Daft Punk Addendum: Help, The Computer Made Me Use Presets!

I hadn’t actually seen this quote from Daft Punk. I don’t want to beat this issue like a low-polygon future Derezzed horse, but I realized I missed a very important quote from Billboard. Bangalter: We really felt that the computers are not really music instruments, and we were not able to express ourselves using a laptop. We tried, but were not successful. … The problem with the way to make music today, these are turnkey systems; they come with preset banks and sounds. They’re not inviting you to challenge the systems themselves, or giving you the ability to showcase your …

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Onyx Wants to Make Himself Into Helmeted, Wearable-Music-Tech Tron, With Your Help

A helmet and hand units make up the TRON performance system for a style of music artist Onyx Ashanti calls “beatjazz.” And he’s well on his way to making a reality. All images courtesy the artist. Onyx Ashanti is insane – in the special, essential way that makes certain brilliant musicians. An experienced busker, having crossed from the US to Berlin, he’s a rare virtuoso of wind instruments and electronic improvisation, the kind of musically-free soul who can just let loose live. But his latest project really crosses into some new territory. He’s making himself into Tron. No, really – …

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Free Soundtrack for an Imagined Tron Movie: Rise of the Virals

What if, between the original classic Tron and the upcoming Tron 2: Legacy, there were another Tron movie, lost forever in cinematic history? Between the soaring score by Wendy Carlos for the original and Legacy’s Daft Punk music, what would the soundtrack have sounded like? Of course, it would have absolutely had some Journey in it. Such a movie was rumored, but as with so many projects, leaves behind no evidence. What if it had left a score you could hear? The mysterious “Flynn 1.5” writes to share a free, downloadable soundtrack that answers that question. And you can argue …

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Tron, Redux Redux: Trailer with Daft Punk Music, New Reaktor-Reason-Live Score

In a Hollywood overrun with remakes, a new Tron has quite a daunting challenge. The original film may be a cult hit for its 80s arcade cool, but it also was a seminal moment in the evolution of computer animation, at the nexus of obsessive-compulsive optical effects that came before and digital effects that came after. (Google Perlin Noise, if you must.) But where the bits of the effects look uneven or dated alongside the brilliant, it’s nearly impossible to top the genius of Wendy Carlos’ score. Her deft blend of choirs, orchestras, organs, and rich electronics wasn’t just forward …

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