luanna is a beautiful new application out of Tokyo-based visual/sound collective Phontwerp_. Amidst a wave of audiovisual iPad toys, luanna is notable for its elegance, connecting swirling flurries of particles with gestures for manipulation. I imagine I’m not alone when I say I have various sample manipulation patches lying around, many in Pd, lacking visualization, and wonder what I might use in place of a knob or fader to manipulate them. In the case of luanna, these developers find one way of “touching” the sound.

As the developers put it:

luanna is an audio-visual application designed for the iPad
that allows you to create and control music through the manipulation of moving images.

The luanna app has been designed to be visually simple and intuitive, whilst retaining a set of rich and comprehensive functions. Through hand gestures you can touch, tap and manipulate the image, as if you were touching the sound. The image changes dynamically with your hand movements, engaging you with the iPad’s environment.

The interface is multi-modal, with gestures activating different modes. This allows you to select samples, play in reverse, swap different playback options, mute, and add a rhythm track or crashing noises. It’s sort of half-instrument, half-generative.

Phontwerp_ themselves are an interesting shop, descibed as a “unit” that will “create tangible/intangible products all related to sound.” Cleverly naming each as chord symbols, ∆7, -7, add9, and +5 handle sound art, merch, music performance / composition / sound design, and code, respectively. That nexus of four dimensions sounds a familiar one for our age.

Sadly, this particular creation is one of a growing number of applications that skips over the first-generation iPad and its lower-powered processor and less-ample RAM. Given Apple can make some hefty apps run on that hardware, though, I hope that if independent developers find success supporting the later models, they back-port some of their apps.

See the tutorial for more (including a reminder that Apple’s multitasking gestures are a no-no).

US$16.99 on the App Store. (Interested to see the higher price, as price points have been low for this sort of app – but I wonder if going higher will eventually be a trend, given that some of the audiovisual stuff we love has a more limited audience!)

Readers request Audio Copy and sample import right away. I think sample import, at least, could easily justify a higher price, by making this a more flexible tool.

Find it on our own directory, CDM Apps:
http://apps.createdigitalmusic.com/apps/luanna

http://phontwerp.jp/luanna/

Very similar in its approach is the wonderful Thicket, well worth considering:
http://apps.createdigitalmusic.com/apps/thicket

See our recent, extensive profile of that application’s development:
Thicket for iOS Thickens; Artists Describe the Growth of an Audiovisual Playground

See also, in a similar vein, Julien Bayle’s recent release US$4.99 Digital Collisions:

http://julienbayle.net/2012/04/07/digital-collisions-1-1-new-features/

http://apps.createdigitalmusic.com/apps/digital-collisions-hd

Musicians have long made pictures to represent musical ideas, share those ideas, and allow others to participate. Before computers, we created scores. Now, we can create interfaces, too. Of course, just because you’re using a digital interface doesn’t mean the pencil as prototyping tool has to go anywhere. It’s the quickest way to sketch out an idea. And if your hand is steady, it just might become a lovely, personal interface.

OtoBlock by Tsubasa Naruse is a hand-drawn music sequencer. The basic interface is nothing new, dropping blocks into sequence to make sounds, but the charm is the rough edges on the pencil-made buttons, and the whimsical hand-drawn characters that live on them.

OtoBlock @ iTunes
Tsubasa Naruse website, in Japanese, but don’t miss the other adorable sketches
Via Matrixsynth, by way of Palm Sounds

Here is a 2009 experiment in “sonic interaction” by the same artist, also exploring
some of these ideas. (link) I’m not sure I could even describe it, but the relationship of minimal electronic sounds to handmade animation is utterly irresistible.

So, with mobile music tools like iPhones and portable amps from the likes of Roland and KORG, can you actually go out and make music in a subway? I recall people mocking an old M-Audio ad in which someone was doing laptop production on the subway platform. But when it comes to mobile busking, the same videographer who shot the hands-on video at top also captures an impromptu TB-303 jam in the Tokyo subway. (Apparently, this young woman did not inspire love from the police. Sadly, the app she’s using is entangled in some sort of contract issues.)

More great iOS videos on perfumepod’s channel; it’s a great way to explore different user interfaces:
http://www.youtube.com/user/perfumepod

And yes, I’ve been tipped off to “Tokyo Techno Girl” before; I have to find out more about her.

At long last, the Yamaha Tenori-On, the unusual sampling/sequencing instrument bestrewn in light-up buttons, is getting its worldwide release.

And it’s going to be an amazing party.

Launch cities:

• Frankfurt and Berlin, Germany
• Paris, France
• Montreal, Quebec
• New York, NY
• San Francisco, CA
• (most appropriately) Tokyo, Japan

The tour kicks of in Frankfurt first on March 12, then hits the other towns April 8 – 25, finishing where the Tenori-On was born: Tokyo.

Launch artists:

• Toshio Iwai, the man from whose brain the Tenori-On sprang
• Jim O’Rourke, composer/improvisor/producer extraordinaire (perhaps best known for his association with Sonic Youth)
• Atom Heart, aka Senor Coconut aka Atom Heart aka various other things
• Pole, the DJ and electronic artist great
• To Rococo Rot, German post-rocker trio
• Robert Lippok, who counts “set designer” among his credits and co-founded To Rococo Rot
• Sutekh, who spans electronica to noise collage, and mate Safety Scissors, the San Fran contingent
• Andi Toma of Mouse on Mars fame
• The Books, representing New York and generally All Things Awesome — I need to put them on continuous loop on Winamp just so they wind up on the top of my Last.fm profile, where they belong
• I am Robot and Proud, Toronto electronic soloist, toured with Mum and Caribou, and an all-around great computer man
• Nathan Michel, experimental electronicist and DAT politics collaborator. Oh, and Nathan just got his PhD in music composition from Princeton last year, meaning he’s yet another person who finished his PhD before I did. Dr. Michel, congrats.

TENORI-ON Global Launch Event

I’ll be covering NYC, of course, with an awesome lineup (Toshio Iwai / Robert Lippok / Pole / Sutekh / I am Robot and Proud / Nathan Michel / Safety Scissors). But I’d love to pick up some of these other cities and do global team coverage. If you’re interested, drop a line.

Frequently Asked Questions:

Do I know when you’ll actually be able to buy it?

No.

Do I know where?

No.

Do I know how much it will cost?

No. I’m hoping less than the initial UK launch when it goes global, as that was the hope. In the UK, it costs GBP599, which, when you translate to the ridiculously weak dollar is, um, a lot.

Is this better or worse than the Monome?

They’re different. Stop trying to compare them. Get both.