YouTube is a mystery – completely arbitrary videos getting down votes for no reason, arbitrarily angry comments, spam, conspiracy theories… well, one artist has decided, if you can’t beat ’em, join ’em. Artist Arkaei has made a very respectable live looper performance using Ableton Live and Push 2. And rather than wait, he’s delivered it with its own angry comments. Call it con-troll-erism. (Uff, let me really apologize for that.)
Field recording isn’t just an empty exercise. It can change how you think. Just listen to Chris Watson, who records nature for a living: “Listening in a positive way – that is, actively taking the decision to focus on certain things and reject others … stimulates my thought process. It makes me think more laterally about problem solving. It makes me think in a different way.”
DJs, electronic musicians, and true fans know a side of clubland that is anything but glamorous. They know the brutal boredom of dressing rooms, the glaring reality of clubs with all the lights on. And DJs and staff are all too familiar with the wrecked landscape of clubs after the patrons have left.
It looks like a small remote control for a game system, but it’s a musical instrument. The OP-Z caught our imagination earlier this year at NAMM with a host of bizarre and wonderful functions, from sequenced instruments and drums to live visual animation accompaniment (seriously). Now, Cuckoo Music catches up with Teenage Engineering in his ongoing video series. That means a chance to see how the pocket music gizmo has progressed, as well as what’s happening with live visuals. Teenage Engineer David Mollerstedt joins: Meanwhile, TE’s instruments see other lovely action. Mikael Jorgensen writes CDM to tell us about his …
In a gift to synthesizer lovers everywhere, the comiticians of Adult Swim have produced an extended retro electronica opus imagining an alternate-universe battle of the bands between Wendy Carlos, Vangelis, and Giorgio Moroder.
Modstep, the step sequencer on steroids on iOS, just got a huge pile of new features. It hosts AU plug-ins (yes, iOS plug-ins). It adds per-track MIDI, for hardware and apps. It has loads of new features for clips and arranging. It is, basically, a MIDI daw with built-in instruments that’s unlike nearly anything on desktop – only it was designed from the ground-up for the iPad. In fact, it does so much that it’s a bit overwhelming. So, let’s take a birds-eye view of what’s new – and then turn to the singular educational force that s Jakob Haq …
Steve Reich’s exploration of rhythm and phase take on special meaning in the age of ubiquitous electronic instruments. What started with clapping, with pianos and marimbas, and tape loops doubles now as a way of thinking about machine rhythm, too. Hearing Reich on Game Boys here isn’t just a novelty. It feels like a real re-instrumentation – Wendy Carlos’ Switched on Bach approach for the Mario Bros. generation. Listen & watch (it’s all live):
“Computer music,” “digital music” – this doesn’t necessarily mean a big laptop. Game Boy musicians had it right to begin with: palm-sized machines can make music, too. And this track is gorgeous – the work of a user named “pselodux”:
The hyperactive genius force that is Jakob Haq is back to show you why the iPad can make a great music tool. This time, it seems KORG have updated their deep Gadget app with some advanced MIDI routing features. Okay, MIDI channel may not be the most sophisticated thing ever. But watch what happens when Jakob puts Fugue Machine (the clever note generation tool) with Gadget’s synths: Beautiful stuff. More details and discussion: http://thesoundtestroom.com/korg-gadget-advanced-midi-input/ Keep these videos coming, mr. haQ attaQ.
Twirling timbres of Tiptop titillate, tantalizingly… a modular synth maker has made its own music label, and to kick things off, CDM gets the premiere of a hypnotic music video. First, the music video, made for the compilation’s opening track by Matt Lange. It’s the work of director Nicola De Luca, and I have to admire its simplicity: an entrancing rotating blossom, sculpted in video in a series of horizontal delays and three-dimensional transformations. Description: The video is a metamorphosis of forms that investigates kinetic connections between the motions of rotation and material decontextualization of objects. It takes inspiration from …