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Melodics is like Guitar Hero for learning pad drumming

You’ve watched in awe as artists dazzle on hardware like Ableton Push, Maschine, and the MPC. But maybe your fingers just haven’t been as nimble, haven’t been as quick. Now, that might change. In a love child of Guitar Hero and a drum lesson, Melodics is here to save your pad-drumming chops.

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Akai MPC Touch is an MPC with a multi-touch screen

MPC lovers, you finally get a piece of hardware with everything in one place: touch, color displays, pads, buttons for workflow access. There’s just one catch: you will still need the computer. Ever looked at those beautiful color waveforms on Native Instruments’ Traktor and Maschine controller and wished you could touch the screen? Imagined pinching to zoom waveforms and navigate samples, the way you can on an iPad? Well, Akai are the first to do groove-making hardware that combines physical pads and a touchscreen in one unit – no iPads (or Microsoft Surfaces) in sight.

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Bitwig Studio is a real touch DAW you can use today

We’ve seen apps made exclusively for touch devices like the iPad. And we’ve seen very basic touch support in desktop apps. But Bitwig Studio 1.3 is both. So, on the same day we find out about a proper touch laptop, we also get a DAW that’s ready, today, to take advantage of it. (See also FL Studio below, though Bitwig brings specific support for Microsoft’s new displays, and some new ideas.) Also, is Bitwig actually trolling Mac fans, or Apple? Because Bitwig is touting the fact that OS X will at least get its new “E-Cowbell device.” (I’m not making …

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Microsoft just gave us the touch laptop Apple won’t

Apple’s strategy is clear: make one line of things that are laptops (running OS X), make another line of things that are touch-based (running iOS). That strategy has served them – and musicians and other creatives – well. You can certainly have a lot of fun with a fairly inexpensive iPad full of apps, and the MacBook line has earned its place as the music laptop of choice. But that’s still left some creative types in the gap between the two. That is, it did, until today.

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Reaktor met Eurorack, and you won’t believe what happened next

Reaktor Blocks Love Eurorack from listentoaheartbeat on Vimeo. Sorry, couldn’t resist. Can you combine computer software with analog hardware? Can you route control signal from computer software to hardware? Can you combine something accessible with a grid (like a drum machine) with more advanced, open-ended machines with wires? Yes, yes, and yes. Does all modular synthesis stuff sound like indecipherable noodling? Do you have to make a religious decision between analog and digital, hardware and computer? Do all modular setups have to be sprawling rigs that eat up all your money and home? No, no, and no. Make what you …

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Universal Audio just made an Apollo Twin that does Windows, thanks to USB3

If you’re a Windows user who’s been jealous of Universal Audio’s Apollo Twin interface and audio DSP platform, times are about to change. For those of you just joining us, Universal Audio’s box is special in that it’s a compact, accessibly-priced entry into the UAD line. As an audio interface, it’s just one of the better pieces of gear out there (in terms of fidelity and reliability). And it runs all UAD’s top-notch plugins, too, opening up a window to a lot of analog emulation. The Apollo Twin is a high-performance box, but it demands Thunderbolt – and it’s OS …

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NI’s Traktor S5 is a more compact all-in-one DJ controller; here’s how it stacks up

The Traktor Kontrol S8 from Native Instruments is, let’s face it, the Cadillac Escalade of DJ gear. It’s loaded. It’s shiny. It’s powerful. It’s also expensive and hard to parallel park. So, without much fanfare, NI last week gave us the S5. It’s roughly the size of the S4 – the two-wheel controller that was once flagship of the Traktor line. But in that space, you get the stuff you’ve probably envied on the bigger Traktor controllers (the S8, and its one-deck-at-a-time counterpart the D2). It’s got color displays. It’s got touch strips – no wheels, if you like such …

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Here’s a visual tour of what’s new in Reaktor 6

Reaktor 6 arrives today, and it’s the most significant update to Native Instruments’ deep modular environment in years. Blocks, which we cover separately, are clearly the banner feature. But there’s a lot of new functionality both apart from Blocks and underlying it. Let’s take a tour. First, it’s worth saying: Reaktor is a vital part of NI’s DNA. It’s the software that really launched the company (as Generator, back in 1996). And Reaktor is a prototyping and development tool for the company. Of course, the flipside would be, if NI weren’t taking care of Reaktor, you should fear for the …

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Reaktor 6 Blocks are like getting a modular in your laptop for $199

What if I told you you could have a modular with what would feel like limitless possibilities – and it’d cost just a couple hundred bucks. Oh, yeah, and if you got bored of the existing modules, you could make new ones. Well, that’s exactly what you get with Blocks in Reaktor 6. And, while, sure, you could say the same of past versions of Reaktor could say that, too, as could tools like Max or SuperCollider or Pd, here we mean literally a set of modules that inter-connect in real-time, act as self-contained units, and allow designers to create …

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Get physical modeling sonic powers, free, in Max starter kit

There is a powerful world of sound exploration in your hands. But sometimes the hardest part is just starting. So the quiet launch of a site called Maxology is very good news. It’s evidently a place to go for tutorials and projects and more. And right now, you can grab a bunch of free and open source objects for physical modeling, built for Max 7 and Max for Live. That opens a window into a world of realistic and impossible sounds, built on algorithms that mimic the way instruments work physically and acoustically.

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