unrender: Finding Space Between Gallery and Club [Videos]

There is a well-known divide between visuals as they exist in experimental media and live performance and media in the art world. Transitory electronic media fails to fit the traditional mold of value. Digital media is too ephemeral, too temporary. Light on walls can’t be collected; improvised visual performance is something that fades away. With unrender, we want to embrace just those gaps between worlds, walking along the fractures. We are looking to find the expressive potential of electronic audiovisual media as distinct from what came before. And most importantly, we want to make sure there’s space for all these …

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Electric Psychedelic: Dengue Dengue Dengue Talk Peru, Cumbia, Playing Live, Visuals

From the early days of techno and electro, dance rhythms in electronic music have been woven together from international sources. The machinery of the groove has evolved from the threads contributed by a global tribe, absorbing sounds and forms, driven by the energies they find on the dance floor. That image of solitary music making is a myth – what you’re hearing is a sound made by connections between people, across the normal constraints of geography. And now, the technologies developed in Berlin and elsewhere take on new life in the hands of a new generation of musicians, and their …

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Coding the Club: How the Sensory Experience of Electronic Music Could Expand [Video]

Coded Matter(s) #5: Coding the Club from FIBER on Vimeo. For so much of the world, the club experience is nothing if not predictable. The sound, the aesthetic, the entire evening fit to a predictable mold. But drawing upon decades of work in experimental audiovisual performance, a new generation of sound and light artists are applying today’s tools to build live creations that can transcend all of that, that appeal directly to the senses and transform the architecture of the musical environment. One highlight for me this year was the chance to moderate an installment in March of Fiber Festival’s …

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Bhoreal Makes Grids Color, Open, Controls Robots and Lasers; Final Hours of Funding

BHOREAL gets ready from MID New Media Design on Vimeo. It’s been almost a decade since the monome first began making appearances. Now, grids are everywhere – and that raises the question, where will the next innovation come from? What’s exciting about Bhoreal is that, far from simply cloning the monome, it realizes potential frontiers that the original monome couldn’t. And as Bhoreal reaches the final hours of crowd funding, the last chance to be first in line for the first hardware, it’s performing a lot of tricks to show off. Think lasers and robots. See the video at top …

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From Spain, Abstract, Ambient Mix and Transcendent Images [Listen, Gallery]

If your ears and spirit need an ambient reboot, you could do worse than this gorgeous, abstract wash of sound pieced together from two wonderful Spanish artists. From bzzzbip, aka multimedia artist Antònia Folguera, and about:blank!, a photographer/filmmaker/artist, comes this project in sonic exchange. Antònia writes: About:Blank! and I exchanged songs via email and dropbox in order to put together an abstract ambient mixtape. When we were done with the selection I mixed the first half, and he did the other half. If it were an actual mixtape that would be side A and side B. this is the result. …

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Sound from Silos: Live Experimental Audiovisuals Rumble a Man-made Cave [Watch, Listen]

Electronic music, once the exclusive domain of secluded art laboratories, has now made the connection to clubs inseparable. The rhythms of dance music draw a line from popular to research; the software and gear marketed for dance musicians cross-pollinating with more experimental tools, as music styles, textures, and timbres mix, as well. But now, finding a way out of that club context and its restrictions may be as vital as the emergence from the lab years ago. Making connections between Argentina and Germany, across an international collective of audiovisual artists, FxLD’s latest project invades a disused grain silo in Berlin. …

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Animation: Watch Moog Sub Phatty, Flying Lotus in Psychedelic, Fluid Color

The best music videos don’t just flow well with the pacing and feeling of music. They enhance it. And that’s certainly the case with the work of regular FlyLo collaborator and Adult Swim animator Adam ‘lilfuchs’ Fuchs of Atlanta, Georgia. Add in Moog, and things get seriously trippy for lovers of synthesizers. The resulting short, “Such a Square,” features Flying Lotus-produced sounds, made on a prototype of Moog’s new Sub Phatty synth. The liquid-smooth animation takes us on a psychedelic journey via Bob Moog’s mind, tracing circuitry and patch cords in acid-glowing washes of electric color. It feels like a …

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Music Video: Untold’s Overdrive (Hemlock) Brings Dirty Techno, Clean Animation

2012 may be without a clear landmark album (at least so my producer friends keep complaining), but the singles scene (ahem) has been terrific. Perhaps that suggests a musical landscape in which electronic artists prefer exploration to tightly-controlled packages. Whatever is going on, techno is dirty and grungy again. Just ask the UK’s Untold. Last week, Mixmag hosted a video premiere for his track “Overdrive,” with animator Iain Acton. Their story and comments: WATCH UNTOLD ‘OVERDRIVE’ VIDEO EXCLUSIVE [Mixmag] Talking about music, as the saying goes, is tough stuff. I love what Untold is doing, a sense of the enduring …

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Thicket for iOS Thickens; Artists Describe the Growth of an Audiovisual Playground

By the 1990s, the notion that computer software could be a means of delivering interactive digital art more personally was enjoying a Renaissance. This was the age of the Voyager CD-ROM, which catered to new multimedia PCs and Macs with titles from the likes of Laurie Anderson and Morton Subotnick, the decade in which Brian Eno released Generative Music as software and Monolake – before Ableton – included a Max/MSP patch with an album. But the reach of these experiments was doomed to be relatively limited. Now, of course, things are different. First, we saw some widely-available audiovisual toys, coinciding …

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New Matthew Dear Pops Ears; Morgan Beringer Video Melts Retinas

Texas-born, Detroit-raised, New York-based artist Matthew Dear has a new EP, to be followed by a full-length in 2012. It’s worth mentioning now for two reasons: one, the driving, “chugging” rhythms of the single, “Headcage,” will pop into your head and stay there, led by Dear’s vocal ability to croon and groove simultaneously. Second, the opening of this video may well make your mind go squish. The work of London-based director Morgan Beringer, seen previously milking monochrome textures out of another Matthew Dear collab, the film makes it look like some very colorful part of the Earth’s crust turned a …

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