Ed.: Resident hardware hacker and sound artist Michael Una chatted via phone with the creator of ThinkGeek’s $50 Bliptronic instrument. We’ve already got some early tips on how you might hack this design into custom creations, which could make the Bliptronic 5000 an ideal hardware hacker choice. (And, because it is cheap, you may be a little more adventurous with the thing.) Designer Ty Liotta also talks about prototyping, the design process, and reveals an entirely toggle-switch prototype that I wish they had actually shipped. It’s a must-read for hardware geeks. -PK

I just spoke to Ty Liotta, the head of ThinkGeek’s custom product group. They’re responsible for the playable guitar/drum kit t-shirts, and a number of other fun geeky things.

The development team started working on a grid-button synth back in April, inspired by the Monome and the Tenori-on. Their goal was to make it as low-cost as possible while retaining a sense of fun and playability. Cost was a big factor in their design process; the Thinkgeek team is well aware of the exisiting devices in the marketplace and didn’t want to directly compete with the APC or the Launchpad’s price points.

The first prototype was inspired by the grid layout but had a set of 64 switches instead of membrane buttons and LEDs:

You know the grid craze is in full steam once ThinkGeek offers a $50 clone. The Bliptronic 5000 is somewhere between the Tenori-On and monome. It certainly looks like the monome, with an 8-by-8 grid of light-up pads in a square form factor. But like the Tenori-On, it has built-in sounds and speaker, it’s made of aluminum, and it runs on batteries. The Bliptronic also simplifies its user interface. Its 8×8 pads are simply an eight-note octave with eight steps. There’s a play button, and knobs for tempo and tone selector. There’s also the ability to link up devices and play them together – bonus points for that, as aside from basic MIDI function, the Tenori-On as shipped by Yamaha failed to deliver some of the original collaborative features promised by designer Toshio Iwai’s original proposal.

The “old-skool” sounds are pretty lo-fi-sounding from what I can tell, but this unit does have a certain charm. If you’ve got a monome and a Tenori-On and a Launchpad in every room, you can amuse your friends by keeping one of these in the lavatory. And who knows, someone might pick this thing up and do something terrific with it. (I sure can’t argue with the price.)

Mostly what it reminds me is that it would be really fantastic to pair a synth chip directly with the monome, for a standalone monome synth, perhaps even an Arduino-programmable model (particularly since the monome already speaks serial).

Updated: Wait, hold the presses — this isn’t the work of some anonymous creator; Ty Liotta is doing the gadget design. That means this could be an eminently hackable little device, which is a good thing. Stay tuned.

Thanks to Louis Muloka and everyone else who sent this in.

The specs from ThinkGeek:

The Tenori-On, the grid-based musical instrument with whimsical sequenced lights created by Toshio Iwai, has been gradually becoming more affordable. The original model, complete with its rounded metal case, has already been cut to US$999 here in North America. Now, Yamaha announces that it is making an “Orange” version which also slices costs. A plastic case stands in for the metal one, the lights are orange instead of white, and lights appear only on one side. Yamaha says this is for “home use” — that is, you don’t need the device lighting up on the other side if no one’s watching you. Unfortunately, by removing this novelty and eliminating the Tenori-On’s fantastic battery power option, I suspect Yamaha may also be slicing out some of the appeal of the device.

In the UK, MusicRadar reports the device will ship at £649. Here in the US, I’ve confirmed with distributor Keyfax that the price will be $699. Now, unlike other recent grid rivals (Launchpad, APC40, Ohm64) and the monome, the Tenori-On is capable of making sound. But I’d be inclined to either spend the extra $400 and make it light up on both sides and use it in bed sans wires or skip the idea altogether. I’m curious to know if others feel the same way.

MusicRadar also gets the scoop from Yamaha in the UK that a firmware upgrade is due for the Tenori-On fixing its somewhat problematic MIDI sync:

We’re told that this will address a number of areas, including syncing of the Tenori-on to DAWs and also the MIDI sync implementation.

