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One plug-in combines all the classic vocal effects you want

There have been vocal effects before – your vocoder, your pitch shifter, what have you. But the folks at iZotope set a more ambitious goal: be all the classic vocal effects. Put them a single plug-in full of modules. Then combine them in a way that makes them accessible, whether you’re preset surfing or dialing in your own sound. Encourage exploration without even requiring some advance knowledge. The result of that is called VocalSynth, and it’s out today. And wow, is this thing big – big enough that I imagine I might spend the rest of the year playing with …

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Here’s a Track Made From Just Teenage Engineering PO-12 and MeeBlip, And Another with MeeBlip Vocals

Not just less is more. More from less. Call it the sub-$200 studio. Our friend Tomash Ghz has made a track with sounds produced using only the Teenage Engineering PO-12 and the MeeBlip anode. Listen: And, very cool, have a go at the project files via Splice: https://splice.com/ghz_tomash/tomash-ghz—teslacoil For the record, that’s US$59 for the Teenage drum machine, and US$139.95 list for the MeeBlip. (In fact, MeeBlip is on sale now for a very limited time for US$119.95 with free US/Canadian shipping or discounted international shipping.)

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One Day, One Track, 3 Roland AIRAs: How They Sound, Would We Buy Them?

It’s probably the greeting I’ve heard most in the past couple of months, apart from “Hello.” Sometimes even before “Hello.” Everywhere I go, people are asking me what I think of the Roland AIRAs – particularly the TR-8 drum machine. There are now reviews everywhere of the AIRA TB-3 and TR-8 (and some of the VT-3, as well). For CDM, we’re planning some additional detail, but we’re still awaiting our review hardware. Fortunately, I got to spend an action-packed day with the trio of AIRAs with Benjamin Weiss. So, I can do what I’d do in a bar: I can …

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Roland AIRA Are Here – Synth, Bassline, Drum Machine, Vocal FX – Details, In Depth

It’s official: Roland’s much-teased line of four new products called AIRA are here. And they appear to represent a new course for Roland. They’re affordable and accessible in a way that we haven’t seen in recent products. But they’re also simultaneously closer to the sound of beloved vintage gear as they are more modern in taste and presentation. Let’s get right to it. CDM got to speak to Roland prior to today’s announcement to get the details. And we’ll have more insight soon into the design process and approach to modeling. But let’s cover the basics. This is component-modeled analog. …

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Novation MiniNova: Little Keyboard, Vocal Effects, $500 – From a Synth Design Great [First Look]

Being popular as a person may be a complex formula. But for keyboard synths, “a fun, cute, cheap date” just about covers it. And — sorry, any snobs out there, but no complaints about that. So it is that Novation has a 37-keyboard that combines lots of sound and effects from the company’s UltraNova into a compact body, bringing the price at dealers to about $500 bucks US. (Actually, to quote Novation’s press release, personally I endeavor to be “compact” and “affordable,” myself, though I don’t think I qualify as “amazingly powerful.”) It’s impossible to look at this and not …

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Tim Exile’s “The Mouth,” Reaktor-Built Creation for Your Voice

Tim Exile is a mad, Reaktor-patching genius. What I love about his instruments is the emphasis on performance. THE FINGER put you at the helm of wild, keyboard-based effects. THE MOUTH continues the MIDI keyboard triggering, but focuses, as the name implies, on using your voice and microphone as the main input. See some of the effects in the goofy video below, but know this: a wide range of sonic mayhem is possible with this instrument. I got to spend some time with Tim in Berlin early in the summer as he was still building The Mouth, and it was …

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Vocalize: Vocoder for iOS, Open Source Pitch Correction for Android, Plug-ins

VirSyn have announced one of the nicest effects I’ve seen yet on a mobile platform in the form of iVoxel, a vocoder for iPhone/iPod touch and iPad. On the handhelds, it looks like something you could easily hold up to your mouth and rest atop a synth; on iPad, you get a nicely-sized touchable keyboard for control. And they’re clearly hinting at more work to come. http://www.virsyn.net/mobileapp/ iVoxel isn’t available yet, but it is coming. So, how does this compare to your laptop? You can get VirSyn’s full-blown MATRIX 2 vocoder for EUR119 on sale now, run it on a …

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KORG KAOSSILATOR Pro: Now with Sampler, Effects, Vocoder

KORG has a way of coming up with hardware that’s fun to use. The KORG KAOSSILATOR, a simple, cheap AA battery-powered box packed with sound-making functionality, had already won some hearts over. Touch its X/Y pad, and the KAOSSILATOR responds with built-in synth programs and arpeggiators, all mapped cleverly to the touchpad to stay in the key range you desire. The KAOSSILATOR Pro really appears to be a hybrid of the KAOSSILATOR and KORG’s KP3 effects/sampler box. In fact, it’s really closer in appearance and function to the KP3. Like the KP3, the “Pro” has phrase sampling capabilities and effects, …

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FL Studio 9 Arrives: Better Performance, More Toys, More Editing

Click through for FL’s infamous Giant Screenshot of FL 9. See, it’ll look perfect on your 40″ flat screen. Update: Despite discussion in comments, Image-Line assures us this is an image of FL9. We’ll have more shots once we try out the software, of course! “Fruity Loops” has long proven that not all music making apps have to look the same way. FL is quirky and different. Its editing interface is built as much around step sequencers and pattern sequencing as the conventional, mixer and audio-tape-derived views. But perhaps some of its real draw is that it packs, in its …

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Video Tips on Live 8’s Vocoder, Collision Devices, Plus Live 8 Review

Still evaluating Live 8 – or want to learn more about how to use it? You can now read my review of Ableton Live 8 free on Keyboard Magazine’s site: Ableton Live 8 Review [Keyboard Magazine] See also (via comments) Nick Rothwell’s review for Sound on Sound June [subscription or US$1.49 fee required] Keyboard doesn’t yet have comments, so feel free to discuss – or disagree – here. I wanted to back up a little bit and consider Live as if for the first time. Now, I had also personally heard at least Robert Henke complain at one point that …

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