DJShifteeSetupCrop

Shiftee takes us inside his latest virtuosic laptop DJ routine

Master turntablist Shiftee has posted a sharp routine. It’s a clever product placement for Razer’s laptops, but – well, it’s more than that. It’s an ad for laptops in general, at a time when DJing has increasingly come to mean “showing up with a couple of USB sticks.” And it’s sort of an ad for being DJ Shiftee. So, we asked Mr. Shiftee to show us what was going on.

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Serato DJ’s updated hardware support, features explained

Serato has been busy lately. While other DJ tool makers keep talking big headlines (turntables! Stems!), the New Zealand-based DJ software developer has been steadily churning out a whole bunch of updates. And these are largely about adding support for different hardware. Serato is in that sense a bit of a different beast. While Pioneer pushes its standalone hardware in booths, and Native Instruments focuses these days on its integrated hardware/software solutions, Serato is all about providing plug-and-play support for a variety of other tools, and responding to user requests. So, that means little “point” updates from Serato are often …

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Jazzy Jeff, Shiftee Show Us Turntable as a Musical Instrument

Serato and Native Instruments may have a fierce rivalry when it comes to tools. But at the end of the day, the leading DJ vendors exist for one reason: they’re there to support musicians. And I do mean musicians. Watching new routines from Jazzy Jeff and Shiftee, you really see the turntable emerge as a virtuoso musical instrument. They’re released as promotions for Serato (Jeff) and Native Instruments (Shiftee). And the tools are important: they’re there to allow these players to make use of their skills, to do more than just select tracks like a jukebox. But this really is …

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Can a Pioneer Turntable Do What a Technics Turntable Couldn’t?

I stand by the plot as far today’s announcement that Pioneer is remaking the Technics 1200. This is a straight-up remake, bearing no real direct relevance to the rest of Pioneer’s offerings other than name. But as with the KORG MS-20 or the Moog Keith Emerson Modular, just reissuing something from the past already adds a subplot. First, it’s worth reconsidering what Panasonic, makers of the Technics turntable, said when they exited the market: We are sure that retailers and consumers will understand that our product range has to reflect the accelerating transformation of the entire audio market from analogue …

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Watch A Charming Video with Hands On Gear, From France’s 20syl, And More

20syl – Kodama (official music video) from 20syl on Vimeo. In a love affair with musical instruments, French producer 20syl teams up with director Mathieu le Dude for a gorgeous music video. As the bass-heavy track shuffles along amiably, hands on musical instruments and other objects reveal the instrumentation – a young hipster’s guide to the electronic orchestra, if you will. 20syl is the producer name of turnablist and sometimes-rapper and graphic artist and music maker Sylvain Richard of Nantes, well-known in his France but getting greater international exposure with this video. He co-directs the film here, applying his graphical …

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Diachronic is a Completely Insane Looper Inspired by Turntablism, Free for Max for Live

If loopers have been getting you down by being a bit, well, repetitive, this is for you. It starts as a simple, drag-and-drop looper. Add it to Ableton Live and drop your audio on it. But then things get a little … um … different. Inspired by turntablism, loops in Diachronic cycle continuously. But speeds can be changed spontaneously, as if the hole in the record could be shifted in position. And the results are absolutely nuts. (Underscoring that effect, the promo video for version 1 is narrated by a calm British narrator, intoning parameters solemnly, with names you’d be …

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Scratch Anything, in a $20 Plug-in: MIDI, Turntables, and Hosts Like Ableton Meet

Turntablism is still alive, but surprisingly, turntable techniques haven’t entirely harmonized with modern DAWs. One of the first products ever covered here on CDM was Ms. Pinky, a combination of software and vinyl, which recently saw a Max for Live iteration. But Scratch Track is about the most universal, easiest way yet to drop scratching into a project. It’s a VST plug-in, compatible with OS X (10.6 or later) and Windows. It works with turntables. It works with MIDI. It works with host automation. It works with host automation and MIDI even if you don’t have a turntable. And there’s …

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Turntable Meets Cello, Sax, Laptop: How Archie Pelago Uses The Bridge and Ableton Live

With laidback, exotic grooves and richly-coordinated interlaced cello, saxophone, turntable, and electronics, Archie Pelago’s music relies on some serious technological savvy. To be sure, all you really need to play instruments and computers and turntables together is to get into a room and start jamming. But to realize their specific musical vision, the trio of Hirshi, Cosmo D and Kroba have turned to an advanced Ableton Live rig, centered around The Bridge to couple Serato and Live. Here’s a look at their music – and all the gory details that combine to make their setup tick. Grab the free EP …

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Experimental Turntablism with dj sniff – Inside the Rig, Process, Playing Technique (CDM Video)

Behind records, dj sniff hides a no-display computer-based rig running his own software, extending the possibilities of what turntablism can be. Photo by Tanya Traboulsi. dj sniff, aka Takuro Mizuta Lippit, has been a leading figure in experimental turntablism and experimental music in general. Following studies in New York and Tokyo, he’s been a key artist and curator in the scene, as well as a top practitioner of turntable technique that pushes the envelope of what the record player can do. I got to spend some time with him in the basement of STEIM, the cutting-edge “electro-instrumental” research center in …

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Rane Sixty-Eight: A Mixer/Controller for Two Computers

It had to happen sooner or later: the computer has supplanted the turntable, so why not a mixer intended for two computers? That’s the idea behind the just-announced Rane SIXTY-EIGHT. It’s intended for use with two computers via two independent USB ports, plus controller support (intended primarily for Serato’s tools, but presumably adaptable to other software) for up to four virtual decks. Now, as a way to manage four decks, it seems like absurd overkill – hasn’t Traktor done four decks for years? But if this solution is indeed software-agnostic, it could be a boon to advanced computer musicians wanting …

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