eyewitnessnews

Watch a 1986 TV story on house music, plus too many documentaries

In our last episode of “watching things on the Internet instead of doing real work,” we were enjoying a full-length 90s electronic music documentary and a bunch of music videos. Well, here we are at yet another weekend. And hopefully we can give you some video watching pleasure yet again, in those moments when you aren’t, well, hopefully, making music. Leading the pack is a 1986 story from Chicago TV news back when house music was in its early days, as spotted by Dancing Astronauts. And it’s an astounding document, featuring Danny “Sweet-D” Wilson, Farley “Jackmaster” Funk, Steve “Silk” Hurley, …

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modulations

Watch a full-length electronic documentary from the 90s, and more free videos

America’s on-again, off-again love affair with electronic music – often, with idioms it helped create – is endlessly full of unexpected twists and turns. But all this bears examining. For some, it’s a journey back to the music that first inspired them. For others, it’s a chance to learn, perhaps, how where music has been might help lead to where it’s going. It’s a chance not just to repeat electronic music past, but go beyond it. And if you’re looking for something to entertain you this weekend, you could do worse than Modulations, a documentary from 1998. Back then, it …

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tortillamusic

A Tortilla Laser-cut Into a Record is the Future of Music

Hipsters love Mexican food, record players, and laser cutters. Let’s combine them – for reals. The hell with other music distribution media…

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kallax

Video Tutorials Show You How to Make Cheap DJ Booths from IKEA Stuff

It’s fun to watch the hate lobbed at DJs “DJing in their bedrooms.” But… come on. We’re all music lovers here. What other priority would you possibly have for your bedroom? (Sleep, for instance, really robs you of time you could be playing records and producing music. Such a loss.) And as it happens, the folks cobbling together $300 “DJ booths” out of IKEA bits are getting fairly clever and industrious, making some nice setups that leave them money to spare on important stuff – like synthesizers. At top, a video by DJ Puzzle that just started making the rounds. …

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arpodyssey

This Crazy Polish Video Sums Up Why We Want a KORG ARP Odyssey

Analog synthesizers are superior because of their pristine, high-fidelit — Oh, f*** it, who are we kidding? We want to wail on an ARP Odyssey with ridiculous modulation that turns it into a groovy, angry space alien, and then film it on VHS interspersed with some car chase, just because. Someone in Krakow, Poland agrees, and the video above is what happened. I’m going to defend the ARP Odyssey remake. Reader reactions clearly show this is a favorite. And the video reveals why: the Odyssey captures some of the ridiculously, wonderfully diverse noises of the ARP 2600 in a keyboard. …

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How the Millennium Falcon Got Its Hyperdrive Malfunction Sound

Old pipes? A vintage airplane? Mechanical equipment? Ben Burtt, Hollywood’s master sound designer, is remarkable for his economy and resourcefulness. That’s evident in this charming video in which he demonstrates how he evoked breaking machinery to realize the sound of the Millenium Falcon… not going into hyperdrive. The cinematic challenge is significant. It’s a bit joke, a running gag, but it has to simultaneously build tension in the film. And like the rest of Star Wars, the future is evoked by the past. (It is, after all, a galaxy long ago – and to impact audiences, couldn’t in fact be …

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The Terrible, Horrible, No Good, Very Bad Google Music Contract?

Google isn’t just being a little bad in their contract negotiations with indie labels. In a leak to Digital Music News, it proves to be the worst contract I or anyone I’ve talked to has ever seen, for anything music-related. It puts the “boiler” in boilerplate. F*&K It: Here’s the Entire YouTube Contract for Indies… If this leaked contract is what Google still stands by, and current analysis in the music press is correct, the deal is deeply unsettling. It blurs the lines between free and premium services by placing them all under a single contract. YouTube and its Spotify …

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Google Now On The Record With Anti-Indie Negotiating Tactics

As Beats, Spotify, and others earn praise from indies, Google is looking like music’s biggest new villain. According to independent labels, Google is ignoring their collective negotiating groups, offering poor terms in comparison to what they offer majors, and then threatening to block artists and labels from YouTube if they don’t accept those disadvantaged license deals on the company’s new service. And a Google executive today all but publicly confirmed the threats to the press. You might expect that Google would want to burnish its image in light of an upcoming paid streaming service (think Google clone of Spotify, possibly), …

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Through a Musician’s Eyes: Google Glass as Musical Teaching Tool

Google Glass meets … French Horn? Wearable camera technology could offer a new window into centuries of Classical Music tradition. That could happen not only via Google Glass but other online and camera tech, too. Sarah Willis, French Horn player, is using Glass as a way to bring young people closer to the Classical experience. And Willis is allowing people to see the point of view of an experienced artist in a symphony, watching conductors, and (depending on instruments and playing technique) the instrument itself. Sarah spoke to Berlin’s NEXT Conference yesterday, a tech conference. I spoke there, as well, …

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Space Oddity, Made in Space, is Kind of Ridiculously Awesome

Canadian Col. Chris Hadfield, aboard the International Space Station, has done what you would probably want to do if aboard the high-flying orbital outpost: make a music video for David Bowie’s “Space Oddity.” And he works “Soyuz” into the lyrics. (Thankfully, he refrains from making it “Colonel Chris.” The only complaint: a shame it can’t cut between the ISS and Mission Control.) Colonel Hadfield, if you can hear us and have a moment, we’d love to hear how you produced the recording. Not that zero-g means too much for sound production – though I imagine keeping the mic steady becomes …

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