It may be 2009, but you can still play electronic music as though you’re an invading alien visitor from the future. Just ask The Sonic Manipulator, an electronic musical performer and inventor, alias Claude Woodward. His musical creations range from warped radios to instruments derived from turntable scratches and Theremins. And then there are some instruments that seem to be sonic weapons. (Apologies to recent protesters in Pittsburgh.)

CDM reader Andrew Cordani caught Claude at the UK’s British Invention Show. Claude is apparently a Perth, Australia transplant, by way of Cambridge, though Andrew writes that he “has been known to travel about a bit (Mars, Venus, Jupiter, Alpha Centauri, Epsilon Indi, Teegarden’s star and further).”

Andrew describes Claude’s other creations:

Met at the British Invention Show (http://www.britishinventionshow.com/show/index.html), at Alexandra Palace (http://en.wikipedia.org/wiki/Alexandra_Palace)
(Organized by [MP3 player inventor] Kane Kramer – http://en.wikipedia.org/wiki/Kane_Kramer)

http://www.youtube.com/user/sonicmanipulator

http://www.sonicmanipulator.com/

http://www.sonicmanipulator.com/Inventions.htm

The Claude-a-tron – a sort of pre-wireless (i.e. wired) Theremin – and is “Way cool”

The Radiolian a lot of fun – Essentially triggerable (pre-recorded) radio samples – Used to switch-between radio programs (reminds me of http://www.neave.com/television/ )

The Greet-o-metre + The Transatron should be given out to all travellers, interstellar or not!

(My fave was the Rap Rod – which does for scratching what CDs did for vinyl. The Bash-a-tron was a close second, though)

Definitely check the Sonic Manipulator site for many, many more bizarre creations if the one at top doesn’t impress you. See a couple of my faves at bottom.

Fans of DIY, the whole event sounds fantastic! Thanks, Andrew, who can be found here (with his own futuristic creations):
http://midisticks.ltd.uk/

Making music into an object – the central genius of recording – could be a wonderful thing. But the CD was always somewhat utilitarian as a distribution mechanism, with its easily-splintered plastic jewel case and inserted artwork that paled next to the grand visions of the LP.

Moldover is the latest artist to experiment with ways of re-imagining the musical object. Already a fan of custom sonic circuitry, he made his CD into a circuit board. Some of it is just aesthetic, like the printed lettering. But there is also integrated noise-making circuitry for a very simple optical Theremin (well, at least, a light sensor-driven oscillator), plus a headphone jack. There’s actually quite a lot of function you can get out of that when plugging into a computer.

The album itself is comprised jazzy bleepy jams (in varying proportions). You do pay for this deluxe, handmade circuit goodness. The US$25 “Pocket Edition” seems to be the sweet spot, with a pocketable version of the circuit board. It still has a built-in speaker, turning the jewel case into self-sufficient sonic hardware instead of a throwaway. The $50 version comes with the full custom-printed circuit board for the track listing, but you can’t pocket it, which means you have exactly $25 and one custom Theremin less in your pocket.

Check out the music and purchases at Moldover’s site:
http://moldover.com/quicklinks/buy.html

The joy of being on YouTube is you get strange comments like this:

Who let you out? of your mom’s basement? Go back to building lego trainsets to transport your cocoa from the kitchen to your computer desk.

Hey – that’s a great idea, come to think of it.

Justifying the musical object can sometimes get ridiculous, but so long as there are genuinely creative ideas that fit the music, I think music may have a more interesting future in the post-industry world than it did before.

Updated – previous applications of this idea: I’m typing quickly before I head to lunch, and I commit the major sin of not mentioning our friend Tristan Perich’s infamous 2005 release 1-bit Music. Whereas Moldover is turning the packaging into an instrument and inserting a traditional CD, Tristan made the entire jewel box the playback mechanism – the album is embedded in the circuitry, and you listen to it directly.

An electronic circuit is assembled inside a CD case with a headphone jack on the side. The device plays back 40 minutes of low-fi 1-bit electronic music—the lowest possible digital representation of audio.

1-bit Music (Tristan also did a great workshop at Handmade Music. So if you want to play with these ideas, and you’re in the NYC area, there’s only one place you should be tomorrow night.)

We talk a lot about novelty, but my hope is people rip off both Moldover’s and Tristan’s idea here – and invent their own twist on this concept. I’d love to have a shelf full of circuit CDs, instead of dead, silent plastic!

This is worth posting for this line alone:

“Who needs a Natal when you’ve got a theremin!”

(If you don’t know what he’s talking about, see here.)

