If you think computers aren’t advancing for audio, you haven’t been paying attention to connectivity. The latest generation of OSes, computer architectures, and audio interfaces can combine to give you lower latency and easier connectivity. They can even connect over long distances and networks. MOTU and RME this month unveiled cross-platform Thunderbolt support that works on Windows – and MOTU have been focused on connectivity in a series of updates.
When Novation’s little Circuit came out, it was already an appealing, simple box for making music. You got two polysynths and a four-part drum machine built in, coupled with a step sequencer, RGB pads and encoders for control, and MIDI, all for just a hair above $300. At the same time, though, you were restricted to the built-in sounds. Today, Novation are unveiling a bunch of updates that open up the machine to more customization – to personalizing it for your own use.
The media landscape is changing, from Apple moving to streaming and adding content on Apple Music and Apple TV, to SoundCloud adding paid subscriptions and signing deals with majors. Meanwhile, the biggest player in dance music, Beatport, is about to be untethered from the EDM conglomerate that bought it.
The interactive mirror has been a long-running staple of digital art, but its form came in galleries – Mac minis and the like stuck to walls. Now, transposed to the browser, the form becomes oddly personal and intimate. We stare into our computer screen all day. For a fleeting moment, it can look back.
SoundCloud has become a popular punching bag for the music press. The formula runs something like this: choose a screaming headline predicting the company’s doom, run some out-of-context business numbers and some negative quotes by an unnamed source, then (presumably) rake in clicks.
Technology’s record in the last century was often replacing music making with music consumption. But in this century, that might turn around. Google seems to hope so. Today, the company posted a set of free sound toys on its site, all running in your browser. They’re fun diversions for now – but thanks to open code and powerful new browser features, they could become more.
Thanks to the addition of MIDI to a new generation of browsers, a browser tab could as easily be an interface to a synth – not just a place for social media distractions of pictures of synths with cats. Now, we’ve got an (unsolicited) Web editor for our own MeeBlip synth, joining editors for Roland Boutique and Yamaha Reface instruments.
Whatever identity crisis and legal wrangling may be going on at SoundCloud at the moment, the site’s DNA is all about creation. That’s where the site came from – initially, with labels and producers as a way of sending around tracks – and it remains the strong point. SoundCloud is the operating system for music sharing and discovery for creators much in the way Facebook is the OS for social interaction and YouTube for video. Of course, lately, SoundCloud has largely been in the headlines for “hey, my account was taken down for posting mixes” or “PRS wants royalty payments.” …
PRS for Music, a UK performing rights organization, at the end of last month sued SoundCloud for copyright infringement on behalf of its members. The action may prove a decisive moment for the Berlin-based streaming service. It represents a collision between SoundCloud’s approach and the organizations involved in administering copyright, and more broadly, between the conventional models for sharing and monetizing music and those evolving on the Internet. I spoke to representatives from PRS and SoundCloud to try to get greater clarity. Those responses were naturally a bit guarded, as the two are actively engaged in legal action. However, there’s …
With each creation tool, each means of broadcasting audio via the Web, the force of music technological access accelerates. What was once limited to an elite able to make use of studios and labels spreads to more corners of the globe. But what will that democratization mean? Earlier this summer, I got to speak to two people whose companies have been instrumental in the ways in which people make and share music today. Eric Wahlforss is co-founder and CTO of SoundCloud; Daniel Haver is CEO of Native Instruments. Those jobs keep them pretty busy, so this is the first time …