Jack_A_Paris

Techno as Science: Nicolas Bougaïeff Explains Max for Live, Meta-Music, Steve Reich [Video, Theory]

Got a doctorate? Got a doctorate in techno? Got a techno track with a 12-tone row? Artist and researcher Nicolas Bougaïeff (also of developer Liine) shares his latest work with CDM. It’s about the track, yes, about the music video, about techno and dancefloors in some sense. But it’s also about process: Nicolas shares some of the way the machinery of his track was built, in its realization in software, in musical composition, and underlying research. And we also get a terrific music video that helps render some of this geometric theoretical thinking, courtesy Berlin-based motion graphics artist Vicetto. (See …

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Grid Tricks: Make Ableton Push Display Meters, Pulsing Heart – Without Max for Live

Ableton’s Push, like other colored, light-up grids, may sometimes seem like just a big, flashy Lite-Brite. So – heck, why not use it that way and have a good time? Tama Rhodes writes us to let us know about a project that exploits the shiny colors to visualize live sound data. The results are screaming for a live performance in which the Push is tilted toward the audience as you play, a technique Daedelus has long used with the monome. What’s doubly impressive – and why you should download this to learn from it even if you don’t want to …

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Raster-Noton Gems, with Alva Noto, Ryuichi Sakamoto, Emptyset, Aoki Takamasa [Videos]

What’s remarkable about German music label Raster-Noton is not simply its staying power. Rather, it’s the way the aesthetic direction of the label, across visual and sonic media, has remained on course — and how that vision is just as relevant today. The label, founded in the far southeastern German town of Chemnitz by Carsten Nicolai und Olaf Bender, has a stable of artists united by a sense of common interests. That aesthetic is often visual as well as musical; you get the impression that the music is designed as much as produced. Carsten Nicolai, for his part, has become …

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thoughtless77

Loss for Words: Noah Pred’s Stuttering Vocal Beats, in Video, Release of the Day

From a completely different musical pole, it’s nice to follow up Jelena Glazova’s thoughts about vocals, poetry, and Dada with a dance track, Noah Pred’s “Loss for Words.” Transplanted from Toronto to Berlin, Thoughtless Music’s Noah Pred has helmed one of the smarter dance labels out there, channeling energies to and from the German capital and Canadian scene (Noah himself is American-born). Now, he’s back with a solo release I’ve been eagerly anticipating, having taken a side trip to Get Physical for the False Image project with Tom Clark. Tim Xavier and Hrdvsion join, two other friends to watch, join. …

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The Listening Tree: A Holiday Tree Whose Colored Lights Respond to Sound

Wintertree from Limbic Media on Vimeo. Winter: it’s dark. So, it’s no coincidence that holiday traditions from Christian to Jewish to Pagan to … uh, New Year’s … celebrate light. And it’s fun watching in this video the delight as colored lights respond to sound – not in the endlessly-playing annoying-Christmas-tune way, but in the “you can sing to a tree and it’ll light up” way. Limbic Media writes CDM with this project they did in Victoria, British Columbia, Canada. The Downtown Victoria Business Association (DVBA) commissioned Limbic Media to design an audio reactive tree for the holiday season using …

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spatium

Sound in Space, Visually: Spatium Are Free, Open Source Spatialization Tools

Human perception is capable of astounding feats of sensitivity in localizing sound – it is very likely an evolutionary trait. Yet musicians rarely tread beyond simple stereo, perhaps because it’s tough to be creative in space without something that’s visual and intuitive, something that looks like what you’re hearing. Spatium is an extraordinary set of tools for sound spatialization, built in [graphical patching language] Max/MSP and [creative code environment] Processing. It’s free and open source, a set of modules anyone can use to manipulate sound in space or as the basis of their own tools. Portugese artist and developer Rui …

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At MusicMakers, Experiencing Music Through Design, As Community of Doers Collaborates [Listen, Watch]

Making connections with people – creators and audience alike – sometimes means going beyond the virtual, and actually getting people together in the same room. For MusicMakers, Create Digital Music teamed up with curators and artists in Berlin to make some of those connections across disciplines, to get closer to the processes of design and music creation. Making and listening in the age of overabundance could feel diluted. But as makers keep making, and really listening, they can find their music comes to mean more, not less. With support from Moog Music, on the 14th of September we launched our …

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SonicPhoto Focuses on Transforming Images into Sound, with Precision Harmonies, Stereo [Windows]

Translating between the visual and the musical is never a perfect science. But maybe that’s the point — maybe it’s the oblique quality of transforming a picture into a sonic score that’s so appealing. SonicPhoto is the latest application to attempt the feat. Following in the footsteps of MetaSynth and Photosounder, it makes each pixel a source for harmonic information, scanning across the image from left to right. As such, the process and results are related to those in each tool. But developer Daniel White has added some twists. He notes that, unlike Photosounder, he has skipped a sound importer …

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bengavid2

Visual Music: A Waveform Made of Vinyl Records, Benga Single, Inspired by Seeing Sound

Benga’s latest video was released early last month and made the blog rounds, but it’s worth considering as we continue our ongoing thread on visual music and how sound can go from invisible to tangible. A stunning video whets fans appetite for the upcoming Benga full-length Chapter 2, constructing a wave shape in physical form as a series of vinyl records. Using some 960 hand-cut vinyl records, the track’s waveform materializes in stop motion-filmed animation. Physical as it may be, the inspiration, say the creative team, was SoundCloud. UK-based creative team Us, consisting of Christopher Barrett and Luke Taylor, explain:

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Church-Inspired Electronic Music, in Album and Interactive, Gothic App, from Forss [Listen]

Delicate and dense, melodies and sounds from church contexts, found sounds of bells and voices, are set against crisp, sharply-solid, forward-driving electronic beats. And then, there are the visuals: an archaic architecture of mystical symbols and three-dimensional, evolving forms interpret the music in visual form. Swedish-born artist and technologist Eric Wahlforss, in other words, has been busy. As the artist Forss, his album is an app, appropriately for someone who is the co-founder and CTO of SoundCloud. Eric showed me an early build over cheeseburgers. It’s reactive, perhaps, more than interactive, but there’s still a chance to use your hands …

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