Envelop Wants to Make an Ambisonic 3D Venue and Tools

3D, spatialized sound is some part of the future of listening – both privately and in public performances. But the question is, how? Right now, there are various competing formats, most of them proprietary in some way. There are cinema formats (hello, Dolby), meant mainly for theaters. There are research installations, such as those in Germany (TU Berlin, Frauenhofer) and Switzerland (ZHDK), to name a few. And then there are specific environments like the 4DSOUND installation I performed on and on which CDM hosted an intensive weekend hacklab – beautiful, but only in one place in the world, and served …


David Byrne on Venue, Architecture, and Music, But What’s Next?

David Byrne discusses at TED the influence of architecture and venue on musical activity. (I saw him give an extended version of the same talk, with discussion, at New York’s Center for Architecture.) It’s a question that’s especially relevant to electronic music, I think, as digital music has been a big confused about its venue, sometimes living in unfriendly dance clubs, and sometimes being homeless. The natural question, the one Byrne doesn’t ask, is what venues might be next? What if artists took an active role in creating the architecture in which they perform? I have plenty I could say …