autosampler

Apple’s MainStage Auto Sampler Turns Your Hardware into Software

Hidden in last month’s update to Logic and MainStage is a feature a lot of sampler lovers have been missing. You need the latest MainStage to access it, but it allows you to easily create sampled software versions of external instruments. Italian developer Redmatica had a host of technologies for transforming hardware instruments into software samples, all built around Apple’s EXS24 sampler. Anyone who’s ever built samples of hardware knows the process can be fairly time-consuming: you trigger notes one at a time, record audio from them, and map that audio to the keyboard. Redmatica’s tools made all of that …

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novationhardware

Here Are Two Rigs That Let You Play Live with Hardware [Videos]

A funny thing happened on the way to the future. Thing is, at the same time the computer has improved as a music-making instrument, so, too, has standalone hardware. The reality is, hardware rigs for music making are more affordable and more accessible than they ever were before. They do more, better. They’re easier to use. And when it comes time to record and arrange, the computer doesn’t require the investment of cost and time it once did, either. So the upshot is, even the computer is making it easier to spend some time working with hardware. And that means …

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Loop points, at last. Side-by-side editing on iPad, too. Photos courtesy NI.

iMaschine on iOS Gets Smarter; How Apps Can Help You Make More Music

They may not be as powerful as their desktop counterparts. But by going with you, mobile apps can help you find inspiration and creativity in moments that would otherwise be lost. And mobile drum machine app iMaschine adds two subtle features that mean a lot more possibility – or at least takes a step in the right direction. iMaschine 1.2, released at the end of last week, adds integration for both Audiobus and Apple’s own Inter App Audio (the latter less-widely implemented, but used in popular apps like GarageBand). The upshot: you can now combine Native Instruments’ mobile drum machine …

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People Will Come: There’s Already a Free Sample Editor for volca sample

Getting “open” still scares many music manufacturers. Maybe they should double-check those fears. See, if you add simple jacks (MIDI, audio), if you add driver-less operation (via USB and the like), let alone if you design simple APIs or create open source interfaces, you open the door to people making things that work with your creation, for free. They have to want to be there – but we make music. We love music gadgets. If your gadget is worth using in the first place, it’s worth opening up to other things. You know. “If you build it … people will …

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deft

No Excuses: Watch Deft Make a Track in FL Studio in Ten Minutes

“But I don’t have enough time.” So, get a camera crew from FACT to loom behind you and watch while you produce, all with a clever ten-minute clock ticking away for their series Against The Clock. Actually, no. Two problems. One, the pressure might make you completely freeze up. Two, yes, you might not have FACT around. But you could imagine a timer. Deft, the aptly-named Croydon, UK artist whose work ranges from cinematic and ambient straight through to footwork, here goes a bit modern drum and bass in a perfectly passable track that he assembles under the clock. Got …

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This iPad app (touchAble 3) just got a lot more powerful and usable, too. It now follows whatever you're doing with your hardware. So you can actually play, rather than squint at your gear and get confused.

Wish Granted: Ableton Live Control The Way You Wanted It

You want to improvise with Ableton Live. You want to reach out and turn a knob, and know what it’ll do. You want to be able to grab controls that have something to do with clips that are playing. Yeah, so Merry Christmas to us. Permit me being a little excited, as I am immensely grateful to the developers. It’s a rare case where you say “wow, I wish that this –” and then suddenly get what you asked for nearly before finishing the sentence. Just last month, we saw a way to get grids in order using LaunchSync, a …

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october

Make DJ Charts from Traktor, and More Free Playlist Tricks

If DJing with vinyl leaves traces in our memory, recollections of physical handling of album sleeves and crates, then for digital DJing, we must rely on data. Traktor DJ is quietly noting everything you do as you play – at the gig, in the studio. The key is how to do something with that data. The coolest trick came last month from our friend Tomash Ghz – he of the superb Digital Warrior, among others. (Very keen to get back to my desk in Berlin to muck about with the latest step sequencer there, but I digress.) Tomash has whipped …

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garageband_yosemite

Apple’s OS X Yosemite Proves Largely Wrinkle-Free for Music; GarageBand Updated, Too

Here’s a welcome change. OS X Yosemite (10.10 is a major update to a desktop operating system that brings with it almost no apparent headaches for pro audio. The normal advice applies. Backup your system before doing anything (even Apple’s Time Machine I’ve found does the job nicely). Time something major like an OS update for when you’ve got time to test, and to revert if you have trouble. (Hint: not in the dressing room before a gig.) And don’t rush to update – there’s nothing here that you immediately need for music work. But in this case, if you …

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Get Your Ableton Grids in Order, Free, with Launchsync

In live electronic music, the endless free expanse of the computer screen tends to run up against the limited ability of your brain to tell just which freakin’ track am I on, anyway? In the studio, it can be annoying. Live onstage, it can be train wreck-inducing. Ableton Live’s Session View has for years exacerbated this problem. You can limit your options to eight (or even four) tracks. But that doesn’t always work. You might need more than eight tracks for particular routings of audio or MIDI. And unless you use Device Racks and chains, you’ll also need extra tracks …

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meeblippush

Learn to Jam with Just One Synth Voice: MeeBlip + Ableton Push vs. Gustavo Bravetti [Video]

Ableton Live and Ableton Push afford new ways of working, allowing you to put loads of parameters beneath your fingertips. Of course, the means of doing that may not be immediately obvious, behind the dance between grid, encoders, and automation envelopes. Leave it to Montevideo-born, virtuoso dance music maestro Gustavo Bravetti to show us how it’s done. Gustavo pairs the MeeBlip SE, the enhanced “digital freak” original version of our synth, with Live and Push. To connect the hardware with automation of the external synth, he uses a Max for Live patch for the MeeBlip (which you’re free to download …

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