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iZotope Mobius and the crazy fun of Shepard Tones

I always figure the measure of a good plug-in is, you want to tell everyone about it, but you don’t want to tell everyone about it, because then they’ll know about it. iZotope’s Möbius is in that category for me – it’s essentially moving filter effect. And it’s delicious, delicious candy.

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One plug-in combines all the classic vocal effects you want

There have been vocal effects before – your vocoder, your pitch shifter, what have you. But the folks at iZotope set a more ambitious goal: be all the classic vocal effects. Put them a single plug-in full of modules. Then combine them in a way that makes them accessible, whether you’re preset surfing or dialing in your own sound. Encourage exploration without even requiring some advance knowledge. The result of that is called VocalSynth, and it’s out today. And wow, is this thing big – big enough that I imagine I might spend the rest of the year playing with …

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(CC-BY) OddWeird.

This is the next-gen notation tool from original Sibelius team

It’s been a few years since the original development and management team behind Sibelius found themselves unemployed at the company they started, following a restructuring by owner Avid. Since then, Sibelius has continued to progress, but in a way that’s best described as incremental. It’s now a subscription product with an emphasis on the cloud, like other Avid tools, and updates have focused on features like pen support and small notation details. If you’re happy with Sibelius, that’s not a bad thing: it’s the recipient of a steady stream of updates. But what if there were to be something new …

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Sidechaining is a big part of Movement -- for using another signal to transform effects.

Movement is a do-everything, musical rhythmic effect

Movement is here – and it’s a little scary. The folks at Output have some weird way of dialing directly into the zeitgeist of what we want from production these days, and delivering it in an easy form. They did that with reversed samples (REV), with vocals (EXHALE), and now they’re doing it in an atypically musical multi-effect with loads of rhythmic and side-chaining features. This isn’t just another delay or something like that. It’s an entire effects toolbox built around rhythm and modulation, in a way that’s unusually accessible.

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Shiftee takes us inside his latest virtuosic laptop DJ routine

Master turntablist Shiftee has posted a sharp routine. It’s a clever product placement for Razer’s laptops, but – well, it’s more than that. It’s an ad for laptops in general, at a time when DJing has increasingly come to mean “showing up with a couple of USB sticks.” And it’s sort of an ad for being DJ Shiftee. So, we asked Mr. Shiftee to show us what was going on.

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iZotope’s Dynamic Delay is free – and wonderful

iZotope has a new delay out, and like many plug-in developers of late, they’re using a limited time free offer to rise above the din of Internet noise. But while the new “DDLY Dynamic Delay” is free, it’s not something cut-down. On the contrary: you might fall in love with this delay right away.

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Play reverb roulette with this wild free u-he plug-in

Urs Heckmann just combined “reverb” with “experimental, possibly sonically unstable plug-in with unpredictable results.” And it’s free. Urs – how did you know exactly what I wanted for Christmas?

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Eventide just unveiled an insanely massive bundle of plug-ins

Eventide’s effects over the past four decades have had an enormous reputation – the marketing folks aren’t exaggerating with words like “mainstays” and “classics.” Now, imagine getting basically everything – past, present, and some new stuff – in a bundle of 17 plug-ins for an intro price of US$699. (That price drops to as little as $399 or $199 if you own some Eventide software.) Eventide have done just that with today’s Anthology X. It’s just huge, it covers a lot, and just a fraction of it could make it worth the cost of admission.

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Minimoog controller reminds us hardware, software go hand in hand

What’s an ‘app’? For years, it was an uphill battle just getting people to recognize the ability of computers to generate sounds. When Native Instruments was founded in Berlin in 1996, their name was a clue to where they imagined the future going. Propellerhead’s release of ReBirth in 1997 began a concerted effort by the Stockholm-based company to campaign for in-the-box emulations of gear – and their partner Steinberg would shortly thereafter push ReWire and its own VST. Now, it’s not so much the app as the map – the physical control given to software. Whatever analog versus digital debates …

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Audiomux V2 Turns Your iPad, iPhone into the Ultimate Plug-in

Audiomux already changed how we use our iPhones and iPads. Out: juggling cables and audio interfaces just to record an app. In: using apps seamlessly on your computer via just a Lightning or (30-pin) Dock cable. Well, if that didn’t make you interested in plugging your iPad into your DAW, this should. Using an app as a synth or effect on iOS is now about to be as easy as adding a plug-in — even on Windows. Audiomux isn’t the only game in town. Apple announced this month at its developer conference that was baking some basic functionality into iOS …

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