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Music Making, and Living, with The Books’ Nick Zammuto, in a Touching Short Film

When we say “handmade music,” we really mean this sense of crafting something , of touching something – not so much the technique or the technology as the intention behind what you do. In a striking film portrait of Nick Zammuto for nakedmusicians.com, the craft of living is spotlighted as much as the craft of music making. Nick, is known for his role in duo The Books (with Dutch-born Paul de Jong), and their distinctive, rhythmic, homebrewed-original sound. Here, he covers his manipulations of everything physical and temporal. Sound sampling is a tangible process, the poetry of things put together …

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Monolake Explains Great Mastering Technique in 44 Seconds

At last, you, too, can achieve great mastering. Mastering – a step by step guide to good sound by monolake Sadly, as Robert Henke concedes: i still think it needs to be louder and it lacks dynamics and punch. I STILL THINK IT NEEDS TO BE LOUDER AND IT LACKS DYNAMICS AND PUNCH! It’s like banging your head against a brick wall. No further comment at this time.

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What You Don’t Need to Make Music: With A Poly 800 and Renoise, Dkon Talks Music Making, New Label

Deceptikon morphs into Dkon — and talks to us about doing more with less. Photo courtesy the artist. Artist Zack Wright, for a handful of followers of what we used to call IDM, will be a blast from the past. Recording as Deceptikon on labels like Merck and Daly City Records, Zack is back. His name is now Dkon, and the story is more than just him: in the absence of a Merck to release adventurous music, Dkon is helping launch a new label entitled Tokyo Ghost Island, with an EP to be followed soon by new records from Jemapur, …

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Sound Inventor Diego Stocco on Ideas, Sonic Memory; New Cinematic Oxygen Tank Soundscape to Hear

Compose and sound designer Diego Stocco, seen often in these parts, has an endlessly-inspiring approach to inventing new timbres. That process of, as he puts it, “bringing music into the process of creating sounds” is sometimes destructive – as in, sawing an instrument in half destructive. It seems often at the edge of obliterating the object, but sliced thinly onto the side of unleashing its auditory potential. Sometimes, it’s gentle, putting an ear to the world. But his work is always exploring new frontiers of possibility. Diego himself comes to the microphone to explain his philosophy and background in a …

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Nicolas Jaar, Making Electronic Music Eminently Live, Talks to MTV About Honesty

Nicolas JaarGet More: Nicolas Jaar, MTV Hive A few decades is a short time in the history of instruments. But something magical is happening: the electronic instrument, the computer, is finally easily shifting into performance scenarios, into improvisation, and into bands. (The performance features Livid’s Ohm64 and Ableton Live, with sax, guitar, and drums, at New York’s Le Poisson Rouge. See a note on the rig at Livid’s blog.) Look no further than Nicolas Jaar. In an insightful performance and conversation for MTV Hive, he reveals how he thinks about music – and puts his chops where his mouth is. …

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Finger Drumming Interlude: Teezva, Ableton Live, Vestax PAD-One

Amidst the many examples of virtuoso finger drumming and pad performance on YouTube, here’s a potentially-inspiring jam produced by artist Teezva for Vestax. We must have missed this video in the NAMM deluge of last year, but it perhaps remains worth posting. It’s doubly so, as I still haven’t seen any of Vestax’s PAD-One hardware in the wild. (PAD-Ones, if you’re reading, come say hello!) One interesting element of the performance is that Teezva seems effortlessly between triggering clips and loops and individual one-shots. Many performances I see tend to focus on one or the other, but compositionally, that provides …

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Letting Out Ethereal Cries, a Slide Guitar Meets Synthesis in the Hands of a Bluegrass Master

When musical traditions meet, handled by people with real mastery of their technique, wonderful things can happen. That can be true of master instrument builders, for one. I got a chance to hear the sounds of the Moog Lap Steel Guitar in June while meeting with the folks from Moog Music. It’s an incredibly-delicious instrument, both in terms of how it’s engineered as a guitar and in bringing the filter from the Moog synth, now itself a tradition. But more importantly, in the stage that comes after those tools are built, traditions fuse beneath the fingers of master musicians. Chris …

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Gold Panda on Sampling; Moby on Drum Machines

Something has happened to the mystique of the musical artist, as the superstars have faded. It seems people are increasingly interested with understanding process, in understanding what’s inside the magical black boxes of sound. Jess Gitner hosted Derwin Panda, aka Gold Panda, at National Public Radio’s studios for Morning Edition. She talked to the artist about the basics of how he constructs music from samples. It’s actually quite nice to me to see a story that’s elementary enough that it could be understood by non-specialists — it’s all to easy to forget that for the vast majority of even the …

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Ozone4_EQ

Learn Mastering Technique in Free Videos: Limiting, M/S, Dubstep Bass

Mastering to me is a bit like applying stain to wood: done correctly, it brings out the definition of what’s there rather than covering it up. But making mastering effective is a really special art. Danny Wyatt, a veteran mastering engineer now working as an instructor with Dubspot, has some serious credentials both on the mixing and mastering side and as an educator. He’s worked with a range of artists over the years (Wax Poetic featuring Norah Jones, Curtis Mayfield, Thievery Corp., the Roots, Ultra Records, and Mos Def, to name a few). But he also doesn’t mystify his knowledge: …

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Interview: Anika, Working with Portishead’s Geoff Barrow, Makes an Album You Don’t Have to Like

Perhaps it’s something of an irony, here on a site that heralds shiny technology, but there is a longing among many musicians to return to something raw and unvarnished in music. There’s discontentment in the ranks of the techno-futurists, enough to sow the seeds of rebellions. If that feeling could be given a voice, Anika would be a good candidate. A political journalist who found herself, entirely unexpected, at a session with Portishead producer Geoff Barrow, she is a vinyl-loving, politically-minded throwback, an antidote to everything that commercially-calibrated in music. http://www.stonesthrow.com/anika The first thing you should know about Anika’s self-titled …

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