iwillalwaysloveyou

This Computer Singing 90s Love Ballads will Break Your Heart

What do machines sing of? from Martin Backes on Vimeo. While Google has imagined how machines might dream, media artist and multi-disciplinary technologist Martin Backes has revealed how they sing. And not just bad karaoke, either. Following in the footsteps of a legacy of machine vocals that originates with Max Mathews’ Daisy Bell, a computer rendition so ground-breaking it was featured in Arthur C. Clarke’s 2001, Mr. Backes has gone one step further. He wanted to produce an algorithm that would make a computer seem to emote. Grab a mic, and this is a sound art installation. A installation in …

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recuejam

The Joy of Little Boxes, and Lovely Music by Recue x Jolea

From small boxes, big sound, and enormous fun… Something has happened in the evolution of electronic music production. What was once so often a slow process has become a jam, what was carefully orchestrated on screens finds itself embodied in gear. And small and affordable “toys” can often deliver the greatest “switch-on-and-play” satisfaction. Helsinki’s Recue and Jolea first found their way to their album by playing live, so it’s fitting we start with a live set from them. Their fusion is beat-driven, left-field pop – settling into moody, experimental grooves with effortless hooks over top. It’s melancholy surfaces with sparkling …

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Fake Your Own Lord of the Rings with an All-Elven Software Instrument

The Lord of the Rings movies have come to a close, but that doesn’t mean the elf sonic action has to stop. Yes, there really is a sound sample library called Shevannai, The Voice of Elves. It’s 3.6 GB of nothing but elven samples, adapted to a Kontakt 5 instrument. From a technical standpoint, it shows what Kontakt can do. For any TV and film composer who suddenly gets a call from a client saying “elves!” (I’m not kidding; I’m sure that happens), it’s an emergency solution that will get you there under deadline. For the rest of us – …

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Listen: Greg Gives Peter Space, Intimate Vocals Meet Live, Spacey Sound [CDM Presents]

The label Erased Tapes lies perfectly at the crossroads of craft today, from instrument building and modification (electronic and acoustic) to performance and composition (again, electronic and acoustic). And a new collaboration weaves together all those threads. We couldn’t be more pleased to get to share the first exclusive track from that project, as well as announce an event we’ll co-present here in Berlin in June. Peter Broderick and Greg Haines are each multi-instrumentalist composers, at home singing and playing instruments both new and old. Their relationship spans several years, but this year brings the debut of a finished record …

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Abbey Road at Home? Waves Emulates Double Tracking Made Famous by Beatles, $99 Sale

It all started in 1966 as a way to fake multiple takes – and it works pretty well for any vocals. And now, in one of the more ambitious emulation efforts undertaken recently, software engineers are hoping to recreate a sound you know quite well from artists like The Beatles. And oh, yeah, even if you don’t want to sound like Paul or John or George, this turns out to be a pretty easy way to double up vocal recordings. That is, if they’ve done a convincing emulation. Plug-in giant Waves Audio has partnered with Abbey Road Studios themselves, and …

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Wiring, Electronic and Emotional: Watch A Moving Short Film about Contollerist Moldover

Electronic musicians – controllerists, if you will – may choose to augment themselves with machines. They may build elaborate custom electronics so they can express themselves live more than the default music technology would otherwise allow – acoustic, amplified, or digital. But there has to be a human there first. In a documentary film from November, Moldover talks about what drives him to make music. It’s that emotional place that motivates both his technological expression and songwriting, and that’s something I imagine will be poignant whatever genre you choose as your own.

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Roland AIRA Are Here – Synth, Bassline, Drum Machine, Vocal FX – Details, In Depth

It’s official: Roland’s much-teased line of four new products called AIRA are here. And they appear to represent a new course for Roland. They’re affordable and accessible in a way that we haven’t seen in recent products. But they’re also simultaneously closer to the sound of beloved vintage gear as they are more modern in taste and presentation. Let’s get right to it. CDM got to speak to Roland prior to today’s announcement to get the details. And we’ll have more insight soon into the design process and approach to modeling. But let’s cover the basics. This is component-modeled analog. …

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Voice as Surface and Artifact, in the Experimental Drone Music of Jelena Glazova [Listen]

Experimental noise art, drone music, and other forms – whatever you might call them – can unquestionably be an acquired taste. Absent the normal landmarks of harmonic and rhythmic structure, they raise questions about just what makes form – and accordingly, as a listener you can be lost in a unpleasantly-formless mass. But in the music of Latvian sound artist and poet Jelena Glazova, as in the experimental sound I find most appealing, the experience is not cerebral so much as sensual. There is a conceptual background, but perhaps that’s what sound does so well: it can execute a concept …

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As a Musician Loses Her Sight, A Rush for Music Apps for the Blind [Hack + Listen]

Take a good, long look at your computer screen. Now imagine you can’t see it. That’s the reality Mandy Matz is facing. At age 36, she’s losing her vision to glaucoma. The musician and multimedia artist makes some beautiful, ethereal music, having cut her teeth on Buzz. Listen to the haunting “Alpha Waves,” her first song. EP by Theory Anesthetic And now, because sight is so deeply connected to the way in which music developers map your brain to software, losing her vision could mean losing her ability to work with digital tools. It shouldn’t be this way. As Paul …

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Vio for iOS: Transform, Tune, Harmonize Vocals in a Cloud of Particles [Preview]

Vocal modification is a natural app for iOS, yet a lot of the offerings out there are complicated to use. (At least one that springs to mind has options for add-on purchases that can muddle the user experience.) Audiofile Engineering (via a new brand, Square B) has just released an app that looks like loads of fun. Turning the interface into a swirling vortex of particles might not seem to be a step forward for ease of use, but here, the reduction in interface clutter lets you focus on singing. I’m retreating into the studio in a quiet moment to …

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