Pioneer, The Company That Made CDJ a Hit, Teases a Turntable

The vinyl comeback couldn’t hit much more of a high note than this: it seems Pioneer, the company that popularized digital DJing and CDJs, is building phonographs. Pioneer isn’t saying anything about the hardware that’s under plexiglass at Musikmesse, only that it’s a concept prototype. But they hardly need to. The hardware looks like someone took the most popular DJ turntable of all time, the legendary Technics SL-1200, painted it black, and re-lettered it with Pioneer markings. I don’t think they literally did that, though it almost doesn’t matter; the effect is unreal, like entering a bizarro universe where Pioneer …

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submerged

Submerged Turntables, Art Phonographs Underwater, and Life After Records

Submerged Turntable from Brian Lilla on Vimeo. Once upon a time, Romantics dreamt of ruined architecture, rubble and stones on hillsides and whatnot. Today, we imagine ruined technology as our artifacts of culture lost. We don’t need a burning library of Alexandria. We can wait until our machines go out of warranty and go kaput. That subconscious seems to flow in the literally-murky pool of “Submerged Turntables,” an art installation by Evan Holm. But the results are oddly beautiful, making the physical quality of the record enduring. And here’s the upbeat bit: in those dark waters, the record still plays. …

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diachronic2

Diachronic is a Completely Insane Looper Inspired by Turntablism, Free for Max for Live

If loopers have been getting you down by being a bit, well, repetitive, this is for you. It starts as a simple, drag-and-drop looper. Add it to Ableton Live and drop your audio on it. But then things get a little … um … different. Inspired by turntablism, loops in Diachronic cycle continuously. But speeds can be changed spontaneously, as if the hole in the record could be shifted in position. And the results are absolutely nuts. (Underscoring that effect, the promo video for version 1 is narrated by a calm British narrator, intoning parameters solemnly, with names you’d be …

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scratchtrackplug

Scratch Anything, in a $20 Plug-in: MIDI, Turntables, and Hosts Like Ableton Meet

Turntablism is still alive, but surprisingly, turntable techniques haven’t entirely harmonized with modern DAWs. One of the first products ever covered here on CDM was Ms. Pinky, a combination of software and vinyl, which recently saw a Max for Live iteration. But Scratch Track is about the most universal, easiest way yet to drop scratching into a project. It’s a VST plug-in, compatible with OS X (10.6 or later) and Windows. It works with turntables. It works with MIDI. It works with host automation. It works with host automation and MIDI even if you don’t have a turntable. And there’s …

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Armin van Buuren DJ Boombox a Pale Imitation of the 80s; A Look Back at Real Ghettoblasters

In the latest megarich DJ – electronics manufacturer collaboration, we find Dutch giant Philips with Armin van Buren. (In fact, you might begin to wonder if these guys are just competing over the Forbes highest-paid DJs list.) This time, what you get is an all-in-one iPad dock with DJ control surface with speaker. That in itself seems not such a terrible idea, but then the problems start. Apart from the usual concerns about obsolete dock devices, the dock slot here places the iPad in an uncomfortable vertical position. There are physical controls for DJing, too, integrated with the (rather excellent) …

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Color and Light: Gestures Manipulate Music, RGB Lights [Ableton + Kinect]

Motion, light & sound / Kinect & Madlight from things happen on Vimeo. In a teaser video just released by Spain’s Things Happen, a silhouetted performer uses arm position to sweep through RGB colors and trigger sound cues. It’s the latest effort to integrate the immersive media environment with a performer’s body, part spectacle, part interface. The ingredients, apart from Microsoft’s ubiquitous Kinect depth camera: Motion capture + image = light + sound Software: MadMapper [using MadMapper’s Madlight feature to trigger lighting] Quartz composer Ableton live Music: Sun Glitters x Isan – Snowfall The nice thing about the inter-linked, comment-enabled …

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3drecordtop

3D Printed Records: We Talk to the Creator About Her Work, 3D Printing Potential

3D printing is transforming digital information into objects in ways we haven’t seen before. However, a project has been making the rounds through online media partly because it recalls a familiar object: the musical record. Amanda Ghassaei’s 3D-printed record sounds crude, but it makes clear the connection of data to printed, physical form: take a music file, make a printed album. Amanda writes: I’m a really big fan of your blogs and I thought you might like a project I’ve recently published on instructables: I managed to actually print a working (although quite noisy) record on a 3D printer. I …

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Low-frequency sine waves make for a record that looks beautiful, too.

WOW: One Album, One Really Low Sine Wave, Most Minimal Record Ever

Digital or analog, it doesn’t matter: any sound you hear is heard in the real world. The playback device, the environment, all impact the sound. For evidence, try playing a record with a single frequency and nothing else. That’s the case with WOW. Perhaps the best recorded equivalent of John Cage’s legendary four-plus minutes of scored silence, the record WOW is in physical form as minimal as could be. It’s contains a single, ultra-low-frequency pitch (hear it on YouTube below, provided you have some speakers or headphones with enough low-end response). WOW is, then, about where it’s played as much …

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Helix_iPad_mockup

Helix, A Digital Turntable Proposal, in a Visual, Touchable Circle [Kickstarter]

The basic idea of the turntable, its round rendering of sound as a physical object, still attracts fascination. But is there a way to truly make the same metaphor fit digital media? Peter Adany is the latest to try, with a design proposal and mock-up he’s trying to fund for iPad (and Mac and Windows) via Kickstarter. What makes his proposal compelling, like some of the best concepts in this field, is that the results are visual and sensitive to movement. It’s a design that stays true to the geometry and physics of the record that inspired it – rather …

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Fun with Turntables: Liberating the Decks By Dancing, Loading Hacks as Records

Here’s a way to change the relationship of dancer and deck: instead of the record “triggering” dancers, the dancers move the record. In “Autistic Turntable,” movement from onlookers gradually moves the platter. The work debuted earlier this year in the Nósomosòn exhibition at Normal at the Universidade da Coruña, España. It’s just one experiment in turntable re-engineering from artist, open source advocate, and electronic composer Servando Barreiro. In BInaer Platten, he modifies the mechanical turntable to instead read binary-encoded records with other audiovisual media. Seen at this year’s Transmediale 12, Servando’s work was some of the most practical to respond …

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