thisismyjam

The music Web is now so closed, you can’t share your favorite song

Jam Supercut from Matthew Ogle on Vimeo. Call it a jam session that has completely fallen apart. Having Web services go dark is certainly not news in this day and age. We’ve come to expect that Internet services won’t be there forever. (Google Reader, anyone?) But if you pull apart some of the backstory behind the end of a service called “This Is My Jam,” you’ll come across an unnerving reality of the way music on the Web is evolving (or devolving). This Is My Jam began life as a kind of hack – pick your one and only favorite …

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Drum machines in your browser, and more places to find Web Audio and MIDI

Open a new tab, and suddenly you have a powerful, sequenced drum synth making grooves. Give it a shot: https://irritantcreative.ca/projects/x0x Or read more. (This latest creation came out in June.) This is either the future of collaborative music making or the Single Greatest Way To Make Music While Pretending To Do Other Work I’ve ever seen. But, as a new effort works on sharing music scores in the browser, it’s worth checking up on the Web Audio API – the stuff that makes interactive sound possible – and connections to hardware via MIDI. And there’s a lot going on, the …

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Telemann

The next Web standard could be music notation

The role of the music score is an important one, as a lingua franca – it puts musical information in a format a lot of people can read. And it does that by adhering to standards. Now with computers, phones, and tablets all over the planet, can music notation adapt? A new group is working on bringing digital notation as a standard to the Web. The World Wide Web Consortium (W3C) – yes, the folks who bring you other Web standards – formed what they’re describing as a “community group” to work on notation. That doesn’t mean your next Chrome …

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refaceback

Web MIDI and More Surprises You Didn’t Expect From Yamaha’s Reface

Yamaha’s Reface synth line are out now, with full details. You can dig through the site rather than have to do it here – but let’s look at what you might find surprising. It has Web MIDI, not just MIDI. Yamaha promises the line will connect to Google Chrome via Web MIDI. Now, theoretically, that’s possible in the latest Chrome builds with any MIDI keyboard, not just the Yamaha. But it suggests that Yamaha are atypically embracing bleeding edge tech (previously seen only at hackdays and such) and making it a standard feature. And there’s more: “Soundmondo is a free …

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iphone_happn

You Can’t Game Spotify, But You Can Up Your Dating Game

As the transformation of music heats up, the discussions are heating up, too. Case in point: yesterday’s report on Eternify certainly earned some angry responses. I was of the opinion that Eternify was a decent gimmick – a way of showing just how small fees from streamed music are. Imagine if the music you bought only got a fraction of a cent to the artist each time you played it. I don’t think there’s practically an album in my collection I’ve listened to enough times that streaming fees would add up to purchase fees. Now, does that mean that Spotify …

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Eternify is the Best Response Yet to Streaming Conundrum

What initially seemed to be a conversation about streaming revenues for artists more or less this week became a conversation … about Taylor Swift. But it’s the debate behind Apple Music that is somewhat puzzling. Taylor Swift wasn’t the only one focusing concerns on Apple Music’s quarterly free trial. Labels were fixated on the same worry. The reason this is odd is that it ignores the fact that even when users pay for a subscription, rates are woefully inadequate. Music Business Worldwide reported a study from France that confirms what many had suspected. Majors get a whole lot of the …

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Where’s the Drop? Web App Creepily Knows Via The Crowd

Here’s something cool, and something depressing – all in one. What’s cool: Paul Lemere, participating at Cannes’ MIDEM Hack Day, built a tool that magically figures out where “the drop” is in a song. What’s creepy and depressing – uh, to me, at least – it knows this because some of you apparently can’t resist scrubbing directly to that point in the song. Hey, wait a minute, isn’t the whole point some amount of anticipation before just immediately getting to the release of pl– I’m going to stop right there, as there is no family-friendly way to talk about this. …

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itunesconnect

Here’s How To Get Yourself on Apple Music – Even Unsigned

Okay, so you’re not Trent Reznor or Drake, but you do make music. Will you be able to get your music on Apple’s streaming service? And what about these artist pages for connecting with fans? Answer: yes to both, if you like. Apple today gave a lot of lip service to independent producers and “bedroom” music makers – even going as far as showing the latter in their video. (He had a vintage M-Audio Trigger Finger Pro and a new IK Multimedia iRig Pads, no less.) It seems there are specific plans, too, posted for the moment on a page …

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vinylize

Can QRATES Make Vinyl Pressing More Accessible?

Talk all you like about the “feeling” of something physical, something tangible, about having a real object, about ownership. There’s a cold reality behind selling physical goods: it’s hard. Before you can sell something, you need money to buy the physical stuff you want to sell. Digital “solves” that by making the good intangible, but in the material world, you need materials. Before “capitalism” came to mean some complex international system of speculative markets, this, of course, was what we meant: you got some capital to start a business selling stuff. Then, once you have that stuff, you better hope …

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webaudio

Now Google Chrome Browser Does MIDI

It’s 32 years old. It’s supported by keyboards and electronic wind instruments and lederhosen. And now you can add your browser to the list. MIDI will never die. Yes, as of more recent beta and stable builds, Google’s Chrome browser has built-in support for hardware MIDI. Plug in a MIDI controller, and you can play – well, this Web Audio MIDI Synthesizer, anyway: https://webaudiodemos.appspot.com/midi-synth/index.html Chris Wilso is the author, and describes it thusly:

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