audiomux-midimux

MIDI and Audio Over iOS Cable: Here’s How, Available Now

We’ve seen the future, and it’s … back to wires. First, we saw midimux connect any MIDI app or hardware on your iOS device to any MIDI software or hardware connected to your Mac. Plus in a 30-pin or Lightning cable, run some software on each end, and connect anything. Then, we saw the promise of audiomux – doing the same thing for audio streams. Now, audiomux is available on the App Store, not only individually, but as a bundle with midimux. (The developers initially asked midimux users to wait while that bundle became available, to avoid overspending.) And, as …

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midimux1

Here’s How To Connect the iPad’s Easiest Pattern Maker to Your Mac [Video Tutorial]

Remember the days of clicking laboriously to add notes to a piano roll editor? Well, that’s a bit silly nowadays if there’s a touchscreen sitting next to your desk. You probably want to make use of it – and maybe without stumbling around helper apps and wifi configuration. We’ve already seen how Auxy, the iPad pattern editor, reduced a widely-known music process to its simplest elements. The recent addition of MIDI opens it up to external hardware. But it also makes a nice example of what the new utility midimux can do: connecting this app to the wealth of sounds …

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tunerbrute

Hands on with the Ableton Live 9.2 Tuner [Video]

Hey, sometimes it’s the simple things. I was going to write something, but – well, it’s a tuner. Watch the film, from Ableton Liveschool. And I have to say, Ableton has found a way to make this Device more interesting than previous Max for Live efforts. It even has a histogram. Perhaps the most newsworthy element here – a sign of the times – is that the resurgence of analog synthesizers has meant that tuning outboard hardware is now again an application for tuners. You’ll see in the video here an example with the classic MOOG Minimoog, but see the …

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oscillot_modules

How OSCiLLOT is the Smartest Way to Put a Modular in Ableton

Racks and knob-encrusted modules and wires tangling together to make sound – this is a perfectly lovely thing. But the computer sitting in front of you, the one you probably turn to when it comes time to record and produce, is also capable of vast sonic powers. Why force a choice between the two, when that machine can let you explore the frontiers of sound, too? The recent announcement of OSCiLLOT brought open-ended patching to Ableton Live users. But it’s only getting started. Today, we get to see it evolve, learn to use it to make the sounds we imagine, …

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SC1_1006R_blackKnobs_total

Stereoping Adds Knobs, Programming to Vintage Gear Missing Them [Video]

The electronic musical instrument world is littered with cases of one person, individually solving a problem. This one gets even more specific. There’s some beloved MIDI gear out there that’s just a bear to program. Yes, you can use various knob boxes – but because some of the programming requires archaic System Exclusive messages, prepare yourself for some work. The Stereoping device adds knobs and custom firmware for that hardware. Amusingly, the product is available as a kit, but maybe that’s perfect – you spend a bit of cash and devote that time to the soothing task of soldering rather …

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autosampler

Apple’s MainStage Auto Sampler Turns Your Hardware into Software

Hidden in last month’s update to Logic and MainStage is a feature a lot of sampler lovers have been missing. You need the latest MainStage to access it, but it allows you to easily create sampled software versions of external instruments. Italian developer Redmatica had a host of technologies for transforming hardware instruments into software samples, all built around Apple’s EXS24 sampler. Anyone who’s ever built samples of hardware knows the process can be fairly time-consuming: you trigger notes one at a time, record audio from them, and map that audio to the keyboard. Redmatica’s tools made all of that …

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novationhardware

Here Are Two Rigs That Let You Play Live with Hardware [Videos]

A funny thing happened on the way to the future. Thing is, at the same time the computer has improved as a music-making instrument, so, too, has standalone hardware. The reality is, hardware rigs for music making are more affordable and more accessible than they ever were before. They do more, better. They’re easier to use. And when it comes time to record and arrange, the computer doesn’t require the investment of cost and time it once did, either. So the upshot is, even the computer is making it easier to spend some time working with hardware. And that means …

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Loop points, at last. Side-by-side editing on iPad, too. Photos courtesy NI.

iMaschine on iOS Gets Smarter; How Apps Can Help You Make More Music

They may not be as powerful as their desktop counterparts. But by going with you, mobile apps can help you find inspiration and creativity in moments that would otherwise be lost. And mobile drum machine app iMaschine adds two subtle features that mean a lot more possibility – or at least takes a step in the right direction. iMaschine 1.2, released at the end of last week, adds integration for both Audiobus and Apple’s own Inter App Audio (the latter less-widely implemented, but used in popular apps like GarageBand). The upshot: you can now combine Native Instruments’ mobile drum machine …

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People Will Come: There’s Already a Free Sample Editor for volca sample

Getting “open” still scares many music manufacturers. Maybe they should double-check those fears. See, if you add simple jacks (MIDI, audio), if you add driver-less operation (via USB and the like), let alone if you design simple APIs or create open source interfaces, you open the door to people making things that work with your creation, for free. They have to want to be there – but we make music. We love music gadgets. If your gadget is worth using in the first place, it’s worth opening up to other things. You know. “If you build it … people will …

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deft

No Excuses: Watch Deft Make a Track in FL Studio in Ten Minutes

“But I don’t have enough time.” So, get a camera crew from FACT to loom behind you and watch while you produce, all with a clever ten-minute clock ticking away for their series Against The Clock. Actually, no. Two problems. One, the pressure might make you completely freeze up. Two, yes, you might not have FACT around. But you could imagine a timer. Deft, the aptly-named Croydon, UK artist whose work ranges from cinematic and ambient straight through to footwork, here goes a bit modern drum and bass in a perfectly passable track that he assembles under the clock. Got …

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