Trinity, the folks who have been pushing the notion of a Linux-based handheld audio studio for some time now, have launched a full product today. It’s called the Indamixx Mobile DAW, and it’s a full software studio running on Samsung’s Q1 Ultra (formerly known as an Ultra Mobile PC). In fact, it might more accurate to say that it’s multiple DAWs, as you have various, full-blown software choices you can use pre-optimized on a handheld computer.

For anyone unimpressed by people tapping on iPhones and such, this is the real thing. Software includes, among other things:

• Just-added special version of EnergyXT, the increasingly-popular music production tool (as pictured here)
• Ardour, the powerful, open-source DAW software
• Hydrogen drum machine, Seq24 sequencer, Ardour audio editor
• Powerful Linux tools: LADSPA and VST effects support, synth and sound tools, and utilities

You also get tools like Skype and Pidgin, plus the usual Linux Internet apps, so I could imagine this would be a really powerful tool to have with you in world travels. Find wifi, call whomever you like.

It’s all about form factor. Some people will, naturally, be perfectly happy with a no-compromises laptop. But for people who prefer a handheld machine that could fit easily atop a keyboard or music stand, this finally gives you some real power – and a full-blown Linux OS. (The addition of EnergyXT to me is really the killer app.)

The hardware features:

• 7”, 1024×600 screen and VGA output
• 802.11g wifi and Ethernet
• 40 GB hard drive (not sure about real-world track count on that; I’ll try to find out)
• 2 USB 2.0 ports, so you could use this with a MIDI or audio interface
• Touch screen and physical keys, plus an 8-way joystick
• 1G RAM expandable to 2GB, reasonably speedy (very much so for a mobile device) Intel processor

Cost: US$999 as a special intro offer through 8/31 or until supplies are gone.

Availability: Now.

Whether or not you’re running out to buy one of these, I think the message to developers is clear. You can no longer assume the traditional computer and mouse is the target platform. With touch capabilities in Windows 7 and likely on Mac OS, with killer apps on everything from the iPhone to the DS, the growth of Linux laptops like the Eee, and touch and mobile interfaces everywhere, the potential diversity of computing is finally being realized. That means UI design will increasingly have to accommodate alternative modes of control (like touch), scale to different screen sizes (including higher resolutions as well as lower ones), and think about mobile. And Linux – already capable of emulating Windows well enough to run many music apps, and ready to host VSTs – could have a new window of opportunity. The change may not happen immediately, but smart developers will be prepared for whatever direction their customers may take.

Indamixx Portable Studio Site

Quick: you’ve got to sell UMPC (Ultra Mobile PC’s) to a mass market! How to do it? Well, Intel decided to show off pro audio and music production on the Linux-based Transmission, from Trinity Audio, as we saw earlier this week. I’m not entirely sure what got Intel thinking our geeky way, but I’m going to enjoy it while it lasts. And in all seriousness, Linux really an ideal OS choice here, because of its ability to be customized to the application.

The other flipside: low-power is the future. Computers now suck up 15% of the electricity in the US — electricity that produces a lot of our pollution and greenhouse gases. You do the math. A lot of that power gets used up in data centers, but the aggregate of all those homes counts, too. That will impact the future of all end-user operating systems.

Trinity has sent us some photos of the Intel booth at CES. Yes, Linux audio is getting some wider exposure. And even if you’re attached to Mac or Windows as your desktop/laptop platform, a mobile Linux device could be an ideal companion in the near future. We’ll have a chance to look at Trinity’s own device next week at NAMM and see how it stacks up.

Open-source music and audio is finally delivering the goods: useful and unique tools that make sense even alongside commercial/proprietary software. And as a sign that the mainstream could get a taste of these tools soon, Intel is exhibiting at the massive Las Vegas CES consumer electronics show with Transmission, says Trinity Audio’s Ronald Stewart.

Transmission is Trinity Audio’s open source software bundle and live Linux distribution. It’s built for Trinity’s Linux-powered Trinity mobile studio device, which we’ll be seeing more of soon. At CES, it’s running at the Intel booth on the Samsung Q1 Ultra Ultra Mobile PC (UMPC). (The advantage of the Trinity over the UMPC for audio folks: XLR jacks, among other things.) But you can also run this free software on your PC — try the live CD link below. Haven’t tried it on Intel Mac yet, but that should work, too, theoretically.

Audacity [the open-source waveform editor]

Burn is a cd burn app

DJ is IDJ for live podcasting ( i love this with a mic)

Drum is Hydrogen [the simple but fun software drum machine]

Mixer is the Gnome ALSA mixer [for mixing virtual channels of audio on your system -- something not nearly as functional on Mac or Windows]

Mixxx 1.6 beta (rips with the touch screen grabbing the tracks and faders)

Record is Ardourino (Ardour is so awesome) [the open-source DAW]

Sequencer is Qtractor (another great app)

Synth is amsynth

Upload is an ftp app [so you can upload your tracks]

Zynaddsubfx is another great synth

For more description and links to the individual tools — an excellent selection of the creme de la creme on Linux — check the Transmission site. (warning: auto-plays audio!)

Transmission

But no need to have a UMPC or Trinity device to give this a spin. This live CD will do the trick. For Mac users, it even includes the native (non-Linux) Ardour for Mac, an excellent free and open source DAW for Mac users.

Trinity Live Master CD

Even as someone dedicated to proprietary software I really can’t live without (hello, Ableton!), I think there’s huge potential in using these applications for specific applications (like mobile devices), for collaboration, and file exchange. If we were really lucky, some of those major developers would start to build in support for, say, Ardour’s file format. But that’s the subject of another story.

Below: the Trinity mobile device getting celebrity treatment.

For mobile work, your choices have traditionally come down to one of two choices: either lug your laptop and audio interface, or get dedicated recording hardware with far fewer capabilities. We’ve been following the evolution of the Linux-powered Trinity mobile recorder for over a year now because we’re interested in what could happen between those two extremes.

Prototype Trinity recorders initially failed to impress on the software side: the bundled software focused on Audacity 2.0, a fairly basic waveform editor. That already allows far more than what’s possible with dedicated hardware recorders, but maybe not quite enough to warrant leaving your laptop at home. Since we last saw it, though, the Trinity has gotten two major improvements. First, it’s not naked any more; it’s got a lovely, brushed aluminum case. More importantly, though, it’s got an application worth writing home about: a new, mobile/embedded edition of the powerful, free DAW Ardour called Ardourino.

Ardourino isn’t just Ardour running on the Trinity: it’s a special, customized version of the DAW intended for mobile devices. You get the capabilities of Ardour, a full-featured open source DAW that also runs on desktop Mac OS X (natively, no less) and Linux, but adapted to smaller screens. That shows some promise for the open source audio software; I can’t think of any other major pro audio software that’s mobile device ready. And, of course, that also means you can work directly on your desktop DAW on the road, without any import/export of files.

Since the Trinity is running Linux, other applications are possible, too; one prototype photo already shows it running the Hydrogen drum machine.

For many readers, the Trinity rightfully has competition from laptops; you may just not want another device. Nonetheless, though, the Trinity provides an interesting glimpse at what the future of mobile/embedded audio devices might look like, and some of the potential of Linux for music and audio. As far as the Trinity itself, we look forward to learning more about the finished project.

Ronald Stewart’s Blog on the Trinity (and other Linux audio musings)

Previously:
Linux-Powered Mobile Trinity DAW in the Wild
Portable, Linux-Based Trinity Recorder Development Continues; New Specs