livecontrol_inaction

How to Use the iPad for Music Control: Cables, Wireless, MIDI, OSC

You know the possibilities are significant, but how do you explore them? iPad, Ableton Live, MIDI, OSC, Wi-Fi, MIDI … how can you connect your iPad to other tools for music control? We brought in an expert, Nicolas Bouga├»eff, Creative Director at Liine, to explain the different routes, including not only wireless, but wired solutions, too. Liine is the maker of Lemur and popular Ableton Live control apps (LiveControl 2 being the most recent). Nicolas naturally builds on that expertise, but the lessons here apply to a range of iOS apps. This tutorial should answer some questions for beginners and …

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Miselu Uses Wireless, Magnets, Ribbon, Springs for Upcoming MIDI Keyboard [iOS/Desktop]

It is unintentionally turning into “crowd-funded experimental keyboard week” here on CDM. Miselu, the startup known for developing their own, custom Android-based hardware platform, now turn their attentions to iOS. Miselu’s Jeffrey Horton tells CDM they have suspended work on their existing hardware and “hope to resume android development when the time is right.” This comes how on the heels of NDVR’s crowd-funding campaign for a unique new keyboard, and just as we’re finishing our review of the crowd-funded (now shipping) QuNexus. (Note: NDVR now has a new IndieGogo crowd-funding link; there was an error in the way the first …

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Imagine a Musical Interface, Mirror it on Your iPad: Max + Mira

I heard David Zicarelli once describe Max as a blank sheet of paper – a canvas on which you can imagine any musical creation. Until now, though, there’s been no way to touch those creations directly – other than with a mouse. Mira is a lovely solution to that idea. As users “patch,” visually creating tools in Max, objects that impact user interface interaction (knobs, faders, buttons, musical keyboards and the like) are visible both on your computer screen and on your iPad. You even can add images, new objects for multitouch and motion, text, and images. And you can …

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Bhoreal: RGB Grid as Open Source Hardware – Kit or Ready-Made, Wired or Wireless

We are Bhoreal from MID New Media Design on Vimeo. Grids are suddenly everywhere – in music control, but also in visuals and art. And they’re lighting up in RGB. But Bhoreal promises to do some things other grids aren’t. Whereas the monome is a truly beautiful, handmade and rare object, its rarity – by design – means it’s hard to get. And readily-available commercial products aren’t open source, and while they fit certain needs elegantly, they’re designed to stick to those needs rather than allow easy modification. Bhoreal is this kind of blank-slate, do-anything colored grid you can turn …

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Fractals, Bots, Nodes, and Patternists: Onyx Ashanti’s Cyborg Music Meets the Ensemble [Guest Post]

Get ready: from one more-than-human musical cyborg, a robotic horde of beatjazz artists. Onyx Ashanti isn’t satisfied just augmenting his own body and musical expression with 3D-printed, sensor-laden prostheses. He’s extending that solo performance with bots that crawl around and gesture for feedback, then – inspired by the organic beauty of fractal geometry – is binding together performers with his system in a networked system of nodes. Just don’t call it a jam session. Call them patternists. If this sounds crazy, it is: crazy in just the way we like. But amidst this hyper-futuristic vision of performance, Onyx also writes …

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Tech for Guitarists: What’s New, What’s Changing in Digital Guitar Tools [NAMM Report]

Who says guitar technology isn’t advancing? Joe Gore is a guitarist who’s unafraid of the bleeding edge, so he was a natural to report back to us from the hallowed halls of new musical instruments, NAMM. He takes a look at what’s new and what’s evolving through a guitarist’s eyes. And this stuff is interesting, indeed, with effects and controllers that might inspire gear desires in instrumentalists of all stripes, not just guitarists. We guitarists tend to be a technologically conservative bunch, yet there was no shortage of forward-looking products at NAMM 2013. Not that everyone was looking in the …

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wablet

Make a New Sound: Scanned Synthesis on Wablet for iPad Features Utterly Mad Meshes

It’s a good sign when you need to invent a new verb to describe using a music tool. And so, get ready for some wabbling. Feel like there aren’t any new synthesis techniques? Scanned synthesis is a reasonable example. Fundamentally, it involves wavetable synthesis – producing new sounds by playing back recorded wavetable content – but navigates those sounds by “scanning” through pitch and timbre independently at slow speeds. By doing so, it simulates slow vibrations in the real world, and it leans heavily on the way human physical control and hearing work. The technique was developed by Bill Verplank …

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djay Enhanced for iOS 6, iPhone 5; Meet Multichannel iOS Audio Support

Algoriddim’s djay, aside from being a very nice Mac app, has demonstrated that an iPhone or iPad can be a serious DJ tool. For many DJs, they’re just a handy, portable backup or compliment to the full-powered DJ setup, one that nonetheless gives you familiar tools and options. But they really can do most of what desktop software can do, and you can add on physical controls with accessories. New versions of djay are nicely optimized for Apple’s newest hardware (iPhone 5) and software (iOS 6, which also works with a lot of existing iOS gadgets). As such, they also …

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kinektron-1

Little White Box: A Look at the Ambitious Kinektron Music-Making Cube

How much music making can you pack into a space-age, sealed white box? Developers Kinektron proposed one solution last month. To examine their design direction so far, we turn to Create Digital Music’s summer intern in industrial design, Arvid Jense. Arvid is completing unique dual studies in Media Music (at the ArtEZ Conservatorium, Enschede) and BSc Industrial Design Engineering (at the University of Twente), both in the Netherlands. He’s working with us to research instrument design and musical interaction, and doing a set of studies and design experiments related to our own MeeBlip open source synthesizer. (More on Arvid and …

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gb_ipad_01

GarageBand for iPad Hands-on: Why It’s Ideal for Beginners, What You May Not Know

Let’s get this out of the way: musicians are not a “niche” group. Recording has done some damage to the popular practice of live music, but still, you’ll find an astonishing number of people play instruments and sing. (New pop culture phenomena like Glee, the Guitar Hero/Rock Band games, and the resurgent TV talent show have helped, too.) What’s “niche” is conventional music production software. While it’s a fast-growing segment, music making software remains elusive and befuddling to a whole lot of musicians. GarageBand for Mac was one answer to what software for the remaining group should look like. But …

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