battles

Watch Battles Reflect on Loops, Ableton in a Live Band Setting

On some deeper level, maybe it doesn’t matter how something repeats – whether it’s looped in a pedal, looped in software, or simply repeated by a human player, for instance. On another level, given just how much repetition matters to music, maybe that’s why we care so much about how it’s accomplished. Ableton this week released a visit to New York’s experimental rock trio Battles, in a film and interview under the header “The Art of Repetition.” There, we get to learn more about the process behind Battles’ dense, hypnotic sound. The film is a bit long, but there are …

READ MORE →

The Single USB-C Connector is Coming – But It’s Not Bad News

For years, the steady disappearance of ports from our computers has been unquestionably a bad thing for musicians. Things we used have been disappearing: Audio input jacks. Dedicated FireWire connections. Extra USB ports. And I’m not just talking Apple, here, either – slimmer and lighter PCs have often dumped connectors you needed, leaving us with a tangled mess of adapters and incompatibilities. Get a bunch of laptop owners together, and you’re lucky to connect anything without a Santa Claus-style bag of spaghetti. So, music and audio users can be forgiven to being resistant to change, because some of those changes …

READ MORE →
apollostudio

Universal Audio’s Latest Audio Hardware, Software Comes of Age Nicely

For me, Apollo is what changed the value equation and appeal of Universal Audio. Suddenly, we weren’t talking about buying hardware just to run some nice effects – which, good as those effects were, limited the audience for the UAD. With Apollo, the hardware splurge made sense. It was simply one of the better audio interfaces you could buy for production work, even before instantiating a single plug-in. And then you could add the UAD plug-ins. For anyone who said that they weren’t interested in running effects on dedicated DSP hardware, the Apollo is an answer. Fine. Here’s a reason …

READ MORE →
This has never ever happened before with Apple. Well, except all those times it happened before. Photo (CC-BY) Marcin Wichary.

Why MacBook Pro Users Need Not Worry About the New MacBook

If you’re a music maker, a DJ, or anyone working with creative audio and video, you care about connectivity so you can do your job – rightfully so. So, if that has you freaked out by the strange “all-new MacBook,” let me the first person to tell you: relax. You don’t want it, but you don’t have to lose sleep over it. It seems Apple yesterday introduced a new product tier. Apple has done that before, creating different categories for their computers to serve different markets. (It’s what has turned them into a hugely profitable company.) You may still prefer …

READ MORE →
noports

The Clue to Apple’s MacBook Revisions is the Word “Pro”

Yes, Apple is today talking about wristwatches. But judging by those glowing logos I see absolutely everywhere all the time, it’s probably MacBooks that matter to you music creating folk. Apple today has three items of computer news: 1. They’re introducing a new, 12″ display model called the “all-new MacBook” (note that exact wording). 2. They’re updating the 13-inch Macbook Pro with Retina Display. 3. They’re updating the MacBook Air. (There are no changes to the 15″ model, but these revisions have historically been staggered.) With Apple, nomenclature is everything. It’s been a while since Apple called anything “MacBook” without …

READ MORE →
apolloconsole2

Here’s What’s New in Universal Audio’s DSP Software and Hardware System

The line between pain and ecstasy on a computer for music making can often boil down to some key elements. One commonly on that short list is getting the sound you might from a studio. Another is making all your inputs and outputs work in your interface. Universal Audio is one of a handful of vendors that aims to bridge both of those gaps in a single product, with devices that are audio interfaces as well as DSP platforms for hosting high-quality effects. And UA are starting out 2015 with a fairly big benchmark for the company in that software/hardware …

READ MORE →

Apple MacBook Refresh Makes 13″ Retina a Great Sweet Spot for Music

The laptop is such an obvious part of music making today, it’s almost easy to understate its importance. But here’s the bottom line: for many musicians, it’s the most important gadget they’ll haul around with them. The glowing Apple logo may be the butt of some jokes, but it’s there for a reason. It’s tough to beat the versatility of a laptop for music making – and it’s tough to beat Apple on value. No, I really said that. On paper, Apple’s machines are pricey. But while OS X, like any OS, is a complex beast and far from perfect, …

READ MORE →
1248-iso-right

This is What High-End Audio Can Do Now: New Trio of Thunderbolt Boxes from MOTU

You’d be forgiven for missing it in the blur of press releases and trade show hand-outs – and, let’s face it, most musicians are too focused on music to pay much mind. But slowly, steadily, audio interfaces have been getting a lot better. Talk to the people who make them, and they can tell you what’s happened even in terms of individual components. Next, they’re about to get smarter and more networked. And so that means it is worth paying attention today as industry heavyweight MOTU unveils a trio of new audio interfaces, compatible with Thunderbolt 1 and 2 and …

READ MORE →

Record a Mic, Guitar with UA’s Apollo Twin, and Model Analog Like Never Before [Thunderbolt, $699]

Universal Audio’s new Apollo Twin (in SOLO and DUO variants, starting at US$699) gives you quite a lot of value on a single Thunderbolt connection to your Mac. It’s shipping now. It’s an audio interface, with connections for line, mic, or instruments. It’s a real-time DSP processor, adding the ability to run UA’s suite of (mostly analog-modeling) sound processing goodies. (SOLO/DUO refers to how much DSP muscle you get.) And it’s a bundle of UA models of analog hardware, including a rather nice pair of limiters, an EQ, amp models, and tube preamps. If you think they’re hoping guitarists and …

READ MORE →
Looks familiar, but that's a good thing. Pics courtesy MOTU.

MOTU 828x: A Favorite Audio Interface Gets Thunderbolt Treatment

The MOTU 828 series has been a workhorse if ever there was one. Since the very first model, its more-then-ample I/O, mixing, clocking, and design have made it a favorite in a market crowded with lots of fairly-similar audio interfaces. It’s just more versatile and has easier access to controls and metering than some of its rivals. That means the arrival of an 828 with Thunderbolt matters. The 828x still has USB 2.0, so you aren’t limited to Thunderbolt connections, and it supports both OS X and Windows. But when connected to Thunderbolt, you get some distinct advantages. The bus …

READ MORE →