Yes, in case you’re looking for a creative way to practice your Theremin playing, here you go. Now, where’s our Theremin Hero game? From the description by Glasgow-based YouTuber conquerearth, previously seen using the Theremin to play “Still Alive.”

This is even more fun with two people playing! One person controls left/right, the other controls jump.

Its not just limited to the theremin. Its even possible to hook up a microphone and use your voice to control the game! Or a guitar! Or a violin!

Heres how it works:
The sound from the theremin is split into its frequency and amplitude components in real time, which are then mapped to values in a linear scale representing the X and Y axis. Pitch becomes horizontal control, and Volume becomes vertical control.
The X and Y scales are then cut up into different zones. In this case, Left; Right and dead zones for the horizontal, and a single trigger and dead zone for the vertical.

The trigger zones are then mapped onto a virtual joystick hooked into an emulator.

The end result is a fairly usable input control for playing games like mario. The bars give the much needed visual feedback as to how “in tune” you are, so you have a better feel of where the trigger points are.

I’m sure there’s a deeper meaning I could extract about gestural controllers, expressive musical instruments, and the meaning of life, but it’s Friday and it’s lunch break time. If you can do my job, feel free – add in comments. (If your cat walks across your keyboard, it’ll still probably come across as more intelligent than an average YouTube comment, so have at it!)

Based on work with the Oblong g-speak “spatial operating environment” gestural system – research that inspired the film Minority Report – our friend Trey Harrison has been doing some wonderful work with new Theremin-style interfaces. He writes:

I have been working with Oblong Industries (http://oblong.com) and
took some of my
spare time to combine their technology with my Salvation project
(http://slvtn.com)
and build a theremin-like instrument.

There are three degrees of control:

• Pitch is adjusted by moving hands left and right.
• Volume is adjusted by moving hands up and down.
• Vibrato is adjusted by moving hands foward and backward.

Many players and hands are possible, and the control can be applied to any MIDI instrument.

I like the fact that two hands are only the beginning — invite friends for collaborative sessions and get an octo-armed version! The pitch scaling certainly makes it easier to hit the notes, although it does remove some of the expressive pitch bends of the original Theremin. It’d be nice if an additional gesture (pinching, perhaps?) could allow you to warp between scale degrees.

I love the project; I hope we get to see more.

Score one for “old school” on the Theremin – minus one for “old school” on the Minimoog keyboard.

There’s plenty of debate about whether or not you can justify splurging on the extra cash for the Moog name on synths and effects – no one questions Moog’s quality, but there is other great boutique gear out there that gets far less attention. But one area where the Moog line is unquestionably superior is on the Theremin. And the Etherwave Plus at US$519 is an instrument you can really sink your musical teeth into over a period of years. With the addition of a Control Voltage output, you can control other instruments and effects, too. (Reader velocipede checked out a demo with Theremin controlling a guitar filter.) CV outs for pitch and volume are separated, so each hand gets isolated control. It’s a lovely setup, and I wouldn’t hesitate to get the Plus version.

Etherwave Plus Theremin [Moog Music]

So, the Theremin gets a little more old school with the Etherwave Plus. But meanwhile, Moog Music has announced they’re building only 200 more units of the Minimoog Voyager Old School model, which we admired at last year’s NAMM. This keyboard added retro wood-paneled styling, but took “old school” literally by eliminating patch memory and MIDI – the very features added to the Voyager that gave it more modern appeal. I expect the Old School may never have been intended for a longer run, but I’m not sure any of our readers will mourn its loss – the response to losing MIDI was a resounding “huh?”, and the Old School still costs US$2595.

Minimoog Voyager Old School

Still, you have to give props to the Old School for having the best slogan ever, even if it was only used internally: “Got Balls?”

How many products dare you to use them based on features they don’t have? (Too bad Moog didn’t use this as the official slogan, suggesting their answer was “Nope.” Well, at least as far as marketing. They’re no Synthi.)

I’d still love to see a Moog product that’s not an effects unit but does bring a little something to bargain-minded synth lovers. Maybe a NanoPhatty?

Handmade Music, the regular series of DIY music tech parties CDM hosts with Etsy.com and Make Magazine in New York, is back. And it’s back in a big way: the event has a new home in Bushwick and will be held on an actual schedule monthly. The first event is next Thursday, December 11. After the December debut, it’ll be every third Thursday of the month, starting with January 15, 2009. We’ve got a spacious, new home at the hip galleries and workshops of 3rd Ward in East Williamsburg, Brooklyn. We want to see your projects, from simple first-time creations to advanced hacks, from software patches in Pd/Reaktor/Max etc. to hardware and electronics. See the call for works below.

