(CC-BY) Gilga Mesh.

Fender are teaming up with Universal Audio; More UAD USB too

It’s no longer an either/or proposition: physical, digital, choose both. It’s now a natural for something like a guitar brand to expand both in the physical and virtual realms, and for the name to matter in both. So in the same week we saw synth legend Dave Smith connected with DJ brand Pioneer, Universal Audio is adding Fender to their signal processing lineup.

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kaan

Ableton Push 2 meets modular; here’s how it works

Digital, analog – whatever. Let’s see what happens when Ableton’s latest digital hardware, the new Push, meets Eurorack, for a sort of convergence of the stuff electronic musicians are talking about right now. (Don’t worry; we aren’t going to a round-the-clock all-Ableton format – the Berlin developer is notoriously conservative about spreading out releases, so let’s give them this week as a special occasion. And, anyway, there are some tips here relevant to Eurorack users with or without any Ableton products. Plus, you might just like the music.) We stopped by the studio of Berlin-based musician Kaan Bulak. He’s an …

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uadwindows

Universal Audio just made an Apollo Twin that does Windows, thanks to USB3

If you’re a Windows user who’s been jealous of Universal Audio’s Apollo Twin interface and audio DSP platform, times are about to change. For those of you just joining us, Universal Audio’s box is special in that it’s a compact, accessibly-priced entry into the UAD line. As an audio interface, it’s just one of the better pieces of gear out there (in terms of fidelity and reliability). And it runs all UAD’s top-notch plugins, too, opening up a window to a lot of analog emulation. The Apollo Twin is a high-performance box, but it demands Thunderbolt – and it’s OS …

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EMT 140 MkII

UAD’s EMT Plate is Basically Magic; Watch Videos Explain

Say what you want about what’s real or what’s authentic. The beauty of digital sometimes is that it lets us do things that would otherwise be impossible – or at least far out of our reach. I don’t know about you, but I certainly can’t my hands on an EMT 140 plate reverb. Practical, though, it ain’t: sure, you can covet “analog” gear, but this thing is a physical plate reverberation that’s the size of a car. You know “room” reverbs? This is a reverb that’s the size of a room. It weight 600 pounds. (Not figuratively. I mean it …

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bladestage

Inside The Glitch Mob’s Crazy Rockstar Live Electronic Rig

Press play? More like bang drums hit stuff finger warp touchpad go crazy. The Glitch Mob are one of America’s leading festival electronic acts. (And members like EdiT have IDM, not just EDM, credits to their name – so they were “glitching” before it was cool, in other words.) But while that circuit is in a frenzy of one-upmanship when it comes to spectacle, there’s some real playing behind this act. And that distances them from artists that put on a big show visually but have shied away from anything risky in the set – like actually playing the parts, …

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apollostudio

Universal Audio’s Latest Audio Hardware, Software Comes of Age Nicely

For me, Apollo is what changed the value equation and appeal of Universal Audio. Suddenly, we weren’t talking about buying hardware just to run some nice effects – which, good as those effects were, limited the audience for the UAD. With Apollo, the hardware splurge made sense. It was simply one of the better audio interfaces you could buy for production work, even before instantiating a single plug-in. And then you could add the UAD plug-ins. For anyone who said that they weren’t interested in running effects on dedicated DSP hardware, the Apollo is an answer. Fine. Here’s a reason …

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marshall

Marshall Amp Finally Gets Its Official Plug-in – And a Virtual Recording Studio, Too

The Marshall “Plexi” Super Lead plug-in is the first amp to bear the name Marshall that isn’t actually an amp – the first authorized plug-in. It’s been built by Softube for the Universal Audio plug-in of DSP, arriving in May. This is a reference 1959 Super Lead borrowed from Marshall themselves. The model number is 1959, built in the year 1967. Now, it’s nice to have in UAD format, because you can mix and “reamp” and track and add effects and the lot in real-time on UA’s Apollo hardware. It’s also nice to see Softube doing the development; to my …

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apolloconsole2

Here’s What’s New in Universal Audio’s DSP Software and Hardware System

The line between pain and ecstasy on a computer for music making can often boil down to some key elements. One commonly on that short list is getting the sound you might from a studio. Another is making all your inputs and outputs work in your interface. Universal Audio is one of a handful of vendors that aims to bridge both of those gaps in a single product, with devices that are audio interfaces as well as DSP platforms for hosting high-quality effects. And UA are starting out 2015 with a fairly big benchmark for the company in that software/hardware …

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3 Approaches to Accessorizing the Studio: SPL, Softube, UA at Musikmesse

How can hardware make the computer-based studio more productive? Each trade show invariably brings new offerings that seek to answer that problem as vendors hawk their wares. At Frankfurt’s Musikmesse, steps from one another, three well-known names each each offered their own take. It comes at a time when the industry is re-imagining the role of our machines. It used to be that big, metal boxes said “pro” – and the studio was no exception. (Cue flashbacks trying to set up Digidesign expansion racks in the late 90s. Okay, now putting that out of my mind.) That’s still true in …

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powercore

TC PowerCore DSP Range is Dead, Long Live PowerCore; UAD-2 Crossgrade Offer

TC Electronic’s PowerCore, a hardware DSP platform for audio processing is officially discontinued. You could easily continue working with PowerCore for some time, however. A recently-released 4.0 update provides full support for current OSes and hosts, even 64-bit ones, says the manufacturer. Nor is TC going anywhere: the company says it will continue to pursue audio interfaces and software (non-hardware-DSP) plug-ins. In fact, it’s a safe bet TC simply wasn’t getting enough business out of PowerCore to justify it, and will devote its resources elsewhere. One manufacturer that is making it in hardware DSP that’s not Avid Pro Tools is …

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