scratchtrackplug

Scratch Anything, in a $20 Plug-in: MIDI, Turntables, and Hosts Like Ableton Meet

Turntablism is still alive, but surprisingly, turntable techniques haven’t entirely harmonized with modern DAWs. One of the first products ever covered here on CDM was Ms. Pinky, a combination of software and vinyl, which recently saw a Max for Live iteration. But Scratch Track is about the most universal, easiest way yet to drop scratching into a project. It’s a VST plug-in, compatible with OS X (10.6 or later) and Windows. It works with turntables. It works with MIDI. It works with host automation. It works with host automation and MIDI even if you don’t have a turntable. And there’s …

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UE_6

Simon Pyke’s Melodic Imagination, Dancing and Doodling in a Science Museum [Warp Records]

Move over, Music for Airports. Now there’s Music for Museums. At Media Space at the Science Museum, London, UK-based creative studio Universal Everything recently explored the ability of visitors to make their bodies and hands shape the space. In 1000 Hands, guests take on God-like, Darwinian powers of illustration, inventing new, fanciful life forms by sketching their work, then unleashing these creations in the museum exhibit. It’s the long-missing opportunity to scrawl on the walls of the museum. There’s an iOS and Android app, too, if you can’t make it to England: http://1000hands.universaleverything.com/ In the companion installation, Presence, the studio …

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Boiling-Hot Summer: nd_baumecker in 3 Hours of Boiler Room Music

To take us out this weekend, we turn to a wonderfully obsessive DJ and producer, Berlin’s nd_baumecker. It’s hard to introduce Andi without sounding a bit like you’re doing the lead-up to The Stig on Top Gear. “They say he owns more than 20,000 records*…” …and hones a new needle for each, using only his teeth. They say the Ostgut Ton label veteran* has a secret lair inside Panorama Bar accessible only by kayak in which he keeps an impressively-complete selection of home organs. “All we know is…” nd_baumecker puts together one hell of a three-hour mix. 200 albums along, …

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Full-On Music Geekout: Schneiders Buero and RoughTrade, for Musical Delights [Videos]

If someone were to buy you a shopping spree, letting you roam free to stash anything you wanted in your cart, you could do worse than winding up with Schneiders Buero, the Berlin-based music gear boutique. And for records, the wonderful RoughTrade in London would easily be a top pick. Let’s combine them. That’s what happens in a new series of Schneiders Buero videos, as the man Mr. Schneider himself takes to the aisles of one of the world’s best-known record shops – and his own in-store corner full of musical creations. Getting on to some specific gear demos, we …

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How Music Label Vlek Makes Ephemeral Sound Physical, While Giving Away Their Catalog [Gallery, Interview]

When music moved from live venues to radios and recordings, artists had to find a way to respond. Now, labels struggle to be heard in the era of Spotify and streaming, always-on, always-overabundant media. We could talk grander themes, but the possibilities of this conflict are most vivid in a microcosm. Call it post-digital or what you will, but being digital now means something different. For Belgian label, Vlek, that reality takes a number of forms, suggestive of the direction for independent electronic music. And so, in Ssaliva’s release for Vlek, executed by Dimitri Runkkari (part of Brussels’ design studio …

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Low-frequency sine waves make for a record that looks beautiful, too.

WOW: One Album, One Really Low Sine Wave, Most Minimal Record Ever

Digital or analog, it doesn’t matter: any sound you hear is heard in the real world. The playback device, the environment, all impact the sound. For evidence, try playing a record with a single frequency and nothing else. That’s the case with WOW. Perhaps the best recorded equivalent of John Cage’s legendary four-plus minutes of scored silence, the record WOW is in physical form as minimal as could be. It’s contains a single, ultra-low-frequency pitch (hear it on YouTube below, provided you have some speakers or headphones with enough low-end response). WOW is, then, about where it’s played as much …

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Mission accomplished. Photo (CC-BY) Thoth God of Knowledge.

Create (Really) Analog Music: Music Video Made on Historic Edison Wax Cylinder

The miracle of recording is somehow no less extraordinary in this digital age – the ability to capture sound, the revolution that transformed music making worldwide, for better and for worse. In fact, if anything, the abundance of digital music is causing some people to rediscover the recording techniques that preceded it. Andy Deitrich of Chicago’s Mucca Pazza writes to share the experience of returning to that means of recording. I love the saturated quality of the sounds you get: it’s really evident how much the medium here colors the sound. Andy writes:

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poletrilogy

Pole’s waldgeschichten are Mossy, Leafy Electronic Grooves; How They Were Made

In this age of maximalist, aggressive productions, the leafy green imagery for Pole’s waldgeschichten (literally, “forest stories”) fits perfectly. The trilogy of releases, the latest arriving at the end of last week, is easy-going and reserved. Each sound is precisely placed, gently shuffling interlaced dub-like patterns set against calm swells, sometimes resembling the cry of imaginary electronic creatures. It’s the much-needed trip out into the outlying forests of sound to find a different pace. And with each track, you can imagine wondrous six-legged insect creatures climbing up a tree – mechanical machines (see the drum machine notes below) that are …

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Helix_iPad_mockup

Helix, A Digital Turntable Proposal, in a Visual, Touchable Circle [Kickstarter]

The basic idea of the turntable, its round rendering of sound as a physical object, still attracts fascination. But is there a way to truly make the same metaphor fit digital media? Peter Adany is the latest to try, with a design proposal and mock-up he’s trying to fund for iPad (and Mac and Windows) via Kickstarter. What makes his proposal compelling, like some of the best concepts in this field, is that the results are visual and sensitive to movement. It’s a design that stays true to the geometry and physics of the record that inspired it – rather …

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quotidian1

In Percussive Harmonies, A Record of a Year of Travel – Literally, on a Record [MeeBlip + Location Data]

Photos courtesy the artist. We have data in pictures, we have data in Facebook posts – why not data as music? In the latest data sonification project, the record of travel becomes an oddly-beautiful set of percussive harmonies. And it’s a “record” in every sense: artist and composer Brian House not only composes the data into pleasing sonorities, but presses them into a rather elegant limited-edition vinyl. And the whole project is powered by our very own open source MeeBlip synthesizer, demonstrating that you can coax a range of sounds out of traditional 2-oscillator subtractive synthesis. With that unique take …

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