RSVP + Event Details on Facebook

Bonus – Make Your Own Beep-It Optical Theremin. For the cost of parts (about $10), Mike Una is giving a workshop – no experience required, and you’ll leave with your own Beep-It. (Space is limited!)

Workshop RSVP

Double Bonus – You! We’re looking for hardware and software projects to share.

Call for Works Form [Google Docs]

Not in New York? Stay tuned – we’ll have some ways to join up live online with both the CDM community and the Etsy community.

If you are in New York:

Directions to the Space

Party: 7-10p, 12/11 (snacks/drinks + lots of sounds for everyone, from non-musicians to hardcore musical hackers!)

Make Your Own Beep-It Workshop: 7:30-8:30p (arrive promptly!)

Here’s what the event is about, as described by, well, me:

Part party, part mixer, part Science Fair, and part performance, this is an informal chance for geeksters and the geek-curious to come together, relax, and discover new sounds. The evening is a gathering of inventors of circuit-bent toys, custom software and patches, interactive digital & visual instruments, custom electronics, electricity-powered noisemakers, DIY robots and new acoustic instruments. And it’s open to everyone from hard-core hackers & newcomers to music lovers who want to learn about the DIY music scene.

And here’s a big bonus: if you liked Michael Una’s Beep-It DIY optical Theremin, as debuted here, you can make your own for the low, low price of parts: about ten bucks.

Michael Una will demonstrate his optical theremin synthesizer Beep-it and conduct a workshop wherein attendees will build their own optical theremin. The basics of analog synthesis will be discussed. No skill level is required- all tools and parts will be provided by the participation fee.

Pay for your parts by Wednesday 12/10, and reserve your spot at the workshop, at EventBrite:

http://beepit.eventbrite.com/

Beep-it from Michael Una on Vimeo.

Logo design by the amazing creator of the CDM logos and endless musical posters, Nat aka onetonnemusic.

See you next week, in New York or online!

We welcome people showing up with gear and creations at the last minute – bring cables, an extension cord, and (if you’ve got it) small speakers / headphones / PA (though we’ll do our best to provide some sound). But it does help to know who’s coming if you want to give us some advance warning, and we can help publicize your work in advance. Here’s the form:

Cast your shadow, shine a light, make a square wave synth make noise.

Michael Una is at it again. This time, he’s created something called the Beep-It. It’s a wonderfully elegant design for a light-controller soundmaker, an optical Theremin. He describes it to CDM thusly:

This minimalist electronic musical instrument eschews esoteric interface in favor of intuitive, expressive control.  One button turns the device on or off, which can produce a continuous tone or a rhythmic sequence.  One sensor varies pitch of the output waveform in response to ambient light.  The resulting system encourages playfulness and body movement.

You can buy all this goodness in hand-built, signed form for US$25 from Mike’s Etsy store, and he’s made the whole project open-source.

Beep-It @ Etsy

If you’re luck enough to be in Chicago, Michael is part of an art show called “Electrify” with more of these sorts of creations. You can buy your own Beep-It from the man himself, while soaking up the live musical stylings of Moment Sound. Electricity isn’t just for electronics: these artists will interpret the theme in the form of “painting, photography, sculpture, stencil, collage, and video.”

Electrify, November 15 @ Deadline Projects (Saturday 6-11p)

Schematics, images, explanation

Straight out of Michael’s notebook / brain:

Neither of these items is “news,” but since I missed them, you may have, too — and because they’re so absurd and wonderful, I can’t let that happen. Some things are timeless.

Via Chris Cheung’s Hong Kong’s-based Special Interest Group comes the Theremin Watch, “Modified (circuit bend) from 大人之科學 kit set.” I love the idea of a wrist-mounted Theremin. On one hand (ahem), it does mean that you can calibrate relative to your body, because it’s always strapped to your wrist. On the other, I expect that’s still something of a challenge. But it’s not so often you get wearable Theremins.

SIG Theremin Watch [specialinterestgroup.hk]
See also the more current honhim.com/blog

Andrew Cavette points to the Theremug, a combination of delicious tea and Theremin sound making, by the always-talented Kyle McDonald. This item made the music tech blog rounds in the summer and hit Make’s blog nearly a year ago, but then, unlike recent fads like iPhones and Windows Vista, tea is centuries old.

Instructions:

1 Prepare some tea
2 Expose the L/R leads on an 1/8″ cable
3 Immerse leads in tea
4 Plug cable into audio input
5 Start up max/pd/processing/etc. and average every 735 samples (882 if you’re in Europe/running on 50Hz)
6 Scale value and drive oscillator

I can’t believe that not a single blogger made an Infinite Improbability Drive reference here. Sloppy. Technically speaking, this gives you only the Brownian Motion Generator — you’ll still need the sub-meson Brain and atomic vector plotter. Rest in peace, Douglas Adams.

