Nina_Kraviz

Go Record Digging with Nina Kraviz, Finding Emotion in DJing and Production

Nina Kraviz appears in a film from vinyl store The Record Loft. It’s short, but she’s strikingly economical and insightful in talking about what it means to mix records, find records, and make records. The Siberian-born PhD dental doctor-turned-DJ/producer is especially noteworthy at the beginning of 2015. Last month, she helmed edition number 50 of the legendary DJ-Kicks series – the gold standard of what a mix should be. What’s nice about the interview is how quickly Kraviz gets to the emotional essence of all the dimensions of her work. Feeling, and capturing a moment, is at the heart of …

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redrectangle

This 1971 Dancing Rectangle from Poland Predicts Modern Techno, AV

Sonic history in electronic music may be made with technology, but it’s also the output of someone’s brain. As such, it’s natural that liberated creativity can produce all kinds of possibilities. And it should be no surprise that history sometimes comes in cycles. Or… make that rectangles. Speaking of Poland, this short animation, crafted in 1971, features spooky sounds that would be at home on any modern dark techno floor. Entitled “Prostokąt dynamiczny” – literally, “dynamic rectangle” – the animation is by experimental filmmaker Józef Robakowski, with music by the incredible Eugeniusz Rudnik. We saw Rudnik yesterday in our piece …

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Marek Biliński live in Warsaw, 2013. Photo (CC-BY-SA) Robert Drózd.

Discover Poland’s Electronic Music Pioneers, Modern Artists: Boiler Room and Beyond

The setting looks futuristic — like Stanley Kubrick teamed up with Syd Mead to make a theme park. But it’s actually Warsaw and environs. And the path the future is via the past, and a history largely unknown outside of the country. Boiler Room, best known for webcasting parties, shifts gears from what’s new-and-hip to where it all began, and the result is inspiring. The film was directed by Marcin Filipek for Boiler Room with the input of Gosia Herman of Boiler Room Poland, and is the result of half a year spent gathering artists. The stunning imagery is the …

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ceephax2

Live Insanity: Ceephax Acid Crew [Video]

I had the craziest dream. Super vivid, and it just kept going. Seriously, like it seemed to last a decade. Instead of playing electronic music live on gear that made sounds, so you could keep track of what you were doing with physical buttons and switches and things, all the boys and girls were using laptops. But that wasn’t the weird part: what was strange was, people were just putting whole tracks on those computers. I know what you’re thinking – so they were DJing, right? But no! They were just playing tracks one after another all the same tempo. …

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watch

Watch The Greatest Video About Music Production Ever

Well, we might have tried to give that honor to something before (McRorie, Hatebeak the parrot), but… this might top it. There’s just so much. The vacant, turned-on stare of that curly-haired guy. The glowing alligator. The KORG 01/W – oh, that KORG. KORG will never make a keyboard demo quite like this. The script… Do you know anything about techno? Watch. Now, does anyone know what the Hell this is, anyway? Answer: Why, it’s 1996’s Vibrations – and yes, that is Christina Applegate. Which means… uh, actually, they probably should have know something about techno but didn’t but who …

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pocketoperator

How TE’s $59 Drum Machine Sounds – And How The Pocket Operators Work

Teenage Engineering have also shared with us their video tutorials on the PO (Pocket Operator) line. The basic stuff to know (having been playing around with today rather than doing NAMM work): This being Nintendo-inspired, yes, there’s a metronome and alarm clock function. Select one of sixteen patterns, and one of sixteen sounds, with the respective buttons. Toggle between playing notes with the buttons, or inputing them with the step sequencer, using the “write” button. Hold “write,” and you can write parameters over top of playing sequences (effects work this way, too). That means you can automate patterns, etc. “bpm” …

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automate

This Is What Happens When Vintage Robot Voices Make an Album

We hope that music will always have tribes of people keeping esoteric traditions alive – your Renaissance musical ensemble, your Slovenian folk instrumentalists. It just happens that electronic technologies have attracted their own followings, cultivating knowledge of Texas Instruments chips found in specific arcade games the way some people might maintain a balalaika. Chip singers have never gotten the kind of attention synthesizers have. But if Moog – and the synth itself – can look to Keith Emerson’s “Lucky Man,” fans of robotic sung vocals will always have Humanoid. The seminal acid track “Stakker Humanoid” was the work of artists …

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30drop

You Haven’t Heard of 30drop, But You Should Hear This New LP [Techno]

30drop has mysteriously arrived from Detroit Underground (aka “detund”), those purveyors of strange and wonderful techno and experimental music. You may think you’ve heard of 30drop, but apart from the release last week, you almost certainly haven’t. Oh, sure, there have been releases — a second EP showed up in December — but for the most part, this act has flown under the radar. As per usual, detund are digging up precisely what isn’t on trend or rising in popularity, an unknown artist making cooly-weird noises. But the pace is picking up – and this looks to be one of …

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poundforpound

Watch How Much Hardware You Can Jam With On a Budget

Who said electronic musical bliss required deep pockets? We’ve seen a steady flow of budget-minded gear over the last few years. What makes this equipment special isn’t just that it’s cheaper. It also has personality and produces distinctive sounds, loads of hands-on control, and fits compactly into carry-on luggage, meaning it’s a no-brainer on the road and in small live performance spaces. That’s encouraging more people to play live. MeeBlip owner Zachary Hollback sent over a video that sums up why this can be fun. This isn’t necessarily about inventing new kinds of music: it really is, in the mode …

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Paula Temple. Photo: Julia Gunther.

A Pounding Free Download, A New Label, and Lots of Other Reasons to Love Paula Temple

For me, one of the best things about 2014 was, simply, Paula Temple. The artist, on R&S Records, consistently demonstrates that you can combine a dedication to heavy, left-field but traditional techno with an expansive appetite for experimentation. And then there are her signature, over-the-top-in-a-good way bass detonations. Her DJ sets were each highlights – check out the Goûte Mes Mix below, heavily featuring her regular collaborations Dadub, Eomac, and Lakker (the latter whom I got to join Friday in Amsterdam, lovely lads). And then there was her audiovisual show with Jem the Misfit, a shining beacon at this year’s …

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