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Unsuspected Sounds: Great Listening, Great Cause, in Analog Industries Community Compilation

Out of the noise of the Internet, don’t be surprised if some of the music being made is – unexpectedly – wonderful. So it is with a compilation curated by Chris Randall from the Analog Industries community. Unsuspected Sounds is unexpected. It’s proof that those people writing all those comments really do have time to make music. It’s nice seeing this come from Chris and the community he’s assembled. For his part, Chris doesn’t fit the stereotype of a blogger; he’s got industry experience as an engineer as an artist, is known to many as a veteran of Sister Machine …

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unravel

FOUND Installation Plays Narration, Robotic Music with Vinyl, Unravels Truth

One perhaps unexpected impact of technology has been to change the way we think about ourselves and our experience. Recording equipment – from photography to phonograph – has given us a new sense that memory itself might be fixed, unchanging, an accurate record of an unmoving truth. Except, of course, neither the recorded object nor the thing it is recording ever quite seems to work out that way. (Ask your local theoretical physicist, or for a more localized, humanized, sociological view, any loved one.) UNRAVEL is an installation that uses just those sorts of technologies to construct a narrative, and …

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iloveyouvinyl

Vinyl Poised to Make Further Gains; Time To Ask, “What Does it All Mean”?

Kids today, with their new-fangled desire to listen to music cut into grooves on big circular platters… Photo (CC-BY) Matthias Rhomberg. At first, it seemed like it might be just a blip: amidst generally declining sales of physical music, down sharply from their 1990s boom, vinyl sales were trending up. The reversal started with a slight uptick in 2007 – already noticeable as the CD had begun its collapse. That slight uptick has turned into a small boom. From a tiny 300,000 units in US sales in 1993, the vinyl record is projected to do some 3.6 million units in …

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Last Days of Compact Disco: Album Lovers Hand-Make Musical Objects

While Mac blog TUAW calls on Apple to kill optical drives (does Apple need that kind of encouragement?), the shiny digital compact disc and the album in general still have their devotees. Sure, album sales are down. Sure, digital downloads are in. But look beyond business or practicality for a moment at these exotic hand-constructed musical objects, and what you see is sheer love. A hand-constructed CD or vinyl album is a gesture of making music for someone, not for the ether. I raised the issue early last month, and readers responded with lots of examples of handmade records, which …

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The Bridge, Ableton + Serato, Available; New Mixtape Video

The Bridge, the software resulting from collaboration between Ableton and Serato we first saw in January, is available today. The integration is free, provided you have the right software: you need both a copy of a full version of Ableton Live or Live Suite 8.2 or above and Serato Scratch Live 2.1.1. (Live LE, for instance, is not compatible.) You need the Serato Scratch Live hardware in order to run Scratch Live, for those of you unfamiliar with the Serato side. Check out our past coverage for more details of what The Bridge is about: http://createdigitalmusic.com/tag/the-bridge/ At top, Ableton has …

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Listening: Paul Croker’s Sampled Vinyl MPC Collage, PublicSpacesLab

Photo (CC-BY) Hryck. / Todd. Barcelona-based, Los Angeles-edited PublicSpacesLab is an example of what a netlabel can be. Instead of just another dumping ground for sounds, it feels like a well-curated cafe, pairing regular but thoughtful releases with reflections on music making. Everything is Creative Commons-licensed, free music, from a variety of artists spanning geographies and genres. If you’re in the mood for reading, recent thought pieces from the editor cover a range of topics: Expansion, the lesser known dynamics tool (Amen, brother) The demise of an indie radio station in LA (with some harsh words for the town – …

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Read Traktor-Timecoded Vinyl in Max, Max for Live, (Soon) Pd

This freaky-looking screen image: yours free. It looks like you’re navigating some microscopic rover on another planet. Awesome. More software is speaking timecode, opening up control of digital sound to real, physical vinyl on turntables. The latest addition: Time TunnelXL is a pair of externals that decodes Native Instruments’ Traktor Scratch vinyl and scratches not only sound, but visuals or anything you can make in the open development environment Max. Right now, it supports Max/MSP (and thus Max for Live) on the Mac, but support for Linux and Windows and the open-source Pure Data as well as Max are planned. …

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Ms. Pinky + Max for Live = Scratch Anything in Ableton

Ms. Pinky Revised from Mastah Lee on Vimeo. What should DJing in Ableton Live look like? How could conventional vinyl cueing and scratching be integrated with the Live environment? Serato and Ableton gave us one possible answer to that question last week with The Bridge. Their solution: use your Serato DJ set normally, and simply sync the transport of Ableton Live when the two run simultaneously. That solution could be ideal for some users, but it falls short of what many expected, which was the ability to scratch audio elements from Live as though they were on vinyl. Scratching Live …

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Ableton + Serato: The Bridge Fuses DJ Sets, Live Sets; Full Details

Live maker Ableton and DJ and virtual vinyl developer Serato today announced the results of their partnership. First off, this isn’t what many of us originally speculated: it’s not a DJ deck inside Live. Instead, the collaboration seeks to bridge (ahem) the gap between the way DJs perform and the way Live users perform. The result focuses on the way a performance set is assembled in the two paradigms, an attempt to guide the flow of music between the two programs. Here’s how it works. Bring Serato “mixtapes” into Ableton Live: Save a DJ mix – called a “mix tape” …

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Rane Sixty-Eight: A Mixer/Controller for Two Computers

It had to happen sooner or later: the computer has supplanted the turntable, so why not a mixer intended for two computers? That’s the idea behind the just-announced Rane SIXTY-EIGHT. It’s intended for use with two computers via two independent USB ports, plus controller support (intended primarily for Serato’s tools, but presumably adaptable to other software) for up to four virtual decks. Now, as a way to manage four decks, it seems like absurd overkill – hasn’t Traktor done four decks for years? But if this solution is indeed software-agnostic, it could be a boon to advanced computer musicians wanting …

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