If you want to do this with Pd, Kyle wrote on Make:

For an idea of what the pd patch would like like… I just posted a screen shot of the max patch: http://flickr.com/photos/kylemcdonald/2126494098/

You’d use osc~ instead of cycle~ of course, and could reduce the mess between average~ 1024 and sqrt~ into a -~ and *~ that you set manually.

Theremug from Kyle McDonald on Vimeo.

Update: Keith writes to tell us more about his wrist-Theremin:

thanks for posting my wearable theremin!! Me and Chris Cheung is SIG. This product is by me. The original post is here that has more photo: http://www.the-demos.com/2007/11/28/theremin-watch/

May be you also interest my work Moving Mario , which is awarded in Ars Electronica 2008, interactive art!!

http://www.the-demos.com/movingmario/moving-mario/

I am also interested in Moving Mario — but that sounds like a job for Create Digital Motion.

Last month we saw Sarah Angliss using the Theremin as an audiovisual controller. If you’ve got a Theremin and want to try this yourself — or try some other similar continuous input — here’s a really simple example of a patch that converts audio to MIDI. It uses Pd, Max/MSP’s open-source cousin for Mac, Windows, and Linux.

If you haven’t used Pd before, you should download pd-extended. It’s a stable, friendly installer for Pd with all the documentation and extras you’d need. Pd can be tricky to install, but this is friendly to just about anyone.
Pure Data Downloads (choose “most recent release” for the latest stable build of pd-extended)

In this case, Charles Martin, a percussionist from Australia, whipped up this simple patch and the fiddle~ object (which analyzes incoming pitch) to control effects in Ableton. Very cool stuff. He describes the patch and includes copy-and-paste code here, though I actually recommend going through the image above one step at a time and recreating it to better understand what it involves.

Theremin to MIDI Control program in Pd [Charles Martin Percussionist Blog]

DIY 3D Interface: Tic Tac Toe from Kyle McDonald on Vimeo.

The Theremin, not too far off from its one hundredth birthday (start planning now), was a breakthrough in enabling a touch-free gestural control in space. Using the same principle that allows the Theremin to sense hand position, Kyle McDonald has created a 3D interface, and posted the process on Instructables. CDM gave him some of the inspiration:

Your recent post, "Theremin as AV Controller", inspired me to finish an idea that’s been living in my sketchbook. It operates on the same capacitive sensing idea as the Theremin, but in 3D — using just an Arduino, aluminum foil, and six resistors. I’m planning on using it as an instrument, interfacing with a wave terrain synthesis system. In the meantime, I put together a demo video and an instructable so other people interested in alternative controllers can experiment with it. The code is in Arduino outputs coordinates via serial, and the example code is done in Processing, so it’s only minutes from interfacing with your audio/visual tool of choice.

In the spirit of sharing, Kyle says he’d be happy for people to improve on the design: “If you think you can build one that is simpler and equally accurate, or slightly more complex and more accurate, share in the comments!”

DIY 3D Controller @ Instructables: “Make a 3D interface using an six resistors, aluminum foil, and an Arduino. Take that, Wii.”

Here’s the original post, which came from our friend Sarah Angliss, who’s been using the Theremin as a controller for A/V sets in Max/MSP/Jitter:

Theremin as AV Controller: Technical Details from Spacedog

Updated: Kyle writes with some additional details on what he’s doing musically, and from where he draws some of his inspiration:

I developed this as part of a wave terrain synthesis system. First, you would initiate a virtual 3D space with a "pressure field", so if you traced a path through the space the result would be an audio signal. Imagine instantaneously freezing the air in a noisy room, and moving your ear through the room in various paths at the speed of sound. If you moved towards a sound source, you’d hear the sound like normal, if you moved away it’d be in reverse, assuming it is radiating omnidirectionally you could move in a circle around it and not hear the sound at all. Something like "aural bullet time"? The interface is for tracing, selecting, and modifying these paths. Separate gestures are used for looping the paths, controlling their rate, etc.

[1] http://www.lovid.org/synths/syncarmonica.htm
[2] http://www.turbulence.org/Works/arcangel/
[3] http://www.oskarfischinger.org/Sounding.htm
[4] http://www.seeingwithsound.com/
[5] http://ccrma.stanford.edu/~woony/software/sonart/
[6] http://webcenter.ru/~vsoft/BitmapPlayer.htm
[7] http://www.nicolasfournel.com/audiopaint.htm

Look forward to hearing comments from readers, or (especially) related ideas!