volcahack

Hacking filter FM makes the volca bass sound amazing

Are you in a warranty-voiding mood? Have you got a soldering iron? The KORG volca bass is already a nice enough little synth. But mix in a modification that adds frequency modulation to the filter, and you get some delicious, acid good times. Skip ahead to the end of the video above to hear what we mean.

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volca Goodies: Free volca beats Sample Library, $8 Editor-Control Panel, MIDI Out

The love of all things volca continues, as enthusiastic owners of KORG’s boxes create their own accessories. The latest: a sample library (meaning you don’t even need to own the volca), a fantastic editor/control panel package that works standalone or in Ableton Live, and a MIDI output mod. Free volca beats Sounds: First, let’s have a listen to a dark, dirty, free sample library from Dark Side of the Tune, aptly named Volca Beats. The Volca Beats was put through multiple gain stages and frequency modulation to create even more depth and range. From quick thumpy sounds for techno and …

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Ableton Goodies: Control Every KORG volca Free, with Max for Live

Tweaking with physical knobs is part of the joy of gear like the KORG volca series. But when you’re ready to automate parameters, try new sound design, recall presets, or simply work simultaneously to experiment with volca parameters alongside software tools, it can be handy to have a remote control. It’s the producer’s equivalent of not having to get off the couch. Benjamin Weiss, the other half of experimental techno duo NERKKIRN with myself, has been busily making volca presets. He’s found these to be timesavers in producing with the volcas; we’ll be using them in the studio this weekend, …

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The KORG volca bass is Not a TB-303 Replacement – Great Video Compares, Adds Tips

Discchord has an insightful video that pits the KORG volca bass – that beautiful, affordable wonder – against a 303 bass (in this case, a Cyclone clone). It’s in my view a completely fair comparison, just because the Roland TB-303 has become such a template for basslines, particularly in acid music. And understanding what the KORG isn’t is also a key to understand what it is. And yes, that silver cover can give people the wrong idea. (Where’s KORG doing pink or green army camouflage when you need them?) My own takeaways:

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Korg's Tatsuya Takahashi stops by our studio, playing his volcas (and a bit of MeeBlip with us, too!)

Hands On with Korg’s

He’s not a household name. But Tatsuya Takahashi is the man from Korg’s development group behind instruments you almost certainly know. Starting with the first Korg monotron, followed by the Monotribe, monotron DUO and monotron DELAY, Takahashi has been standards bearer to a legacy of Korg stretching back to the early analog days. These newer instruments return to some of the analog circuitry and ideas behind earlier instruments, bringing a new playful approach to electronic music making for the masses, at stunningly low prices that put the products in reach of those musicians. And now … well, now there’s volca, …

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