(CC-BY) Flavio Ensiki.

Stems for DJs and More: Here’s How A New Format Will Work

The most important thing to know about Stems, a new multitrack specification for audio, is that it’s simple by design. That simplicity means that it could really take off as a way of sharing music with multiple tracks, for DJing or live-remix applications. Stems won’t solve every problem of file exchange and sharing. It’s not a multichannel spatialization format. It’s not a sophisticated project format for storing metadata. I say that, because after we covered Stems at the beginning of this week, I found my inbox flooded with every use case for every file format imaginable, and complaints that Stems …

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Eigenharp Details: MIDI, High-Res Protocol, and Open Source Plans for the Space Bassoon

The Pico model may lack the impressive array of keys on the flagship Alpha, but when it ships next month it’ll cost well under a grand. And even the Pico promises high-resolution touch, velocity-sensitive keys that you can “bend” as well as press, and high-resolution breath input. The “space bassoon” Eigenharp seems to have landed from another planet. Today, I’ve got good news: it’s bringing alien gifts with it. By next year, both the software and the high-performance protocol the instrument uses will be open source. Taken together with other advancements in the open source community and with protocols like …

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Details of SONAR 8.5, and the Dystopian Future in Which You Use It

What happens when you mix technical chatter on the Cakewalk forum, Samuel Beckett, and The Matrix? I’d wager you get something like the surreal video above. Prompted by the posting of technical details for a new update to Cakewalk’s SONAR production software for Windows, and empowered by a strange, new tool that generates eerie virtual reality from typed text, we get banter like this: The arpeggiator is now on every track, so you are supposed to use it. It is one of the new rules of recording. Yes, I came from the days of one-finger piano playing. This is a …

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