Yamaha announces ‘more affordable’ Tenori-on Orange [MusicRadar]
Tenori-On product page [Yamaha worldwide]
Tenori-On USA [Keyfax]

It’s worth poking around the store if you do own a Tenori-On. Those brave early adopters can now make the instrument a pretty practical addition to a live set, with a nice case, stand, and (finally) stand mic stand adapter to feature it in your sets. And in another nod to the design, the Tenori-On recently entered the permanent collection of the Museum of Modern Art in New York.

In the meantime, I’m still curious to see if someone mashes up a synth engine and monome to make a computer-less monome.

Imagine an alternative universe in which simple digital handheld games evolved into sophisticated music tools. Oh, and they also made lots of really purty lights flash. Mmmmm … flashing lights.

Well, that alternative universe seems to be right here. Mike Una gave us a massive dump of unusual new DIY sequencers, crafted from the ground up to rework techno into sonic objects. Some are unquestionably indebted to the analog step sequencer, but others take as much from 80s digital toys.

Working with the Meggy, Jr. DIY handheld game platform – with a stunning 8×8 pixel resolution – Darius Kazemi has begun building a music app. He calls it “MeggySynth,” and says he’s conceptualizing it as much a video performance as it is sonic performance. Let the video get at least part of the way in, as the colors really pick up – full RGB LEDs really are a beautiful thing (and something you don’t get from projects like monome).

Our friend and Handmade Music regular, the talented hacker Collin Cunningham, covers this for MAKE:
MAKE: Blog: MeggySynth makes music

Collin rightfully compares this to Tenori-On. Part of what strikes me about Toshio Iwai’s work – not only Tenori-On for Yamaha and ElektroPlankton for Nintendo, but his installation work stretching back to the 90s – is that it often incorporates game aesthetics. Designs are reduced to their elemental interaction and visual representation, which very often includes low-resolution, pixellated grids. (Photo: Julie Delvaux.)

Now, being the greedy person I am, I really want this style of RGB grid, but with other sound sources. But I think there’s a lot of potential, and just as grids of lights can function on roadsigns, there’s no reason even a small number of pixels can’t be expressive. Just ask your local Tamigotchi.

The best part of simplicity? Darius, designing level editors — in Excel.

Tiny Subversions: My Meggy Level Editor

Studies for two TENORI-ON(s) by Smith from Franck Smith on Vimeo.

A chap named Nick Ciontea has created a channel on Vimeo collecting odd videos folks have made with or regarding Moog products. I know about this, because two of my videos made it in. It’s a grab bag, but a lovely tribute to how much people love this gear.

My favorite selection is the video here, because it’s not what you’d expect sound-wise from either Yamaha’s Tenori-On or Moog filters. Artist “Smith” says:

This first test is a prepartory work to a series of solo pieces inspired by John Cage’s experiments for prepared piano and Conlon Nancarrow’s player piano studies.

Yes, things you don’t normally expect to go together: Cage/Nancarrow, Moog, Tenori-On. And he successfully erases the Tenori-On’s beautiful if predictable signature sound. This is what I imagine music boxes would sound like on Alpha Centauri. In other news: I can’t afford this rig.

- 2 TENORI-ON(s)
- MI Audio Pollyanna Octave Synth
- Moog Low Pass Filter (MF-101)
- Moog Ring Modulator (MF-102)
- Moog Bass Murf (MF-105b)
- Jomox M-Resonator
- Rotary Ensemble (Boss RT-20)
- Boss FV-500L (as expression pedal for LPF Resonance)
- Boss FV-500L (as expression pedal for RM Frequency)
- Boss EV-5 for Rotary Ensemble speed

But, involved as that is, it’s further evidence you can push sound in new ways. And if online videos do nothing else, they can lay the gauntlet down in terms of what you think possible – both by demonstrating the generic and the unusual.