Meet the Strange, Wonderful 70s Machine that Used AI to Make Music

The 70s were one heck of a groovy time. When they weren’t postulating theories about the very underlying essence of all physical reality being reduced to computational models, pioneering AI scientists were … creating weird music sequencers? Seriously? The Singularity will be brought to you by Giorgio Moroder, perhaps? Yes, as we saw earlier this week, AI legends Edward Fredkin and Marvin Minsky somehow managed to take their research in philosophy, digital physics, and cognitive science, and make a weird box that most definitely is capable of blinking lights and making sequences of bleeps. The Triadex Muse really seems like …

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Inside the Dub Machines, Analog Modeling Delays, Reverbs with a Twist, in Max for Live

Can an echo of the old still bring something new? Dub Machines, an Ableton Live pack of delay Devices, is both a painstaking set of digital models of analog delays and a chance to open those old techniques to new possibilities. And its unique flavor is in no small measure thanks to its creators. We got to talk to Matt Jackson (Ableton) about this new endeavor and how it came about – and some of the stories inside its creation, including the involvement of one of our favorite machine music makers, TM404. First, though, about those machines. Developer Surreal Machines …

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Live from the Moog Factory, Watch Erika, Teengirl Fantasy, and Survive

CDM here in the Moog Factory, downtown Asheville, North Carolina. I don’t care whether you’re a Boiler Room fan or hater – this one is special. Erika is here from Detroit with her circular sequencer and loads of gear. The wild and wooly Survive are new to me but they’re doing lovely stuff and have a synth museum worth of keyboard racks – fantastic. And in town from New York, hailing from Oberlin, Ohio, are Teengirl Fantasy. It’s already a great lineup, but novel for a second reason – Moog will keep assembling stuff in the factory as they play. …

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Join an Hour-Long Tour of Legowelt’s Ridiculous Synth Collection, Then Hear the New Album

“Don’t forget what happened to the man who suddenly got everything he always wanted …” Yes, welcome to the wild studio of Legowelt, the eclectic Dutch musician. Future Music Magazine didn’t just do a video tour. They did an hour-long video tour, where the artist waxes poetic on every detail with loving attention. It’s a beautiful nerdfest. I know we’re theoretically not supposed to be fetishizing gear, but there’s some real care for these tools. And… there’s a Commodore 64 studio and some real rarities. For signs Legowelt is One of Us, here’s his bio: Born: a long time ago …

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Watch An Hour-long, Chilled, Hard, Hardware Live Set from TM404

If you can’t get to a shoreline this week, I wholeheartedly endorse watching the waves crash behind none other than TM404, aka Andreas Tilliander. We had a sort of Roland meditation with him before, and I’m even more fond of this set. Sit back and enjoy an hour of sound. It’s worth reflecting on the resurgent hardware set, particularly with the Roland AIRA lineup some of the most talked-about, popular gear of 2014 (and volca beats still selling, and Rhythm Wolf in the wings).

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Roland Could Make AIRA Sync Box; New Directions at Company

AIRA, the lineup that now includes a bassline/sequencer, drum machine, synth, and vocal processor, has in just a few months changed the way a lot of people think about Roland. At Musikmesse in Frankfurt, it was clear that it represents a new direction for Roland, too. The AIRA lineup was displayed separately from the usual Roland booth on the main floor of hall 5 (devoted to pianos), upstairs in hall 5.1 alongside electronic and DJ products (“remix”). And there, crowds gathered to watch pounding dance performances. Those first four AIRA units are just the beginning. Roland has created an entirely …

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See the Max Patch Robert Henke Built Before Ableton Live; Hear the Music it Made

This is what a Monolake live set sounded like in 1999. And in the days before Ableton Live was a finished product, running patterns was a job for self-built software in Max. Robert describes the music thusly: This is a live recording, captured at Ego club in Düsseldorf, June 5 1999. The music has been created with a self written step sequencer, the PX-18, controlling a basic sample player and effects engine, all done in MaxMSP, running on a Powerbook G3. The step sequencer had some unique features, e.g. the ability to switch patterns independently in each track, which later …

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AIRA - maybe you'll just want to use it in the dark, or on a table designed by Stanley Kubrick.

Roland’s Four AIRA Instruments: Now We Know a Lot – Keyboard, Component Analog Modeling, Too

Roland’s AIRA will be public this month, and you can bet CDM will have all the details we can get from the company. But through its various teasers, the picture of AIRA is already pretty clear. The new line reflects a new approach for the company, one that would seem to show, paradoxically, both greater respect for the company’s legacy and greater interest in today’s tech tastes. And most importantly, Roland has revealed their approach to new component modeling of analog circuits. That may not please analog purists, but it could be a way to balance the versatility of digital …

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Reconnect with Electronic Music’s Revolutionary Roots, in Stunning Images [Gallery, Videos]

“On a western device, you push a button and get a result. On a Soviet instrument, you push a button and get something.” -Benzo When music was first electrified, it was nothing short of a revolution – literally. And as today’s technologies again attempt to fuse human and machine, there’s no better time to connect with past visions again. “Discontinuity” is the theme of the this year’s CTM Festival in Berlin. But it sets the stage for an unprecedented movement to put today’s machines back in context, across the barriers of time, and – increasingly, in a closer European/west Asian …

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Armin van Buuren DJ Boombox a Pale Imitation of the 80s; A Look Back at Real Ghettoblasters

In the latest megarich DJ – electronics manufacturer collaboration, we find Dutch giant Philips with Armin van Buren. (In fact, you might begin to wonder if these guys are just competing over the Forbes highest-paid DJs list.) This time, what you get is an all-in-one iPad dock with DJ control surface with speaker. That in itself seems not such a terrible idea, but then the problems start. Apart from the usual concerns about obsolete dock devices, the dock slot here places the iPad in an uncomfortable vertical position. There are physical controls for DJing, too, integrated with the (rather excellent) …

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