touch Music Controller

Tablet or phone or touch-enabled desktop computer – now it doesn’t matter. A free tool called (for the moment) Nexus lets you make any browser a canvas for music. iOS, Android, Windows, Mac – if the browser is there, your creations become omni-platform. Shown at the NIME (New Interfaces for Musical Expression) conference in London earlier this month, Nexus is the most complete foundation for this idea seen yet. And since it’s free, it’s open to others to build upon. Right out of the box, it includes basic interface widgets obviously inspired by Lemur (and apps like TouchOSC), so you …

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A New Lab Opens Music Making to People with Learning Disabilities

Let’s face it: the initial audience for the first version of music tech is often the developers. That impulse to build something for yourself is a perfectly reasonable one. But music technology is constantly producing new ways of creating music, and that means it has to learn quickly. Unlike, say, a guitar, it can’t build on centuries of experience. And if the industry and music technology community are to consider how to reach more people, why not go beyond just average markets? Why not open up music making to people who have been left out? If music making is an …

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